scholarly journals Widok z werandy. Turystyka luksusowa w Alpach przełomu wieków

2021 ◽  
Vol 15 ◽  
pp. 133-157
Author(s):  
Michael Wedekind
Keyword(s):  
Social Space ◽  
Social Philosophy ◽  
Fin De Siecle ◽  
Mass Tourism ◽  
Economic Exploitation ◽  
Economic Transformations ◽  
Fin De Siècle ◽  
History Of ◽  
The Alps ◽  
The Relationship

Grand hotels had first been a metropolitan phenomenon before they emerged in remote regions of the Alps between the 1880s and the 1930s. This essay explores how these semi-public spaces and early places of modernity engaged with alpine scenery and shaped the very industry of mountain tourism. It analyses the relationship between elite tourism and the natural and social environment of the Alps. The success of mountain grand hotels was tied to increasing industrialization and a new understanding of travel. Their thoughtful detachment from space, time, and society was an expression of a business as much as of social philosophy. Throughout the fin-de-siècle, mountains served as a backdrop for the narrative of the époque’s scientific and technical progress and became subject to rational interpretation and economic exploitation. Mountain grand hotels were not only a key component of tourism infrastructure, but also the bold expression of a presumptuous occupation of spaces set away for tourism. Natural space had widely been turned into social space for visual and leisurely consumption, raising questions of authority, priority, appropriation, and imposition. By mapping the perception of mountains along the history of mountain grand hotels, this essay studies the sites, gazes, and environments of mountain tourism at the fin-de-siècle. It examines how the history of the mountain grand hotel conflates with the forces of colonialism, and capitalism and showcases how these spaces reflect the socio-economic transformations that ultimately paved the way for mountain mass tourism.

scholarly journals Blicke von der Veranda: Luxustourismus in den Alpen der Jahrhundertwende

2021 ◽  
Vol 15 ◽  
pp. 101-132
Author(s):  
Michael Wedekind
Keyword(s):  
Social Space ◽  
Social Philosophy ◽  
Fin De Siecle ◽  
Mass Tourism ◽  
Economic Exploitation ◽  
Economic Transformations ◽  
Fin De Siècle ◽  
History Of ◽  
The Alps ◽  
The Relationship

Grand hotels had first been a metropolitan phenomenon before they emerged in remote regions of the Alps between the 1880s and the 1930s. This essay explores how these semi-public spaces and early places of modernity engaged with alpine scenery and shaped the very industry of mountain tourism. It analyses the relationship between elite tourism and the natural and social environment of the Alps. The success of mountain grand hotels was tied to increasing industrialization and a new understanding of travel. Their thoughtful detachment from space, time, and society was an expression of a business as much as of social philosophy. Throughout the fin-de-siècle, mountains served as a backdrop for the narrative of the époque’s scientific and technical progress and became subject to rational interpretation and economic exploitation. Mountain grand hotels were not only a key component of tourism infrastructure, but also the bold expression of a presumptuous occupation of spaces set away for tourism. Natural space had widely been turned into social space for visual and leisurely consumption, raising questions of authority, priority, appropriation, and imposition. By mapping the perception of mountains along the history of mountain grand hotels, this essay studies the sites, gazes, and environments of mountain tourism at the fin-de-siècle. It examines how the history of the mountain grand hotel conflates with the forces of colonialism, and capitalism and showcases how these spaces reflect the socio-economic transformations that ultimately paved the way for mountain mass tourism.

scholarly journals Mountains of Sublimity, Mountains of Fatigue: Towards a History of Speechlessness in the Alps

2009 ◽  
Vol 22 (3) ◽  
pp. 341-364 ◽  
Author(s):  
Philipp Felsch
Keyword(s):  
Eighteenth Century ◽  
Fin De Siecle ◽  
The Sublime ◽  
Fin De Siècle ◽  
History Of ◽  
The Alps ◽  
Pictures And Words ◽  
Industrial Societies

ArgumentThe discovery of the Alps in the second half of the eighteenth century spawned an aesthetics of sublimity that enabled overwhelmed beholders of mountains to overcome their confusion symbolically by transforming initial speechlessness into pictures and words. When travelers ceased to be content with beholding mountains, however, and began climbing them, the sublime shudder turned into something else. In the snowy heights, all attempts to master symbolically the challenging landscape was thwarted by vertigo, somnolence, and fatigue. After 1850, physiologists intervened, using the Alpine terrain as a laboratory landscape that was ideally suited to examine one of the most threatening concerns offin de siècleindustrial societies: fatigue. This essay examines how the picturesque voyage turned into an experimental physiology of fatigue, and how the “wordless subjectivity” of romantic travelers turned into the “wordless objectivity” of life scientists.

Tactile Vision and Enworlded Being

2017 ◽  
Author(s):  
Cleo Hanaway-Oakley
Keyword(s):  
The Self ◽  
The Other ◽  
Fin De Siecle ◽  
Gestalt Theory ◽  
Fin De Siècle ◽  
Phenomenal Field ◽  
The Relationship

Stephen’s musings on the pre-cinematic ‘stereoscope’ are discussed in relation to Bloom’s contemplation of parallax and his mention of the ‘Mutoscope’. The three-dimensionality, tangibility, and tactility of stereoscopic perception is analysed alongside Bloom’s and Gerty’s encounter in ‘Nausicaa’ and the Merleau-Pontian concepts of ‘flesh’ and ‘intercorporeity’. The bodily effects of projected cinema—achieved through virtual film worlds, virtual film bodies, and the intercorporeity of film and spectator—are discussed through reference to panorama, phantom ride, and crash films. The dizzying effects of some of these films are compared to the vertiginous nature of the ‘Wandering Rocks’ episode of Ulysses; these cinematic and literary vestibular disturbances are elucidated through gestalt theory and the phenomenological concepts of ‘intention’, ‘attention’, and the ‘phenomenal field’. Finally, the relationship between the self and the other is considered, through a discussion of cinematic mirroring in Ulysses and in Mitchell and Kenyon’s fin de siècle Living Dublin films.

Syphilitic General Paralysis

1893 ◽  
Vol 39 (165) ◽  
pp. 217-224
Author(s):  
M. J. Nolan
Keyword(s):  
Life Histories ◽  
The Other ◽  
Fin De Siecle ◽  
Short Life ◽  
General Paralysis ◽  
Generic Term ◽  
Fin De Siècle ◽  
History Of ◽  
Vexed Question

At the present time, when our fin de siècle knowledge of “general paralysis” enables us to recognize under that generic term many types of the disorder, and when the relation between it and syphilis continues a rather vexed question, little apology is needed for introducing to notice the following cases. They illustrate unmistakably some of the instances in which syphilis is solely responsible for what. Is termed by Dr. Savage” A process of degeneration which ultimately produces the ruin we recognize as general paralysis.”∗ Whatever may be hereafter formulated from the present evolutionary crisis in the history of the disorder there can be but little doubt that syphilis will be one of its most intimate and important relations. The story of its methods is briefly sketched in the following two short life-histories—in one asserting itself in the offspring of its victims by right of impure heredity, in the other carrying death direct into the vital centres by the force of its malignant virus.

Vernon Lee: Slow Serialist and Journalist at the Fin de Siècle

2021 ◽  
pp. 1-30
Author(s):  
Linda K. Hughes
Keyword(s):  
Fin De Siecle ◽  
Vernon Lee ◽  
Fin De Siècle ◽  
History Of ◽  
Periodical Publication

To expand understanding of imbricated journalism and high aestheticism at the fin de siècle, this essay examines Vernon Lee's journalism and slow essay serials, a form spread over space (viz., different periodicals) and marked by irregular temporal issue of installments before finding new cohesion when retroactively constructed as a book. Lee's prolific periodical publication, especially her aesthetic criticism, is rarely approached as journalism. Newly available letters and Lee's negotiations with editors clarify the occluded history of Lee's journalism and her slow essay serials, a distinctive serial form at the fin de siècle, which this article conceptualizes in closing.

Theatre in the Provinces at the Fin de Siècle: Beyond Outcast London

2018 ◽  
Author(s):  
Jo Robinson
Keyword(s):  
Fin De Siecle ◽  
Avant Garde ◽  
Performance Culture ◽  
Fin De Siècle ◽  
The Relationship

This chapter examines the relationship between performance culture in two regional cities in the British Midlands—Nottingham and Birmingham—as compared to that in the metropolis, London. It compares reactions to plays by Ibsen and Pinero in these locales, providing evidence to suggest that regional audiences were knowledgeable about London culture, and that they were less shocked by avant-garde theatre than might be assumed.

Introduction

2019 ◽  
pp. 1-14
Author(s):  
Dana Seitler
Keyword(s):  
Aesthetic Experience ◽  
Gender And Sexuality ◽  
Fin De Siecle ◽  
Literary Fiction ◽  
Economic Equality ◽  
Aesthetic Form ◽  
Fin De Siècle ◽  
History Of ◽  
The Aesthetic ◽  
Aesthetic Ideas

This book explores the pivotal role that various art forms played in American literary fiction in direct relation to the politics of gender and sexuality at the turn of the century. I track the transverse circulation of aesthetic ideas in fiction expressly concerned with gender and sexuality, and I argue that at stake in fin-de-siècle American writers’ aesthetic turn was not only the theorization of aesthetic experience, but also a fashioning forth of an understanding of aesthetic form in relation to political arguments and debates about available modes of sociability and cultural expression. One of the impulses of this study is to produce what we might think of as a counter-history of the aesthetic in the U.S. context at three (at least) significant and overlapping historical moments. The first is the so-called “first wave” of feminism, usually historicized as organized around the vote and the struggle for economic equality. The second is marked by the emergence of the ontologically interdependent homosexual/heterosexual matrix—expressed in Foucault’s famous revelation that, while the sodomite had been a temporary aberration, at the fin de siècle “the homosexual was now a species,” along with Eve Sedgwick’s claim that the period marks an “endemic crisis in homo-heterosexual definition.”...

‘In that Egyptian den’: situating The Beetle within the fin-de-siècle fiction of Gothic Egypt

2018 ◽  
Author(s):  
Ailise Bulfin
Keyword(s):  
Fin De Siecle ◽  
The Novel ◽  
Political Relations ◽  
Fin De Siècle ◽  
Genre Conventions ◽  
The Relationship ◽  
Literary Phenomenon

This chapter analyses the relationship between Marsh’s bestselling novel of Egyptian malevolence, The Beetle: A Mystery (1897), and a subgenre of Gothic Egyptian fiction which developed partially in response to contentious Anglo-Egyptian political relations. Marsh began writing his novel in 1895, the same year General Herbert Kitchener launched his famous and ultimately successful campaign to quell Islamic-nationalist rebellion in northern Sudan, then indirectly under Anglo-Egyptian control. This chapter exposes the links between the novel and colonial politics, placing The Beetle within the context of Anglo-Egyptian and Sudanese conflict, rather than broadly reading it against general imperial concerns. The chapter provides a fuller picture of both the remarkable revival of the Gothic literary mode at the fin de siècle and the society in which this literary phenomenon occurred. The chapter also reveals how Marsh’s text dramatically exceeded Gothic Egyptian genre conventions in its emphasis on pagan as well as colonial monstrosity.

Rinuccini the craftsman: A view of his L'Arianna

1999 ◽  
Vol 18 ◽  
pp. 75-117 ◽  
Author(s):  
Bojan Bujić
Keyword(s):  
Fin De Siecle ◽  
Work Of Art ◽  
Fin De Siècle ◽  
The Status ◽  
History Of ◽  
As If ◽  
The Craftsman

Like her crown, which according to the story shines in a constellation, L'Arianna as a work of art shimmers as a distant and mysterious object, and the loss of Monteverdi's score, apart from the famous lament, makes it one of the great ‘if onlys’ of the history of music. Artistic responses to L'Arianna range wide. In Gabrielle d'Annunzio's novel Il fuoco, Stellio Effrena and his group of aesthetes in fin de siècle Venice embrace Monteverdi, and Arianna's lament in particular, as a home-grown antidote to Wagner, elevating ‘Lasciatemi morire’ to the status of an Italian precursor of the ‘Liebestod’. Recently Alexander Goehr gave a new lease of life to Ottavio Rinuccini's libretto in his opera Arianna, first performed in September 1995, and, as if not to desecrate a hallowed object, he included in the opera a recording of the opening of Monteverdi's surviving fragment sung by Kathleen Ferrier.

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