scholarly journals Time and Memory in The Cherry Orchard

2019 ◽  
Vol 10 (5) ◽  
pp. 10731079
Author(s):  
Yueting Chen

Characters are precisely aware of time in heterogeneous visions in Chekhov’s last play The Cherry Orchard in 1904. This play has an obvious flow of time sense of nostalgia, realistic practical mind and eager thrust for the future manifesting in assorted roles. The industrious characters Dunyasha, Varya and Lopakhin check their watches regularly, presenting their alertness to time in the industrial age's. The older characters weep for their age and witness the weather’s changes from May to October. Players value the same things in largely variant ways mostly according to the experience, age, class and gender ect.. Therefore, because of various personal aspirations, characters are living in their individual timelines as Lyubov’s yearning for the past, Dunyasha, Yasha and Trofimoff’s eager for the future, Firs’ nostalgia and imprisonment at the present and Lopakhin’s integrated past, current and future time view. Although characters have their particular time view, Chekhov in The Cherry Orchard embodies a prime time view that if the characters fail to come to terms with the nature of the flow of time, they would be living in fragmented visions and thus failed in fully experiencing the life.

Religions ◽  
2021 ◽  
Vol 12 (1) ◽  
pp. 59
Author(s):  
Rachel Wagner

Here I build upon Robert Orsi’s work by arguing that we can see presence—and the longing for it—at work beyond the obvious spaces of religious practice. Presence, I propose, is alive and well in mediated apocalypticism, in the intense imagination of the future that preoccupies those who consume its narratives in film, games, and role plays. Presence is a way of bringing worlds beyond into tangible form, of touching them and letting them touch you. It is, in this sense, that Michael Hoelzl and Graham Ward observe the “re-emergence” of religion with a “new visibility” that is much more than “simple re-emergence of something that has been in decline in the past but is now manifesting itself once more.” I propose that the “new awareness of religion” they posit includes the mediated worlds that enchant and empower us via deeply immersive fandoms. Whereas religious institutions today may be suspicious of presence, it lives on in the thick of media fandoms and their material manifestations, especially those forms that make ultimate promises about the world to come.


2002 ◽  
Vol 37 ◽  
pp. 117-132
Author(s):  
Hilary M. Carey

Time, according to medieval theologians and philosophers, was experienced in radically different ways by God and by his creation. Indeed, the obligation to dwell in time, and therefore to have no sure knowledge of what was to come, was seen as one of the primary qualities which marked the post-lapsarian state. When Adam and Eve were cast out of the garden of delights, they entered a world afflicted with the changing of the seasons, in which they were obliged to work and consume themselves with the needs of the present day and the still unknown dangers of the next. Medieval concerns about the use and abuse of time were not merely confined to anxiety about the present, or awareness of seized or missed opportunities in the past. The future was equally worrying, in particular the extent to which this part of time was set aside for God alone, or whether it was permissible to seek to know the future, either through revelation and prophecy, or through science. In the fourteenth and fifteenth centuries, the scientific claims of astrology to provide a means to explain the outcome of past and future events, circumventing God’s distant authority, became more and more insistent. This paper begins by examining one skirmish in this larger battle over the control of the future.


KronoScope ◽  
2013 ◽  
Vol 13 (2) ◽  
pp. 228-239
Author(s):  
Rémy Lestienne

Abstract J.T. Fraser used to emphasize the uniqueness of the human brain in its capacity for apprehending the various dimensions of “nootemporality” (Fraser 1982 and 1987). Indeed, our brain allows us to sense the flow of time, to measure delays, to remember past events or to predict future outcomes. In these achievements, the human brain reveals itself far superior to its animal counterpart. Women and men are the only beings, I believe, who are able to think about what they will do the next day. This is because such a thought implies three intellectual abilities that are proper to mankind: the capacity to take their own thoughts as objects of their thinking, the ability of mental time travels—to the past thanks to their episodic memory or to the future—and the possibility to project very far into the future, as a consequence of their enlarged and complexified forebrain. But there are severe limits to our timing abilities of which we are often unaware. Our sensibility to the passing time, like other of our intellectual abilities, is often competing with other brain functions, because they use at least in part the same neural networks. This is particularly the case regarding attention. The deeper the level of attention required, the looser is our perception of the flow of time. When we pay attention to something, when we fix our attention, then our inner sense of the flux of time freezes. This limitation should not sound too unfamiliar to the reader of J.T. Fraser who wrote in his book Time, Conflict, and Human Values (1999) about “time as a nested hierarchy of unresolvable conflicts.”


2021 ◽  
Vol 46 (2) ◽  
Author(s):  
Rob Shields

Background: This article considers the temporal aspects and effects of infrastructure that bridges past, present, and future rather than connecting places or delivering services.  Analysis: Four “moments” of time infrastructure will be considered in the case of a reconstructed heritage wooden bridge: heritage sites that link to the past, undertakings that mark the present, endeavours that project the current society forward into the future, and the forgetful overlooking of infrastructure as a taken-for-granted and abject temporality.  Conclusion and implications: This requires a topological approach, studying “infrastructurality” as heterochronic and as a liminal “super-object” that transcends its normative presence and Euclidean dimensions. Contexte : Cet article examine les aspects et effets temporels des infrastructures qui relient passé, présent et futur plutôt que de relier des lieux ou de fournir des services. Analyse : Quatre « moments » de ces infrastructures temporelles seront considérés par rapport à un pont en bois patrimonial reconstruit : les sites patrimoniaux qui évoquent le passé, les initiatives qui marquent le présent, les efforts qui projettent la société actuelle vers l’avenir, et l’oubli de l’infrastructure car on la considère comme temporalité abjecte qui va de soi. Conclusion et implications : Cette étude requiert une approche topologique où l’on envisagerait l’« infrastructuralité » comme hétérochronique et comme « super-objet » liminal transcendant sa présence normative et ses dimensions euclidiennes.


Author(s):  
Elliot R. Wolfson
Keyword(s):  
The Past ◽  
To Come ◽  

This chapter addresses the co-dependence of people's conceptions of end and of beginning. To comprehend the beginning, one must think of it from the perspective of futurity, from the perspective, that is, of the ultimate end. Consequently, the beginning lies not in the past but, rather, in the future. The chapter then relates this mode of philosophizing with the way people understand Jewish eschatology, which lies at the center of Jewish theorization about time. In Jewish eschatology, what is yet to come is understood as what has already happened, whereas what has happened is derived from what is yet to come. Martin Heidegger has dismissed Judaism as a religion that by its very nature cannot experience temporality authentically. Yet his own understanding of temporality accords well with rabbinic conceptions of temporality and later kabbalistic eschatologies.


Cyber Crime ◽  
2013 ◽  
pp. 1016-1042 ◽  
Author(s):  
Debarati Halder ◽  
K. Jaishankar

In this chapter, an attempt is made to operationally define cyber crimes against women, as we have found that the definitions of cyber crimes have changed in the past decade and we presume that even this will change in the future decades to come. In addition, the current definitions do not specifically fit in to the nitty-gritty issues of cyber crimes against women and a succinct operational definition is provided. A new set of typology is made with regard to the cyber crimes against women as not all type of crimes fit to the category of cyber crimes against women. The patterns of victimization of women in cyberspace are dealt by qualitative case studies along with the typology.


In this chapter, an attempt is made to operationally define cyber crimes against women, as we have found that the definitions of cyber crimes have changed in the past decade and we presume that even this will change in the future decades to come. In addition, the current definitions do not specifically fit in to the nitty-gritty issues of cyber crimes against women and a succinct operational definition is provided. A new set of typology is made with regard to the cyber crimes against women as not all type of crimes fit to the category of cyber crimes against women. The patterns of victimization of women in cyberspace are dealt by qualitative case studies along with the typology.


Early China ◽  
2018 ◽  
Vol 41 ◽  
pp. 29-86 ◽  
Author(s):  
Piotr Gibas

AbstractThis article demonstrates that historical narrative in the Zuo zhuan is founded on the concept of “timeliness,” that is, on the understanding of time as being endowed with moral qualities. The choice between a “timely” (shi 時) or “untimely” (bu shi 不時) course of action determines the success or failure of the person involved in it. The origins of the ideas of time that shape the historical narrative of Zuo zhuan can be traced to mantic literature of the same period, such as almanacs.Early Chinese writers of history—like diviners—strove to explain the past in order to predict the future. Seen in this light, “knowing history” implies understanding and mastering the mechanisms that drive it; and looking into the past is tantamount to “knowing” the future.


2019 ◽  
Vol 7 (1) ◽  
pp. 69-91
Author(s):  
Cajetan Iheka

Mineral extraction in Africa has exacerbated ecological degradation across the continent. This article focuses on the example of the Niger Delta scene of oil exploration depicted in Michael Watts and Ed Kashi’s multimedia project, Curse of the Black Gold: 50 Years of Oil in the Niger Delta. Analyzing the infringement on human and nonhuman bodies due to fossil fuel extraction, I read the Delta, inscribed in Watts and Kashi’s image-text, as an ecology of suffering and as a site of trauma. Although trauma studies tend to foreground the past and the present, I argue that Curse of the Black Gold invites serious consideration of trauma of the future, of-the-yet-to-come, in apprehending the problematic of suffering in the Delta. I conclude with a discussion of the ethics of representing postcolonial wounding, which on the one hand can create awareness of ecological degradation and generate affect, but which on the other hand, exploits the vulnerability of the depicted and leaves an ecological footprint.


2007 ◽  
Vol 32 (2) ◽  
pp. 103-105
Author(s):  
KRISTINA HAGSTRÖM STÅHL

In the past decade and a half, feminism and gender studies have undergone a process of critical self-scrutiny and re-assessment. Presently, the fields of theatre and performance studies are undertaking a similar project of self-evaluation, as evidenced by recent calls to assess the ‘state of the field’ as well as its future directions. Elaine Aston and Geraldine Harrison suggest in their recent co-edited volume, Feminist Futures? Theatre, Performance, Theory, that any attempt to envision the future must begin by examining the present, which in turn entails looking to, and reflecting on, the legacies and remains of the past. In her article for this issue of TRI, ‘A Critical Step to the Side: Performing the Loss of the Mother’, Aston does precisely this, asking, ‘in what ways it might be critically productive to come back to the maternal as a subject for feminism’.


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