scholarly journals Socialism and Identity in the Life and Works of Richard Wright

La Palabra ◽  
2015 ◽  
pp. 33
Author(s):  
Juan D. Gómez

Richard Wright was a pioneer in American Literature whose relationship with socialism helped to define him as a person and as a writer. The inspiration behind his literary accomplishments and their impact on his contemporaries can be understood by tracing two of the most important themes in his life; socialism and identity. This article describes the evolution of his relationship with socialism in order to better understand the writer and his best known works in their social and political context. This exercise can also help us to gain a clearer understanding of the cultural and social implications of socialist ideology in the United States after the First World War.Key words: Richard Wright, communism, racism, politics, socialism.

1982 ◽  
Vol 3 (2) ◽  
pp. 130
Author(s):  
Ana Lúcia Almeida Gazolla

The South of the United States presents, in the twentieth century, a remarkable flowering in the area of Literature. It has produced, especially in the first half of the century, more good writers than any other region in the country. Writers of the stature of Thomas Wolfe, Eudora Welty, Richard Wright, Tennessee Williams, Robert Penn Warren, John Crowe Ransom, Carson McCullers, to name just a few, together with William Faulkner, the greatest of all, have been responsible for a period of such creativity that it has come to be known as "the Southern Renaissance."


Author(s):  
Anthony B. Pinn

This chapter explores the history of humanism within African American communities. It positions humanist thinking and humanism-inspired activism as a significant way in which people of African descent in the United States have addressed issues of racial injustice. Beginning with critiques of theism found within the blues, moving through developments such as the literature produced by Richard Wright, Lorraine Hansberry, and others, to political activists such as W. E. B. DuBois and A. Philip Randolph, to organized humanism in the form of African American involvement in the Unitarian Universalist Association, African Americans for Humanism, and so on, this chapter presents the historical and institutional development of African American humanism.


2021 ◽  
pp. 002073142199484
Author(s):  
Vicente Navarro

This article analyses the political changes that have been occurring in the United States (including the elections for the presidency of the country) and their consequences for the health and quality of life of the population. A major thesis of this article is that there is a need to analyse, besides race and gender, other categories of power - such as social class - in order to understand what happens in the country. While the class structure of the United States is similar to that of major Western European countries, the political context is very different. The U.S. political context has resulted in the very limited power of its working class, which explains the scarcity of labor, political and social rights in the country, such as universal access to health care.


Slavic Review ◽  
2021 ◽  
Vol 80 (2) ◽  
pp. 245-257
Author(s):  
Korey Garibaldi ◽  
Emily Wang

This essay investigates interconnections between the novelist, Henry James, Ivan Turgenev, and Aleksandr Pushkin and identifies the racial subtext of these associations. Several scholars have connected Pushkin and James. But none of this scholarship has speculated on whether it was the poet's African heritage that was at the root of hidden connections between these authors. Moreover, though most scholarship on Pushkin's reception in the United States focuses on twentieth-century African American literature, his African heritage was publicized much earlier. In fact, nineteenth-century commentators on both sides of the Atlantic frequently discussed Pushkin's racial heritage as a canonical European writer of African descent. This essay recovers how Henry James used Pushkin's daughter, the morganatic Countess Merenberg, as a model for the racially ambiguous “morganatic” Baroness Münster in The Europeans (1878). A decade later, James seems to have invoked the Countess Merenberg once more in his rewriting of Pushkin's “The Queen of Spades” (1833) in The Aspern Papers (1888). While James publicly attributed Byron and Shelley as inspirations, the discourse surrounding the African heritage of Pushkin and his heirs helps explain why the novelist minimized and erased the racial lineage at the center of The Europeans and The Aspern Papers.


2012 ◽  
Author(s):  
Παύλος Βασιλόπουλος

This dissertation is concerned with the concept of political sophistication, referring to the extent and organization of a person’s stored political cognition (Luskin 1987).Available empirical evidence on the levels of political sophistication in mass publics comes almost exclusively from the United States and point to two broad conclusions: First, systematic empirical research has demonstrated that political information in the mass public is particularly low (Converse 1964, Delli Carpini and Keeter 1996). Citizens lack basic knowledge over political affairs. Time and again empirical studies have systematically showed that citizens in the United States and elsewhere fall short of passing even the most rudimentary political knowledge tests. This finding that was first illustrated by the Michigan school in the early 1960s (Campbell et al. 1960) resulted in a wide pessimism over the meaning of public opinion and even of representative democracy (Inglehart 1985).The second broad conclusion is that the politically sophisticated and unsophisticated differ: Political sophisticates have the cognitive capacity to translate their deeper held political values and predispositions into consistent political attitudes (Zaller 1992). They are able to use their political knowledge in order to make informed vote choices in the sense that they accurately adjust their political positions to the parties’ platforms (Delli Carpini and Keeter 1996, Lau and Redlawsk 1997, 2006). What is more, they are more likely to participate in elections and other political activities and are less susceptible to political propaganda (Delli Carpini and Keeter 1996).However the idea that political sophistication matters for the quality of the public’s political decision-making has met strong theoretical and methodological criticism by the ‘low information rationality’ perspective (Popkin 1991, Lupia 1994,Graber 2001). This group of theories argues that politically inattentive citizens can form their political judgment on the basis of heuristics that allow them to make reasonable choices reflecting their predispositions and interests even though they lack political knowledge.The principal aims of this thesis are: a)to compare different measurement perspectives on political sophistication and assess their methodological potential especially in regard with comparative research on political knowledgeb)to explore the extent to which the pattern of ignorance that has been repeatedly highlighted in the American literature is an internal characteristic of political behavior stemming from the low expected utility of acquiring political information or it is subject to particular cultural and systemic characteristics. To this direction I use Greece as a case study by undertaking an analytical survey of political sophistication, one of the very few that have been conducted across the Atlantic.c)The third aim is to investigate the determinants of political sophistication and especially the potential of the mass media in political learning and in the context of the Greek political and media system.d)d) Finally this thesis addresses the unresolved question concerning the differences in quality of political decisions between the political sophisticated and unsophisticated layers of the public by evaluating the explanatory potential of two competing theories (political sophistication v. low information rationality) in the multi-party political environment of Greece


2021 ◽  
Vol 1 (2) ◽  
Author(s):  
Kai Sina

The idea of the ‘collective’ plays a key role in Goethe’s late work. It denotes a balance between multiplicity and unity, heterogeneity and homogeneity, which is characteristic both of Goethe’s authorship and of his literary work, above all his novel Wilhelm Meisters Wanderjahre (1829; Wilhelm Meister’s Journeyman Years). Etymologically, Goethe’s use of the term refers back to its original meaning from the Latin colligere; for him, a collective emerges when parts are gathered and arranged into some sort of ordered whole. It has formal, intellectual, and social implications. The term is semantically close to the concepts of the ‘aggregate’ and the ‘compendium,’ which are also essential to Goethe’s late poetics. The collective, the aggregate, and the compendium are all situated between mere particularity and full systematicity, in a sphere of the intermediary. Finally, Goethe’s idea of the collective found resonance primarily and early on in the United States, specifically in the writings of Ralph Waldo Emerson.


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