scholarly journals The Political-Aesthetics of Participation: A Critical Reading of Iceland’s National Cultural Policy

2021 ◽  
Vol 24 (2) ◽  
pp. 190-203
Author(s):  
Njörður Sigurjónsson
2014 ◽  
Vol 38 (1) ◽  
pp. 90-101
Author(s):  
Jonathan P. Vickery

The subject of this paper is an inner city artist-run gallery called Eastside Projects. As part of an historical trend in artistrun spaces, Eastside Projects have innovated a strategic approach to post-industrial space, their location and role within the city of Birmingham, UK. This paper outlines their approach in the context of the recent cultural policy frameworks impressed on publicly funded city-based art organisations. It attempts to extend the conceptualisation of contemporary art in the city within urban studies generally, specifically investigating the theoretical potential of Eastside Project’s curatorial strategy. How can we define public agency for art in the neoliberal city? For Eastside Projects, agency is defined principally through space and the aesthetics of space. This paper proposes a theoretical framework for articulating the political aesthetics of new public spaces for art.


2013 ◽  
Vol 18 (3) ◽  
pp. 130-146 ◽  
Author(s):  
Cath Lambert

This article examines the political possibilities for an aesthetic disruption of urban space and time. Locating the discussion within debates about the neoliberal city, selected art-works from Fierce live art festival in Birmingham, England are used in order to examine how, in a specific and localised context, normative spatial patterns and temporal rhythms can be challenged and subverted. The analysis draws on, and contributes to, a sociological account of the centrality of aesthetics to political and social organisation.


2018 ◽  
Vol 57 (3-4) ◽  
Author(s):  
Kálmán Kovács

The biographic novels about Theodor Körner accurately demonstrate the significant paradigm shifts in East Germany’s memory politics. Before 1949, the nationalistic tradition was rejected even in the area under Soviet occupation, nevertheless it became a central element of East Germany’s ideology after the turn of 1952. One must add, that it was not picked up in its original form, but adapted to the requirements of the present. The Körner novels reveal the main characteristics of this transformed nationalism. The political changes of the seventies generated a turn of cultural policy as well. The particularities of this new paradigm are reflected in Ulrich Völkel’s novel about Theodor Körner. The recycled myth of Körner paints a picture of East Germany which we came to know during the last decade of its existence.


Author(s):  
Helen M. Gunter

Stephen Ball's research continues to make a contribution to describing, understanding and explaining the political, social, economic and cultural context in which educational professionals locate their practices. Therefore, Ball engages with issues about school leadership, but he does not set out to present solutions for school leaders. Based on critical reading and interview data, I show how by not researching school leadership he makes a robust and relevant analysis of school leadership for the profession. He makes a contribution to understanding the realities of doing and thinking about leaders doing leadership and exercising leadership, where his starting point is to work with the profession as public intellectuals.


2019 ◽  
pp. 184-205
Author(s):  
Catherine Lutz

This chapter explores the representational power of maps and the violence inherent in removing volume with two-dimensional ‘objectivity’. The focus is on maps, norms and militarist institutions in Guam, foregrounding underexplored aesthetic dimensions in reports on the environmental impact of the US presence. The impact of overseas US bases is striking, a global archipelago of military infrastructure that impacts on ‘strategic and disposable’ island populations. This chapter recognizes the layers of security available even in ‘transparent’ maps.


Sign in / Sign up

Export Citation Format

Share Document