"Liewer op 'n meshoop". De Zuid-Afrikaanse Kompagnie en de Dietse uitwijking na de Tweede Wereldoorlog

2011 ◽  
Vol 70 (4) ◽  
pp. 375-383
Author(s):  
Frank Seberechts

In het ADVN bevinden zich twee documenten die werden opgesteld en verspreid door de “Zuid-Afrikaanse Kompagnie” (ZAK). Deze organisatie trachtte in de eerste jaren na de Tweede Wereldoorlog Vlamingen te overhalen naar Zuid-Afrika te emigreren. Het was de bedoeling dat zij daar zouden meewerken aan de regeneratie van het Dietse volk. Met hun initiatief sluiten de auteurs aan bij een bredere stroom van tegelijkertijd imperialistische en volksnationalistische denkbeelden die de uitbreiding van het territorium zien als een noodzaak voor de versterking of de regeneratie van het eigen volk of ras. Vermoedelijk komen de documenten uit kringen van voormalige leden van de dissidente Vlaams-nationalistische jeugdbeweging.________“Rather on a dung heap”. The South-African Company and the Diets’ (Greater Netherlands) emigration after the Second World War. The ADVN holds two documents that were written and distributed by the “South African Company” (ZAK). In the first years after the Second World War, this organisation attempted to persuade Flemish people to emigrate to South Africa. It was the intention that they would cooperate in the regeneration of the Diets nation. With this initiative, the authors followed in the larger wake of imperialistic and extreme nationalist ideas, which consider the expansion of the territory as a necessity for the reinforcement or regeneration of their own people or race. It is likely that the documents originated from the groups of former members of the dissident Flemish nationalist youth movement.

2005 ◽  
Vol 48 (1) ◽  
pp. 209-230 ◽  
Author(s):  
KENT FEDOROWICH

For most of the Second World War, German and Italian agents were actively engaged in a variety of intelligence gathering exercises in southern Africa. The hub of this activity was Lourenço Marques, the colonial capital of Portuguese East Africa (Mozambique). One of the key tasks of Axis agents was to make links with Nazi sympathizers and the radical right in South Africa, promote dissent, and destabilize the imperial war effort in the dominion. Using British, American, and South African archival sources, this article outlines German espionage activities and British counter-intelligence operations orchestrated by MI5, MI6, and the Special Operations Executive between 1939 and 1944. The article, which is part of a larger study, examines three broad themes. First, it explores Pretoria's creation of a humble military intelligence apparatus in wartime South Africa. Secondly, it examines the establishment of several British liaison and intelligence-gathering agencies that operated in southern Africa for most of the war. Finally, it assesses the working relationship between the South African and British agencies, the tensions that arose, and the competing interests that emerged between the two allies as they sought to contain the Axis-inspired threat from within.


Author(s):  
Anli Le Roux

THE UNION OF SOUTH AFRICA PROPAGANDA CAMPAIGNS DURING THE SECOND WORLD WAR (1939–1945). Part 1: The African Mirror Newsreels IntroductionAccording to Danny Schechter, when one fights a war, "there is a need to create and maintain ties of sentiment between soldiers and citizens, as well as a need for popular mobilisation and media support" (2004:25). During the Second World War the case was no different in South Africa. The Union of South Africa propaganda campaigns in all its forms were aimed at "motivating, managing, and feeding the media" - which in turn fed the nation. This was a key strategic imperative to try to build, strengthen and maintain a consensus and united front behind the war effort (Schechter, 2004:25).The significance of contemporary filmic visualisation or off-screen enactments of war experiences and their place in South African historiography of the Second World War has long been an under-researched area....


1999 ◽  
Vol 40 (3) ◽  
pp. 351-365 ◽  
Author(s):  
ALBERT GRUNDLINGH

In contrast to the situation in Commonwealth countries such as Canada and Australia, South Africa's participation in the Second World War has not been accorded a particularly significant place in the country's historiography. In part at least, this is the result of historiographical traditions which, although divergent in many ways, have a common denominator in that their various compelling imperatives have despatched the Second World War to the periphery of their respective scholarly discourses.Afrikaner historians have concentrated on wars on their ‘own’ soil – the South African War of 1899–1902 in particular – and beyond that through detailed analyses of white politics have been at pains to demonstrate the inexorable march of Afrikanerdom to power. The Second World War only featured insofar as it related to internal Afrikaner political developments. Neither was the war per se of much concern to English-speaking academic historians, either of the so-called liberal or radical persuasion. For more than two decades, the interests of English-speaking professional historians have been dominated by issues of race and class, social structure, consciousness and the social effects of capitalism. While the South African War did receive some attention in terms of capitalist imperialist expansion, the Second World War was left mostly to historians of the ‘drum-and-trumpet’ variety. In general, the First and Second World Wars did not appear a likely context in which to investigate wider societal issues in South Africa.


Author(s):  
Tony Voss

Guy Butler, poet, playwright, director, historian, autobiographer, essayist, academic and public intellectual, was born and raised in the Eastern Cape in South Africa. He began his education at the Cradock High School and Rhodes University, and served in North Africa and Italy during the Second World War. Study at Oxford and a lectureship at Witwatersrand University led to his position as chair of English at Rhodes in 1952, the year that Stranger to Europe: Poems, 1939–1949 was published. His traditionally oriented poetry seeks human connection across the barriers of history, culture and legally enforced racial segregation. An innovative teacher, he promoted the study of South African English literature and founded departments of speech and drama, linguistics, and journalism at Rhodes University. Throughout his life he strove to reconcile his local loyalties to the Eastern Cape, to his Settler forebears, and to his English heritage — he established the 1820 Monument, the National English Literary Museum, the Grahamstown Festival, and the Institute for the Study of English in Africa — with an inclusive South African national identity. He translated Afrikaans poetry into English, and in plays such as Richard Gush of Salem and Demea celebrated representative historical and imagined figures of interracial and intercultural rapprochement.


2020 ◽  
pp. 002252662092078
Author(s):  
Malcolm Abbott ◽  
Jill Bamforth

The purpose of this paper is to compare and contrast the different aircraft procurement policies of the Canadian, Australian and South Africa air forces in the formative years of the industry in each country between the world wars. In doing so, it will highlight some of the strengths and weaknesses exhibited by the different approaches taken by the three governments attempting to build up aircraft manufacturing in the inter-war period (1918–39). Before 1938, the Australian and South African governments made no attempt to attract investment by British and American aircraft manufacturers, the opposite of what Canadian Government did; as a result, the industry was less developed in the former two countries when the Second World War broke out.


Author(s):  
Sander L. Gilman

This chapter explores Milton Shain's The Roots of Antisemitism in South Africa, a second volume in his ongoing examination of the history of the Jews in South Africa (and its constituent parts). His earlier book, Jewry and Cape Society: The Origins and Activities of the Jewish Board of Deputies for the Cape Colony, provided a detailed and exquisite look at the inner workings of the Board of Jewish Deputies in the Cape. This ‘internal’ history of Cape Jewry revealed many of the tensions and problems that impacted on the migration and acculturation of Jews in southern Africa during the late nineteenth and early twentieth centuries. His new volume is more expansive, and examines the detailed history of the idea of the Jew, and the Jewish response to this construction, in the Afrikaans- and English-speaking areas of South Africa. Shain's chronological spread reaches from the mid-nineteenth century to the end of the Second World War, with a short conclusion bringing the volume up to the present. His theme is the ‘origin’ of antisemitism in South African culture, a culture self-consciously a ‘frontier society’ in which Jews formed a minority that came to be identified with anglophone ideals and norms.


Historia ◽  
2021 ◽  
Vol 63 (1) ◽  
pp. 1-31
Author(s):  
Anna la Grange ◽  
Charl Blignaut

The emergency measures of the Union government under Jan Smuts had a strong impact on the Ossewa-Brandwag (OB) during the Second World War. The OB was especially targeted by the government because of its overt pro-German and anti-British stance and its active resistance against the war effort. The ideology of the movement was built upon a strong basis of Afrikaner nationalism in conjunction with National Socialism which was supposed to legitimise the movement as an alternative to party politics. OB members expressed Afrikaner nationalist sentiments which meant resistance against Britain with the goal of attaining an independent republic - the so-called "ideal of freedom". Consequently, the OB's active resistance led to high numbers of internment. This article focuses on the South African internment camps of the Second World War. The nationalist iconography reflected in the artefacts created by OB members during their internment are analysed within the broader context of Afrikaner nationalism and the ideology of the OB. The OB had a very specific brand of Afrikaner nationalism and the ideal of freedom, central to its ideology, was combined with existing Afrikaner nationalist goals and subsequently nationalist iconography manifested itself in internees' creative expressions of their own personal nationalist sentiments. The artefacts also reflect the integration of Afrikaner nationalist iconography and the OB's ideal of freedom with personal contexts of imprisonment illustrating how political myths can be reshaped to provide meaning for the present realities of contemporaries.


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