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Languages ◽  
2021 ◽  
Vol 6 (4) ◽  
pp. 206
Author(s):  
Ana de Prada Pérez ◽  
Inmaculada Gómez Soler ◽  
Nick Feroce

This paper examines the expression of futurity in Spanish, specifically the periphrastic future (PF), the morphological future (MF), and the present indicative (PI) in heritage language learners (HLLs) and second language learners (L2 learners), a comparison that allowed us to explore whether linguistic experience provides HLLs an advantage over L2 learners in the domain of morphosyntax. These forms (PF, MF, and PI) are regulated by certainty, temporal distance, and the presence of temporal adverbials. Previous research showed that L2 learners acquire some of these linguistic constraints and that HLLs tend to reduce the MF to modal uses. Data from a contextualized acceptability judgment task completed by 46 HLLs and 42 L2ers manipulated for verb form, certainty, temporal distance, and adverb and revealed that (i) the PF and the MF were generally rated higher than the PI, (ii) HLLs were sensitive to the three linguistic factors examined, while the L2ers’ sensitivity was modulated by proficiency, and, relatedly, (iii) the two groups differed in the effect of proficiency. For the L2 learners, an increase in proficiency led to a closer pattern to that of monolingual native speakers (only for temporal distance). Differences in exposure to and instruction in Spanish are discussed as possible sources of these differences.


2021 ◽  
Author(s):  
◽  
Matthew Lambourn

<p>This exegesis informs the ten accompanying audiovisual artworks which express the concept of the sound phantom. The sound phantom is a speculative entity, enjoying persistence, and harboured by all objects. It consists of every sound, real or conceptual, that the object has made or could make, past and future, time-condensed and folded into spatial form. Once this form, or field, is entered by a listener, various sonic representations of the object can be experienced. The object chosen for this paper is that of the tree.  There is a possibility that the sound phantom is an ancient idea in both academia and cultural fora, though it has not necessarily enjoyed the scrutiny and artistic response presented here. Given that the actual sound of an object is only part of the sound phantom, the phantom encompasses sonic representation of its other sensual properties (such as visual and textural) as well as conceptual (such as human and non-human perceptions of the object, and its own memories and goals). The sound phantom can be imagined as a zone straddling the boundary of scientific/philosophical understanding and the unknown.  There is support from existing academic research for the existence of such a concept, not least in that conceptual and sensory objects enjoy the same status as objects, even if their ‘realness’ is what is in question. This also implies that at some level these objects have experience and even agency, even if it is far from human understanding. Once we accept that different life forms exist on vastly different timescales, it becomes easier to accept the notion that slowly-moving organisms like trees may be able to sense, remember, communicate and make decisions. If we could somehow perceive the object’s ‘sonic self’, that may re-encourage an idea that has been in decline over the last few hundred years: that of inter-entity empathy. At least in practice, it is undeniable that the environment and its non-human inhabitants have been severely disrespected and damaged to a critical point in modern times. If we are able to empathise with other things through art, we might yet rekindle enough action to avert disaster to both the world and ourselves.  I have chosen established media to portray the idea of the sound phantom, using 2D projection of biaxial 360º video material as a visual guide to the immersive 7.1-surround sonic material. There are other artists that have approached various aspects of the idea of the sound phantom, if not necessarily the political reasons for doing so. Even though our perception of the sound phantom can only be partial, through this paper and our powers of cognition, we might yet be able to grasp the concept and remember that we are not seperate from the world, but of it, and would do well to realise that through our individual and collective actions. This exegesis and the works are a first a step along that pathway.</p>


2021 ◽  
Author(s):  
◽  
Matthew Lambourn

<p>This exegesis informs the ten accompanying audiovisual artworks which express the concept of the sound phantom. The sound phantom is a speculative entity, enjoying persistence, and harboured by all objects. It consists of every sound, real or conceptual, that the object has made or could make, past and future, time-condensed and folded into spatial form. Once this form, or field, is entered by a listener, various sonic representations of the object can be experienced. The object chosen for this paper is that of the tree.  There is a possibility that the sound phantom is an ancient idea in both academia and cultural fora, though it has not necessarily enjoyed the scrutiny and artistic response presented here. Given that the actual sound of an object is only part of the sound phantom, the phantom encompasses sonic representation of its other sensual properties (such as visual and textural) as well as conceptual (such as human and non-human perceptions of the object, and its own memories and goals). The sound phantom can be imagined as a zone straddling the boundary of scientific/philosophical understanding and the unknown.  There is support from existing academic research for the existence of such a concept, not least in that conceptual and sensory objects enjoy the same status as objects, even if their ‘realness’ is what is in question. This also implies that at some level these objects have experience and even agency, even if it is far from human understanding. Once we accept that different life forms exist on vastly different timescales, it becomes easier to accept the notion that slowly-moving organisms like trees may be able to sense, remember, communicate and make decisions. If we could somehow perceive the object’s ‘sonic self’, that may re-encourage an idea that has been in decline over the last few hundred years: that of inter-entity empathy. At least in practice, it is undeniable that the environment and its non-human inhabitants have been severely disrespected and damaged to a critical point in modern times. If we are able to empathise with other things through art, we might yet rekindle enough action to avert disaster to both the world and ourselves.  I have chosen established media to portray the idea of the sound phantom, using 2D projection of biaxial 360º video material as a visual guide to the immersive 7.1-surround sonic material. There are other artists that have approached various aspects of the idea of the sound phantom, if not necessarily the political reasons for doing so. Even though our perception of the sound phantom can only be partial, through this paper and our powers of cognition, we might yet be able to grasp the concept and remember that we are not seperate from the world, but of it, and would do well to realise that through our individual and collective actions. This exegesis and the works are a first a step along that pathway.</p>


2021 ◽  
Vol 5 (Supplement_1) ◽  
pp. 512-513
Author(s):  
Hua (Poppy) Huo ◽  
Lauren Hytman ◽  
Cara Ryan ◽  
Nicky Newton

Abstract Socioemotional Selectivity Theory (SST; Carstensen, 1993) posits that time horizons - or Future Time Perspective (FTP) - change with age and/or the priming of endings. Fung and Carstensen (2006) found that SARS-CoV in 2003 naturalistically primed fragility, with consequences for both FTP and well-being. The current SARS-CoV-2 (COVID-19) pandemic provides a similar context: During the early months of COVID-19, age and time horizon were related to greater emotional well-being for American adults (Carstensen et al., 2020); Dozois (2020) found that, for Canadian adults, anxiety and depression rose. The current study examines relationships between FTP, COVID-19 impact, and psychological well-being in older Canadian women (N = 190; Mage = 70.38). We found that COVID-19 impact and FTP were both related to well-being; additionally, COVID-19 impact moderated the relationship between FTP and well-being. The complexity of what remains or becomes increasingly important for older women during a global health crisis is discussed.


2021 ◽  
Vol 5 (Supplement_1) ◽  
pp. 286-287
Author(s):  
Xianghe Zhu ◽  
Shevaun Neupert

Abstract We examined daily fluctuations in future time perspective within the daily stress and awareness of aging processes. Awareness of age-related change (AARC) focuses on everyday experiences that highlight changes in behavior and functioning as a result of growing older. We integrated individual differences in control beliefs because those with higher control tend to be more resilient to stressors. We conducted a daily diary study of 112 older adults (aged 60-90) who completed measures of control beliefs at baseline and then daily measures of stressor exposure, appraisal (e.g., threats to future plans), and AARC for eight consecutive days. Increases in threats to future plans were associated with increases in AARC losses, and those with low control were especially vulnerable to increases in threats to future plans. With a constricted future time perspective, any threats to future plans may be especially harmful for older adults who are low in control beliefs.


2021 ◽  
Vol 2021 (12) ◽  
pp. 123204
Author(s):  
Benjamin De Bruyne ◽  
Satya N Majumdar ◽  
Henri Orland ◽  
Grégory Schehr

Abstract We propose a method to exactly generate Brownian paths x c (t) that are constrained to return to the origin at some future time t f , with a given fixed area A f = ∫ 0 t f d t x c ( t ) under their trajectory. We derive an exact effective Langevin equation with an effective force that accounts for the constraint. In addition, we develop the corresponding approach for discrete-time random walks, with arbitrary jump distributions including Lévy flights, for which we obtain an effective jump distribution that encodes the constraint. Finally, we generalise our method to other types of dynamical constraints such as a fixed occupation time on the positive axis T f = ∫ 0 t f d t Θ x c ( t ) or a fixed generalised quadratic area A f = ∫ 0 t f d t x c 2 ( t ) .


Arta ◽  
2021 ◽  
Vol 30 (2) ◽  
pp. 53-58
Author(s):  
Nelly Kornienko ◽  

The author considers artistic culture as a subject of synergetics and pre-quantum / quantum culture. The author’s reflections are in the field of searching theater, literature, performative art, and cinema. The theater of the future is the research subject, a “scientific” project. The level of the theater rises by an order of magnitude to its surpassing scenarios. Universalism, or rather, trans-professionalism, is becoming an indispensable component of the future artistic process. The leader, the Scientist–Researcher–Poet (Artist), becomes of current interest. The stage works by Castellucci, Suzuki, music by Scott Gibbons and others have modeled this future. Time moves simultaneously in all directions refuting the laws of classical physics. The trajectory of movement indicates quantum measurements. Faulkner, Joyce, Proust, Andre Gide, John Dos Passos, Rilke successfully polemicize with physics. The new dimensions of a person imply a plurality of identifications. Calvino – “The Cloven Viscount”.


Author(s):  
Kuiyun Zhi ◽  
Jian Yang ◽  
Si Chen ◽  
Yongjin Chen ◽  
Niyazi Akebaijiang ◽  
...  

AbstractEvidence suggests that college students’ future-related feelings and cognition may influence their trust in government. This study aims to explore whether the association between college students’ future time perspective and trust in government is mediated through the consideration of future consequences (CFC). A cross-sectional survey was used to collect data from 1,617 college students (86.6% women) aged 17 to 31 years in China via an online questionnaire. The results showed that the students’ positive, negative and confused future orientation was positively associated with their trust in government. The consideration of far- future consequences positively mediated the relationship between a positive future orientation and trust in government. These findings support the possibility to evaluate college students’ government trust level according to their future orientation, which will improve their positive political participation.


2021 ◽  
Vol 9 (3) ◽  
pp. 80-96
Author(s):  
Iman Osman Mukhtar Ahmed

This study aimed to investigate the relationship between time perspective, hope and self-regulation among foundation year students at a Malaysian public university. A survey questionnaire on the three constructs was completed by 118 Malay students aged between 18 to 21. The findings showed a significant positive correlation between the future time perspective and self-regulation (r = 0.251, p = 0.007). However, the association is a weak one. Likewise, a significant relationship was found between hope and two of the temporal orientations, i.e., the future orientation (r = 0.399, p = 0.001) and the past positive at r = 0.271, p = 0.003., which is also considered a weak relationship. However, no significant association was observed between the past positive time perspective and students’ self-regulation. On the contrary, the past negative and present-fatalistic time orientations have a significant negative relation with hope at r = - 0.308, p = 0.001 and r = - 0.207, p = 0.028, respectively. A similar result was obtained for the association between self-regulation and the PN orientation at r = - 0.290, p = 0.002. It was also found that hope and students’ self-regulation are strongly correlated (r = 0.268, p = 0.004). In essence, the results imply that students with a high future time orientation are likely to have high levels of hope and self-regulation. Therefore, time perspective, especially the future orientation, and self-regulation skills could be important intervention factors for addressing students’ academic obstacles. The findings of this study are beneficial for counselors, educators, and supervisors in designing intervention programs to help students become more positive and optimistic individuals.


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