The Revival of Cornish: An Dasserghyans Kernewek

PMLA ◽  
1946 ◽  
Vol 61 (1) ◽  
pp. 258-268
Author(s):  
John J. Parry

Among the Celtic tongues Cornish occupies a unique place. It is not a wholly dead language like Gaulish and Galatian, and neither is it an actively living one like Welsh and Breton, Irish and Scots Gaelic. Even Manx, few as the speakers of it may be, has maintained a living tradition. But Cornish was practically dead when the revival began in 1904, and it was well on its way to becoming a living language again when the second world war broke out. Whether this revival can survive amid the dislocation of total war remains to be seen.

2021 ◽  
pp. e20200008
Author(s):  
William J. Pratt

Over 230 Canadian Army soldiers took their own lives during the Second World War. For many, soldiering seems to have exacerbated stresses and depressions. Their suicide notes and the testimony of family, officers, and bunkmates reveal that wartime disturbance was an important section of the complex array of reasons why. In attempts to explain the motivations for their tragic final actions, the instabilities brought by the Second World War and the stresses of military mobilization must be added to the many biological, social, psychological and circumstantial factors revealed by the proceedings of courts of inquiry. Major military risk factors include: access to firearms, suppression of individual agency, and disruption of the protective networks of friends and family. Some Canadians had a difficult time adjusting to military discipline and authority and were frustrated by their inability to succeed by the measures set by the army. Suicide motivations are complex and it may be too simplistic to say that the Second World War caused these deaths, however, it is not too far to say that the war was a factor in their final motivations. Some men, due to the social pressures and constructs of masculine duty, signed up for active service despite previously existing conditions which should have excused them. Revisiting these traumas can expose the difficulties that some Canadians experienced during mobilization for total war. Many brought deep personal pain with them as they entered military service and for some, the disruptions, frustrations, and anxieties of life in khaki were too great to bear. Like their better-known colleagues who died on the battlefield, they too are casualties of the Second World War.


2014 ◽  
Vol 139 (1) ◽  
pp. 137-175 ◽  
Author(s):  
Kate Guthrie

ABSTRACTWhile biographical studies of British composers' experiences in the Second World War abound, little attention has been paid to how the demands of ‘total’ war impacted on music's ideological status. This article sheds new light on how composers and critics negotiated the problematic relationship between art music and politics in this period. John Ireland's Epic March – a BBC commission that caused the composer considerable anxiety – provides a case study. Drawing first on the correspondence charting the lengthy genesis of the work, and then on the work's critical reception, I consider how Ireland and his audiences sought to reconcile the conflicting political and aesthetic demands of this commission. With its conventional musical style, Epic March offers an example of a ‘middlebrow’ attempt to bridge the gap between art and politics.


2017 ◽  
Vol 25 (3) ◽  
pp. 410-434 ◽  
Author(s):  
Michael P.M. Finch

French theorists of guerre révolutionnaire conceptualized contemporary conflict in the 1950s as a particular form of total war. Located in the idea of global subversive war which provided intellectual rationalization for the army’s experiences in colonial wars after 1945, the theorists argued that the collapse in the distinction between war and peace rendered war permanent and constant, so that France’s colonial wars were a symptom of a broader conflict necessitating the ideological mobilization of the French people. This article contends that much of the inspiration for these ideas can be found in intellectual developments preceding the Second World War.


1973 ◽  
Vol 49 (1) ◽  
pp. 68-70
Author(s):  
Thomas Barman

Author(s):  
Bastian Matteo Scianna

The conflict between Italy and Ethiopia in 1935–36 has been framed as a prelude to the Second World War and as a watershed towards ‘Total War’. One perspective has so far been neglected: the assessments of foreign military observers. This article examines American, British, German, and Austrian views on the operations and thereby also analyses the mindset of European officers at the time. The core argument emerging from these reports is that the war was perceived as a rather ‘normal’ colonial conflict. Neither the use of gas, nor the employment of aircraft against civilians was seen as a taboo or created significant outrage among the military observers. Instead, they lauded the Italians’ steady logistical efforts and employment of artillery and airpower to overcome nature and the enemy’s resistance.


2009 ◽  
Vol 2009 (92) ◽  
Author(s):  
Riho Grünthal

The current paper presents a short overview and selection of Erzya chastushkas that were recorded in Erzya villages during expeditions that were made in the 1990’s. Chastushkas are known from the 20th century folklore tradition of other Finno-Ugric peoples living in the European part of Russia as well and the first examples werepublished before the Second World War.   The publishing of the following data thus serves three aims. Firstly, it introduces a modern form of oral tradition that historically, in a way, fills the gap of several lost genres. Secondly, it presents chastushkas as a genre that was originally adopted from Russian culture but was transferred to the Erzya as it did among other groups. Thirdly, it seeks to promote the interest of folklorists towards living tradition of Finno-Ugric peoples.


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