scholarly journals Latvian Translation Scene at the Turn of the 19th and 20th Century

2020 ◽  
pp. 110-127
Author(s):  
Andrejs Veisbergs
Keyword(s):  
20Th Century ◽  
Translation Method ◽  
Dominant Position ◽  
Intermediate Language ◽  
19Th And 20Th Century

The paper looks at the Latvian translation scene at the end of the 19th and the beginning of the 20th century. It is a continuation of the study of translation history in Latvia reflected in previous issues of Vertimo studijos (vol. 7, 8, 11). These decades are marked by a huge growth of translation, especially in periodicals. German was gradually losing its dominant position as a source and intermediate language, Russian was advancing, so was also the scope of other languages. In contrast to previous periods there was a particular interest in the quality of the originals and modernity.This period also saw a change of generations among translators, and women became visible in translation scene. Translators among whom there were all the great Latvian writers gradually emerged as professionals. Frequently translations had prefaces and explanations by the translators. There were numerous parallel translations of the same works, some reaching up to ten versions. Translations included various genres and the traditional Latvian interest in plays was very obvious. So was the focus on specialised literature on agriculture. The translation method changed from localisation to a fidelity mode with a tendency to apply elements of foreignisation.

scholarly journals The Latvian Translation Scene at the Beginning of the 20th Century

2021 ◽  
Vol 11 ◽  
pp. 138-175
Author(s):  
Andrejs Veisbergs ◽  
Keyword(s):  
20Th Century ◽  
Translation Method ◽  
High Quality ◽  
Intermediate Language ◽  
New Generation ◽  
Translated Literature

The first decade of the 20th century was a period of huge advances and expansion in the Latvian translation scene. New, contemporary authors’ works became available to Latvian readers. The Latvian readership was consciously being integrated into general European literary trends. It was also a heyday of periodicals that published numerous translations, including numerous novels. There are countless parallel translations even reaching double digits. Translations included various genres and the traditional Latvian interest in plays was obvious. German was gradually losing its dominant positions as both a source and intermediate language, Russian was advancing. This period also saw a change of generations among translators, and with the new generation women became visible in translation scene. Practically all Latvian writers were also active translators. The translation method changed from localisation to a fidelity mode with a tendency towards foreignisation. Frequently translations now had prefaces and explanations by the translators. Translated literature now ranged from serious classical works to modern ones and from pulp literature to high quality creations. The quality of translations was also very varied. The expansion of translation and the cultivation of new domains went hand in hand with the development of the Latvian language itself.

The Contemporary Serbian Historiography on Women in the Independent Serbian State (1878–1918): An Overview

2018 ◽  
Vol 13 (3-4) ◽  
pp. 62-75
Author(s):  
Yulia V. Lobacheva
Keyword(s):  
Gender Studies ◽  
20Th Century ◽  
Women's Movement ◽  
Private Life ◽  
Women's Issues ◽  
Biographical Research ◽  
History Of ◽  
Modernization Process ◽  
19Th And 20Th Century ◽  
Current Stage

This article aims to consider how Serbian scholars/historians approach to the study of Serbian women in the history of the independent Serbian state and the Serbian society in 1878–1918 at the current stage of the research (from the beginning of 1990th until 2017). This paper will give an overview of some of the main areas of historical studies considering Serbian women’s “being and life”. For example the historiography on history of “women’s question” including women’s movement and/or feminism will be considered as well as biographical research, the study of women’s position through the lens of the modernization process in Serbia in the 19th and 20th Century, Serbian women’s issues in gender studies and through the history of everyday and private life and family, the analysis of the perception of Serbian woman by outside observers including the study of the image of Serbian woman created/constructed by “others”.

THE RUTGERS GEOLOGY MUSEUM AND ITS ROLE IN THE EVOLUTION OF THE 19TH AND 20TH CENTURY GEOSCIENCE COLLEGE CLASSROOM

2016 ◽  
Author(s):  
Lauren Neitzke Adamo ◽  
◽  
AJ Blandford ◽  
AJ Blandford ◽  
Erika B. Gorder ◽  
...  
Keyword(s):  
20Th Century ◽  
College Classroom ◽  
19Th And 20Th Century

Die wichtigsten Charakterzüge der Übersetzungsmethode des Übersetzers František Benhart beim Übersetzen slowenischer Prosa ins Tschechische

2019 ◽  
Vol 64 (2) ◽  
pp. 175-189
Author(s):  
Jana Šnytová
Keyword(s):  
20Th Century ◽  
Proper Names ◽  
Linguistic Analysis ◽  
Target Language ◽  
Translation Method ◽  
Original Text ◽  
Cultural Environment ◽  
Crucial Importance ◽  
Source Language ◽  
Basic Features

Summary In this paper, I focused on the translation work by František Benhart which, due to its extensiveness, was of crucial importance to the reception of Slovenian literature in the Czech cultural environment of the second half of the 20th century. The aim of this study is the linguistic analysis of the literary translations of selected literary works of the canon of Slovenian literature into Czech. Translation can be considered to be a cultural transposition, i. e. a transfer of the text and cultural environment from the source language into the text and cultural environment of the target language. In the analyses, I focused on some partial issues that either dominated in the particular text (expressivity, phraseology, idiomatic or proper names) or occurred across the texts analysed (realia) and in this context, I searched for his specific translation solutions. I also examined short excerpts of the original text and its translated counterpart looking for the presence of stylistically marked elements. Based on the results of individual analyses, I presented Benhart’s specific translation approaches and I attempted to summarize and indicate the basic features of his translation method. Furthermore, my second objective was to point out the possible consequences of Benhart’s translation method for the reception of the Slovenian literature in the Czech cultural environment.

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