scholarly journals Typology of a Tetraconch in the Russian Baroque Church Architecture

2020 ◽  
Vol 10 ◽  
pp. 182-196
Author(s):  
Alexey N. Yakovlev
Keyword(s):  
Church Architecture

Church Architecture as an Approach to the Study of Religion

Horizons ◽  
1976 ◽  
Vol 3 (1) ◽  
pp. 75-82 ◽  
Author(s):  
Robert S. Brightman
Keyword(s):  
Church History ◽  
Church Architecture ◽  
Functional Design ◽  
Sacramental Theology ◽  
Inductive Approach ◽  
Unique Approach ◽  
Point Of Departure

AbstractIn the course Architecture in Worship, the interior functional design of churches is taken as a point of departure for the study of the theological beliefs and liturgical practices of various periods of church history and of different denominations. Using an inductive approach, the course provides a unique approach to the study of church history and sacramental theology, and thus is useful as an alternative among the varied departmental offerings.

Armenia

2021 ◽  
pp. 176-188
Author(s):  
Christina Maranci
Keyword(s):  
Church Architecture ◽  
Byzantine Empire ◽  
Cultural Relations ◽  
Medieval Period ◽  
Dynamic Nature ◽  
Early Medieval Period ◽  
Relief Sculpture ◽  
Art And Culture ◽  
Southern Georgia ◽  
Art And Architecture

A study of medieval Armenian painting, church architecture, bas-relief sculpture, and other media demonstrates close attention to, and reception of, the art and culture of the Byzantine Empire. Historic Armenia (including the present-day Armenian Republic and territories in eastern Anatolia, southern Georgia, northwest Iran, and Azerbaijan) and the Armenian kingdom of Cilicia (1199–1375, southwestern Anatolia) had close relations with neighboring powers throughout the medieval era, and scholars, most prominently Sirarpie Der Nersessian, have long studied the presence of Byzantine ideas in Armenian art and architecture. The early medieval period, the “Age of the Kingdoms” (ninth to eleventh centuries), and twelfth- to fourteenth-century Cilicia demonstrate strong evidence for contact and familiarity with Byzantine culture. An examination of select cases demonstrates the diverse and dynamic nature of such appropriations, reflecting the complex and changing nature of political, social, religious, and cultural relations between empire and locality.

scholarly journals Finding one's way: contemporary churches of Ryazan in the works of priest Konstantin Kamyshanov

Vestnik MGSU ◽  
2020 ◽  
pp. 330-352
Author(s):  
Marina V. Knyazeva ◽  
Anastasia V. Korobova
Keyword(s):  
Field Studies ◽  
Church Architecture ◽  
Orthodox Church ◽  
Photographic Recording ◽  
Track Record ◽  
Church Building ◽  
History Of ◽  
Fact Finding ◽  
Material Information ◽  
Church Buildings

Introduction. The research goal is to identify and analyze the architectural features of the orthodox church buildings, designed and built in Ryazan since the early 2000ies. A number of objectives are to be accomplished to achieve this pre-set goal: one must identify and study the church buildings constructed in Ryazan, analyze the space-planning solutions and break them down into typological groups; besides, one should study the biography of their architect, as his professional track record influences the city’s historical and architectural appearance. This research is focused on contemporary church architecture exemplified by orthodox church buildings. Materials and methods. Field studies serve as the backbone of this research which encompasses fact finding and photographic recording of the source material, information analysis and generalization, tabulation, making conclusions and formulating the opinion. Results. The co-authors have analyzed the problems of contemporary church architecture and made a brief analysis of the history of orthodox church building in Ryazan. The overview encompasses 12 orthodox church buildings constructed in 2000–2014, as well as the key facts and dates associated with their construction. The co-authors have also identified compositional and other unique features of the new church buildings. They have outlined the milestones in the creative biography of the architect who designed these items of contemporary church architecture. Conclusions. The research findings comprise a scholarly insight into contemporary church architecture. The analysis of new church buildings has helped to identify the features, peculiarities and architectural techniques, applied by the architect. The features, identified by the co-authors, define the appearance/typology of contemporary church buildings and their constructions.

scholarly journals Contemporary Serbian Orthodox church architecture: Architectural competitions since 1990

Spatium ◽  
2016 ◽  
pp. 10-21 ◽  
Author(s):  
Bozidar Manic ◽  
Dragana Vasiljevic-Tomic ◽  
Ana Nikovic
Keyword(s):  
World War Ii ◽  
Architectural Design ◽  
Church Architecture ◽  
Orthodox Church ◽  
Orthodox Christian ◽  
Christian Churches ◽  
Award Winning ◽  
Architectural Competitions ◽  
The Relationship ◽  
The Temple

This paper focuses on the architectural competitions for Orthodox Christian churches in Serbia since 1990, both on the analysis of the designs submitted and the competition requirements. The first competition for an Orthodox church in Serbia after World War II was announced for Pristina in 1991. After that, competitions for the temple in Cukarica, Novi Beograd, Nis, Aleksinac and Krusevac were conducted. Thanks to the fact that architectural competitions allow a greater degree of creative freedom to the architects than regular practice, various solutions were offered, from replicas of models from architectural history and tradition to fully non-traditional proposals. Depending on the relationship to tradition, architectural design approaches can be classified into three main groups: radically modernizing, conservatively traditionalist, and compromising. Of the six competitions conducted, four churches were built, which are among the most architecturally successful newer churches in Serbia. This points to the importance of the implementation of the architectural competition in this field of architecture. The diversity of the award-winning projects shows that there is awareness of the possibility for the further development of church architecture, favouring a moderate approach.

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