This article attempts to determine the attributes of the prose poem genre in the works “Herds” by Fazu Aliyeva and “The Old Woman” by Ivan Turgenev on the formal and emotional-semantic levels. Artistic parallels in creation of images by the authors of different generations are drawn. The subject of this research is the images of time, old woman and cliff and intertwinement of their destinies into a single time node. The object of this research is the lyrical narratives “Herds” by Fazu Aliyeva, “The Old Woman” and “How Fair, How Fresh Were the Roses…” by Ivan Turgenev. Special attention is given to analysis of the form and content of artistic images in “Herds”, in the context of prose poem “The Old Woman” by I. S. Turgenev, their conceptual and artistic peculiarities. The author also highlights the category of timely space in the narratives. The novelty of this research consists in drawing an artistic parallel between the lyrical narratives of Fazu Aliyeva and Ivan Turgenev regarding determination of the dominant and conceptual differences in creation of the image of time, description of the flow of time, connection between the past and the future, and interpretation of the theme of life and death. As a result, the identification of poetic beginning, philosophical comprehension and artistic presentation of the topic of life and death in the works of F. Aliyeva and I. Turgenev allows, upon similarity of sounding, tracing conceptual differences of the author's thought. Despite obvious similarity of underlying ideas, the aforementioned topic is described differently. In the works of F. Aliyeva, time is not confined, looks into the future, resembling in the succession of generations; with all the pain and losses, the image is life-affirming. In the works of I. Turgenev, the hero turns to the past, experiences the ultimate fear of death, everything stops in anticipation of the end of existence.
Conceptual sounding of poems in the prose “Herds” by F. Aliyeva and “The Old Woman” by I. Turgenev
