scholarly journals Distance-Profile Chart: a Novel Visual Representation of Mutual Location of 3D Objects

2017 ◽  
Author(s):  
Magdalena Tkacz
Keyword(s):  
Visual Representation ◽  
Mutual Location ◽  
3D Objects

Recognition of partially occluded 3D objects

1989 ◽  
Vol 136 (2) ◽  
pp. 124
Author(s):  
Ming-Hong Chan ◽  
Hung-Tat Tsui
Keyword(s):  
3D Objects ◽  
Partially Occluded

Beef Retail Identification Cuts

EDIS ◽  
2017 ◽  
Vol 2017 (6) ◽  
Author(s):  
Brian J. Estevez ◽  
Chad Carr ◽  
Larry F. Eubanks
Keyword(s):  
Visual Representation ◽  
Cooking Methods ◽  
Retail Cuts

  A visual representation of the beef retail cuts along with suggested cooking methods.

Simultaneously Execution of Target Detection, Posture Estimation, and Tracking of 3D Objects by Parametric Eigenspace Method Embedded Particle Filter

2009 ◽  
Vol 129 (5) ◽  
pp. 838-845 ◽  
Author(s):  
Masayuki Obata ◽  
Takeshi Nishida ◽  
Hidekazu Miyagawa ◽  
Fujio Ohkawa
Keyword(s):  
Particle Filter ◽  
Target Detection ◽  
3D Objects ◽  
Posture Estimation

VISUAL REPRESENTATION OF GEOGRAPHIC OBJECTS IN 3D SPACE AT LEVELS OF DIFFERENT DETAILS

2017 ◽  
Author(s):  
Pham Van Dang ◽  
Tran Vinh Phuoc ◽  
Huynh Ngo Phuoc Tuyen
Keyword(s):  
Visual Representation ◽  
3D Space

ANALYSIS OF EFFICIENCY OF APPLICATION OF PROGRAMS OF MODELING 3D OBJECTS IN CONSTRUCTION DESIGN

2018 ◽  
Vol 8 (5) ◽  
pp. 246-249
Author(s):  
A.V. Rybina ◽  
◽  
V.V. Garyaeva ◽  
Keyword(s):  
3D Objects ◽  
Construction Design

CALCULATION OF OPTIMAL INJECTION RATE FOR DISPERSED WATERFLOODING SYSTEM

2017 ◽  
pp. 63-67
Author(s):  
L. A. Vaganov ◽  
A. Yu. Sencov ◽  
A. A. Ankudinov ◽  
N. S. Polyakova
Keyword(s):  
Injection Rate ◽  
Oil Field ◽  
Injection Well ◽  
Water Migration ◽  
Mutual Location ◽  
Optimal Injection ◽  
Technical Measures ◽  
Injection Rates

The article presents a description of the settlement method of necessary injection rates calculation, which is depended on the injected water migration into the surrounding wells and their mutual location. On the basis of the settlement method the targeted program of geological and technical measures for regulating the work of the injection well stock was created and implemented by the example of the BV7 formation of the Uzhno-Vyintoiskoe oil field.

New Wars and Their Visual Representation: Dead Bodies without Graves/Mourne

2020 ◽  
Vol 2 ◽  
pp. 1-18
Author(s):  
Tuncay Şur ◽  
Betül Yarar
Keyword(s):  
Social Media ◽  
Visual Representation ◽  
Human Beings ◽  
The Public ◽  
Photographic Images ◽  
War Photography ◽  
New Wars ◽  
The Social ◽  
History Of ◽  
The Impact

This paper seeks to understand why there has been an increase in photographic images exposing military violence or displaying bodies killed by military forces and how they can freely circulate in the public without being censored or kept hidden. In other words, it aims to analyze this particular issue as a symptom of the emergence of new wars and a new regime of their visual representation. Within this framework, it attempts to relate two kinds of literature that are namely the history of war and war photography with the bridge of theoretical discussions on the real, its photographic representation, power, and violence.  Rather than systematic empirical analysis, the paper is based on a theoretical attempt which is reflected on some socio-political observations in the Middle East where there has been ongoing wars or new wars. The core discussion of the paper is supported by a brief analysis of some illustrative photographic images that are served through the social media under the circumstances of war for instance in Turkey between Turkish military troops and the Kurdish militants. The paper concludes that in line with the process of dissolution/transformation of the old nation-state formations and globalization, the mechanism and mode of power have also transformed to the extent that it resulted in the emergence of new wars. This is one dynamic that we need to recognize in relation to the above-mentioned question, the other is the impact of social media in not only delivering but also receiving war photographies. Today these changes have led the emergence of new machinery of power in which the old modern visual/photographic techniques of representing wars without human beings, torture, and violence through censorship began to be employed alongside medieval power techniques of a visual exhibition of tortures and violence.

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