Filipino American Identity Development in Something in Between

Author(s):  
Bussaraporn Macharoen ◽  
Supaporn Yimwilai
2007 ◽  
Vol 54 (4) ◽  
pp. 362-372 ◽  
Author(s):  
Ma. Teresa G. Tuason ◽  
Amethyst Reyes Taylor ◽  
Laura Rollings ◽  
Temma Harris ◽  
Carling Martin

Author(s):  
Jeffrey Arellano Cabusao

The large body of Filipino American literature has helped to define and challenge the boundaries of the Asian American literary canon. Documenting various waves of Filipino migration to the United States as a result of US-Philippine colonial relations beginning at the turn of the 20th century, Filipino American literature includes genres such as autobiography, novels, short stories, poetry, creative nonfiction (letter writing and essays), and graphic literature. While Filipino American literature shares common themes with other forms of Asian American literature (exile, displacement, racist exclusion), it is distinguished by its inability to adhere to an immigrant-assimilationist paradigm. Filipino American literature provides insight into the experiences of Filipino colonial and neocolonial subjects who have migrated from the periphery to the center. The unique historical and geopolitical framework of US-Philippine relations recasts themes such as the search for identity and “home,” the seduction of assimilation, and postcolonial resistance to US orientalist discourse. At the heart of the Filipino American writer’s discovery that she is a part of, yet apart from, Asian America is the task of confronting her unique location as informed by the Filipino collective experience of racial/national subordination. For Filipino Americans, racism and US colonial/neocolonial control of the Philippines are inextricably intertwined. Filipino Americans, the second largest Asian American group in the United States and the largest Asian American group in the state of California, constitute a major segment of the Filipino diaspora which is over twelve million—a majority of whom labor as Overseas Filipino Workers (OFWs). More than 5000 Filipinos depart the Philippines daily as a strategy for economic survival. US-Philippine neocolonial relations, together with the traumatic global dispersal of Filipinos, function as the political unconscious of contemporary forms of Filipino American literature. These works grapple with heterogeneity, difference, displacement, and diverse strategies of decolonization—from exploring the complexity of Filipino American identity (intersection of race, gender, sexuality, class) to articulating the yearning to belong. For contemporary writers, Filipino American identity and the concept of decolonization are contested terrains—both still in the process of becoming.


2020 ◽  
Vol 11 (4) ◽  
pp. 233-245
Author(s):  
Kalya Castillo ◽  
Jason D. Reynolds (Taewon Choi) ◽  
Minsun Lee ◽  
Jessica L. Elliott

2019 ◽  
Vol 20 (2) ◽  
pp. 113-123 ◽  
Author(s):  
Taryn Kiana Myers

This autoethnography, based on a cultural epistemology grounded in my lived experiences as Black and middle class, is written as an exploration of the communication practice of code-switching. It is the consideration of Du Bois’ double-consciousness as reflected in my language practices. It is a means to examine the development of my Black identity in an aggressively hegemonic society. Using Cross’ Black identity development model to structure and frame my inquiry, I examine my experiences with code-switching in both Black-dominated and White-dominated spaces to understand how the choice to use “Standard English” or Ebonics, depending on audience, reflects the tension inherent in the Black American identity. This autoethnography attempts to draw connections to how the intersection of oppressed identities results in power inequities that shape communication practices for marginalized populations.


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