scholarly journals Galileo Galilei: Science vs. faith

2017 ◽  
Vol 2017 (2) ◽  
Author(s):  
Alberto Zanatta ◽  
Fabio Zampieri ◽  
Cristina Basso ◽  
Gaetano Thiene

[first paragraph of article]Galileo Galilei (1564–1642), professor of mathematics at the University of Padua from 1592 to 1610, was a pillar in the history of our University and a symbol of freedom for research and teaching, well stated in the university motto ‘‘Universa Universis Patavina Libertas’’ (Total freedom in Padua, open to all the world). He invented the experimental method, based on evidence and calculation (‘‘science is measure’’) and was able, by using the telescope, to confirm the Copernican heliocentric theory, a challenge to the Bible. Bertrand Russell (1872–1970), in his book ‘‘The Problems of Philosophy’’ stated: ‘‘Almost everything that distinguishes modern world from earlier centuries is attributable to science, which achieved the most spectacular triumphs in the seventeenth century. Together with Harvey, Newton and Keplero, Galileo was a protagonist of this scientific revolution in the late Renaissance’’. 

2019 ◽  
Vol 26 ◽  
pp. 157-172
Author(s):  
Fanny Marcon ◽  
Giulio Peruzzi ◽  
Sofia Talas

At the beginning of the eighteenth century, new lectures in natural philosophy based on direct and immediate demonstrations began to spread through Europe. Within this context, a chair of experimental philosophy was created at the University of Padua in 1738, and the new professor, Giovanni Poleni, established a Cabinet of Physics, which became very well known in eighteenth-century Europe. In the following two centuries, Poleni’s successors continued to acquire thousands of instruments used for teaching and research, which today are held at the Museum of the History of Physics of the University of Padua. The present paper describes the main peculiarities of the collection, comprising instruments from the Renaissance to the twentieth century. We also discuss the current acquisition policy of the museum, aimed at collecting material evidence of the research and teaching activities in physics that are carried out in Padua today. We will outline both the local peculiarities of the collection and its international dimension, based on the contacts that have been established throughout the centuries between Padua and the international scientific community. Some aspects of the circulation of scientific knowledge in Europe and beyond will thus also emerge.


1966 ◽  
Vol 71 (3) ◽  
pp. 979
Author(s):  
C. J. Bishko ◽  
Allan Nevins ◽  
Howard M. Ehrmann ◽  
Rhea Marsh Smith

2021 ◽  
Vol 7 (1) ◽  
pp. 1-20
Author(s):  
Sarali Gintsburg ◽  
Luis Galván Moreno ◽  
Ruth Finnegan

Abstract Ruth Finnegan FBA OBE (1933, Derry, Northern Ireland) took a DPhil in Anthropology at Oxford, then joined the Open University of which she is now an Emeritus Professor. Her publications include Oral Literature in Africa (1970), Oral Poetry (1977), The Hidden Musicians: Music-Making in an English Town (1989), and Why Do We Quote? The Culture and History of Quotation (2011). Ruth Finnegan was interviewed by Sarali Gintsburg (ICS, University of Navarra) and Luis Galván Moreno (University of Navarra) on the occasion of an online lecture delivered at the Institute for Culture and Society at the University of Navarra. In this trialogue-like interview, Ruth tells about the childhood experiences that were decisive for her interest in orality and storytelling, about her education and training as a Classicist in Oxford, the beginnings of her fieldwork in Africa among the Limba of Sierra Leone, and her recent activity as a novelist. She stresses the importance of voice, of its physical, bodily dimensions, its pitch and cadence; and then affirms the essential role of audience in communication. The discussion then touches upon several features of African languages, classical Arabic and Greek, and authoritative texts of Western culture, from Homer and the Bible to the 19th century novel. Through discussing her childhood memories, her assessment of the development and challenges of anthropology, and her views on the digital transformation of the world, Ruth concludes that the notion of narrative, communication, and multimodality are inseparably linked.


Author(s):  
Stella Fletcher

The humbly born Ligurian Francesco della Rovere (b. c. 1414–d. 1484) was entrusted to the Franciscan Order from the age of nine and educated in Chieri, near Turin, and at the university of Padua. By 1460 his distinguished academic career had taken him from Padua to Bologna, Pavia, Siena, Florence, and Perugia. He then served as Roman procurator and vicar general of the Friars Minor, and minister general from 1464, before being made a cardinal by Pope Paul II in 1467. His learning was demonstrated in three theological treatises: De sanguine Christi, De potentia dei, and De futuris contingentibus. If the cardinals reckoned on securing a meek scholar-pope when they elected him to the highest office in August 1471 they miscalculated, for what emerged from the Franciscan chrysalis was an enthusiastic player of papal politics who advanced the interests of his kinsmen with greater zeal than had any of his recent predecessors. Pope Sixtus IV was a rarity in the higher echelons of the Church precisely because he was of non-noble birth, and he clearly sought to compensate for this not only by promoting so many of his relatives, both clerics and laymen, but by commissioning numerous building projects that could be decorated with oak trees and acorns, the Della Rovere emblems. The holy year or jubilee of 1475 presented the ideal opportunity for such assertions of the family’s newly established status. Toward the end of the pontificate, Sixtus’s taste for entering political alliances embroiled the papacy in a sequence of peninsular wars, the first of which was triggered by the Pazzi Conspiracy of April 1478: one of the pope’s lay nephews, Girolamo Riario, supported the plot against Lorenzo and Giuliano de’ Medici, and another, Cardinal Raffaele Sansoni-Riario, witnessed the murder of Giuliano in the Florentine duomo. The Pazzi War was followed by a realignment of the Italian powers, which then went to war over the duchy of Ferrara in 1482–1484. Sixtus’s death on 12 August 1484 was said to have been caused by his fury at the peace terms agreed between Milan and Venice. Relations between Sixtus and the secular powers beyond Italy are perhaps best approached via the ecclesiastical policies of the relevant princes. The broad outline of his pontificate can be traced in various Reference Works, but attention should focus on the sheer quantity of Primary Sources, which are so numerous that they are divided between Histories, Letters, and Panegyrics and Polemics in this article. Collections of Papers also form so rich a resource that relatively few individual articles have been selected for individual treatment. Lives and Times can be consulted for the political, diplomatic, and military history of Sixtus’s pontificate, while A Franciscan Pope addresses some aspects of its ecclesiastical history. Again reflecting the quantity of available publications, it seems appropriate to allow Culture to be subdivided into Architecture, the architectural and artistic composite that is the Sistine Chapel, and other Painting and Sculpture, before concluding with the literary culture of the Written and Spoken Word.


1959 ◽  
Vol 65 (1) ◽  
pp. 117
Author(s):  
Geoffrey Bruun ◽  
Allan Nevins ◽  
Howard M. Ehrmann ◽  
Albert Guerard

1961 ◽  
Vol 66 (2) ◽  
pp. 489
Author(s):  
A. R. M. Lower ◽  
J. Bartlet Brebner ◽  
Donald C. Masters ◽  
Allan Nevins ◽  
Howard M. Ehrmann

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