scholarly journals A Symbolic Reading of Wide Sargasso Sea

2018 ◽  
Vol 8 (9) ◽  
pp. 1221
Author(s):  
Li Luo

Wide Sargasso Sea is acclaimed as the masterpiece of the British female writer Jean Rhys. In the novel, Rhys reshapes the mad wife of Rochester, Bertha Mason, who is imprisoned in the attic in Jane Eyre. With her own life experience as a white Creole and her experience living in West Indies as a blueprint, setting the abolition of slavery in West Indies in the nineteenth century as the background of the times, Rhys restores Antoinette a real state of survival under colonialism and patriarchy, with a sense of identity loss and confusion. The use of symbolism is one of the most outstanding styles in description. Owing to the use of symbolism, the historical situation of Jamaica under colonialism and patriarchy has been successfully displayed and the abstract moral themes have been vividly conveyed. This paper seeks to set symbolism as a theoretical basis, classify and analyze the symbols in the novel in accordance with their roles in revealing the themes, illustrating a complete interpretation of the complicated racial conflicts and patriarchy oppression in West Indies.

2019 ◽  
Author(s):  
Fann Oudah Aljohani

This study explores the identity formation and mobility of the role of Antoinette in the novel "Wide Sargasso Sea" from the perspective of the cultural and human geography. In general, it is a space and place study. The thesis suggests that, Antoinette has some conditions and circumstances that she developed in an autonomic manner with different experiences in order to navigate and recognize the dangerous and safe spaces around her. Wide Sargasso Sea, by Jean Rhys, elaborates a self-sacrifice experience that the protagonist went through in her search for identity, which she lost due to the circumstances around her. In this research, a psychological analysis of Antoinette's personality will be taken, moreover; an attempt is made to find out the reasons for her schizophrenic behavior. The research focuses on Antoinette's shattered identity and the specters she faced in her life, which ultimately played a huge role in her madness. Also, the visible opposite aspects of black/white, rationality/unconsciousness, male/female, and sanity/madness are conceived by her conscious mind, and it causes the frantic thoughts of insanity, womanhood, and blackness. Also, it sheds light on Antoinette's journey in life to figure out where she belongs and her struggle in this search. Antoinette's personality and identity crisis as a Creole girl will be discussed in depth. There are different areas that are explored in this paper; such as the interpretation of how the surrounding spaces affect Antoinette and the reasons behind the absence of a loving mother in Wide Sargasso Sea. Furthermore, Rochester's character is also examined to find out how the masculine space differs from feminine space, and to what extent Mr. Rochester's cruelty harms Antoinette. Another important thing that is discussed in the paper is the effect of family relationships on a person's identity, and how it becomes a reason of mental disorder.


Author(s):  
Juliette Taylor-Batty

Jean Rhys was a Dominican novelist and short-story writer. Her career can be divided into two main periods: her modernist fiction of the 1920s and 1930s, which depicts the bohemian demi-monde in Europe of the time as experienced by vulnerable female protagonists on the margins of respectability, and her later work, which came after a long hiatus with the publication of Wide Sargasso Sea (1966). Wide Sargasso Sea, her best known novel, is a prequel to Charlotte Brontë’s Jane Eyre, and an important text within postcolonial studies.


Author(s):  
Nushrat Azam

This paper seeks to analyze the mediums and effects of voice and silence in the life of a female character of the re-written post-colonial text Jean Rhys’ Wide Sargasso Sea. The analysis shows how a re-written text can give a new meaning to a character and story of a novel, where the character of Antoinette tells the untold story of Bertha in Jane Eyre. The method of investigation for this research is analytical and descriptive; the research was completed by analyzing the events, actions and the interactions of the female character, Antoinette with the other major characters in the novel in order to identify how the character of Antoinette was portrayed throughout the novel. It is understood through the study of the text, that the post-colonial novel gave the female voice much more importance than its previous counterpart. This represents the early post-colonial times during which women were starting to gain liberation but had still not completely moved on from the notions of patriarchal societies that they had grown up in.


2021 ◽  
pp. 239-267
Author(s):  
Naylane Matos

O objetivo deste trabalho é analisar quão contextual é o processo de escrita de mulheres, em especial, o do texto literário, tomando como objeto as cartas de registro da produção do romance feminista pós-colonial Wide Sargasso Sea, da escritora Jean Rhys. Por meio das cartas de Rhys, abordamos os fatores que envolveram a produção da obra, desde o conflito da autora diante da representação da personagem crioula louca no romance inglês, Jane Eyre (1847), da escritora canônica Charlotte Brontë, às estratégias para validação da sua obra na Inglaterra. Tomamos como referência perspectivas pós e decoloniais para análise dos aspectos elencados nas cartas e suscitados pelo texto literário.


2014 ◽  
Vol 9 (1) ◽  
pp. 23-35
Author(s):  
Mirza Muhammad Zubair Baig

The character of Bertha Mason has been stereotyped as a “madwoman in the attic” in Charlotte Bronte’s novel “Jane Eyre (1847).” Jean Rhys in her novel “Wide Sargasso Sea (1966),” has tried to re-inscribe her character as Antoinette by analyzing how the imperialist and patriarchal forces led a woman from the wide world of Sargasso Sea to the attic of Thornfield Hall England. My contention to this corrective process of rewriting as rerighting is that, in an effort to authenticate Antoinette’s character, this writing has othered Annette, Antoinette’s mother, and has, in return, created another madwoman who has been left unattended in the plot that should have written back to the canon instead of furthering canonical images.


Author(s):  
María Alonso Alonso

<p>Este artículo analiza la última novela de Jamaica Kincaid, <em>See Now Then</em>. Después de ofrecer una contextualización y de acuerdo con el marco teórico que articula el análisis, esta aproximación tomará como referencia dos clásicos de la literatura inglesa como son <em>Jane Eyre</em> de Charlotte Brontë y <em>Wide Sargasso Sea</em> de Jean Rhys para explorar cuestiones de alienación y shock cultural a través de la prosa compleja y barroca que caracteriza los trabajos de Kincaid.</p><p class="Default">This article analyses Jamaica Kincaid’s latest novel, <em>See Now Then</em>. After contextualising the text and according to the theoretical framework that structures this analysis, this approach will consider two classics of English literature such as Charlotte Brontë’s <em>Jane Eyre </em>and Jean Rhys’s <em>Wide Sargasso Sea </em>to explore issues of alienation and culture shock through the highly complex and baroque prose that cha­racterises Kincaid’s works.</p>


Author(s):  
Molly Rymer

This article explores the parallels drawn between the characters of Jane Eyre and Bertha Mason in Charlotte Bronte’s 1847 novel Jane Eyre, using Jean Rhys’ 1966 novel Wide Sargasso Sea to further this comparison. I use Sandra M. Gilbert and Susan Gubar’s argument that Bertha is Jane’s double, or other self, to argue that Jane and Bertha both possess a form of androgyny within their characters, Jane’s due to her class and Bertha’s due to her race. I suggest that these forms of androgyny prevent Jane, in particular, from becoming spiritually equal with Mr. Rochester, proposing that, due to their connection as doubles, Jane must be rid of both her own, as well as Bertha’s androgynous shadow, in order to enter into marriage with Rochester as his equal.


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