Refugiados do Holocausto em Portugal: representações da “vida nua” no corpo social português
This article deals with the representations of the passage of Holocaust refugees through Portuguese soil in the trilogy O cavalo espantado (1960) by Alves Redol, Sob céus estranhos (1962) by Ilse Losa and Sob céus estranhos: uma história de exílio (2007) by Daniel Blaufuks. Under three distinct narrative perspectives - that of “Just among the Nations”, that of the refugee himself and that of the “post-memory’s” heir (Hirsch 1992-1993) - these authors portray 1997) in the Portuguese social body. In his condition as an outlaw, the refugee becomes a privileged figure to question the “fiction originating from sovereignty” (Agamben 2002: 32). We also intend to analyze how the figure of the refugee raises reflections on the Portuguese identity, through two types of images: the “ideological” and the “utopian” (Moura 1998).