scholarly journals Concerning the chronology of Cimabue's oeuvre and the origin of pictorial depth in Italian painting of the later middle ages

Zograf ◽  
2002 ◽  
pp. 119-142 ◽  
Author(s):  
Joseph Polzer

A study devoted to the gradual emergence of pictorial depth in Cimabue's paintings, and how it applies, together with other factors, to the understanding of their sequential chronology. The conclusions reached underscore the vast difference in Cimabue 's conservative art and the exceptional naturalism of the evolving Life of Saint Francis mural cycle lining the lower nave walls in the upper church of San Francesco at Assisi.

2020 ◽  
Vol 17 (4) ◽  
pp. 5-16
Author(s):  
Katarzyna Chmielewska ◽  

The article presents the manner of showing disease and the suffering of a person by Mediaeval narrative sources. The basis for the article are various national chronicles, monastic historiography and hagiography written in the Middle Ages. The analysed works are the lives of Saint Kinga of Poland, Anne of Bohemia, Salomea of Poland and Saint Francis of Assisi, three monastic chronicles written by canons regulars in the monasteries in Kłodzko, Żagań and Wrocław, and chronicles describing the Polish history by Gallus Anonymous, Jan Długosz and Jan of Czarnków. The author describes the attitude of the society towards the ill person and the attitude of the ill towards their suffering. The article presents also the description of disease and the attempt (or the lack of attempt) to provide medical causes of the illnesses. The indication of pathogenesis of the disease is very rare in the medieval narrative sources. The authors of these works often appeal to God in this matter, they look for an explanation in the Lord’s wrath or divine providence. The author of the article shows the differences in presenting the disease in the sources given in the article depending on the kind of works and its purposes.


1959 ◽  
Vol 9 ◽  
pp. 51-79
Author(s):  
K. Edwards

During the last twenty or twenty-five years medieval historians have been much interested in the composition of the English episcopate. A number of studies of it have been published on periods ranging from the eleventh to the fifteenth and early sixteenth centuries. A further paper might well seem superfluous. My reason for offering one is that most previous writers have concentrated on analysing the professional circles from which the bishops were drawn, and suggesting the influences which their early careers as royal clerks, university masters and students, secular or regular clergy, may have had on their later work as bishops. They have shown comparatively little interest in their social background and provenance, except for those bishops who belonged to magnate families. Some years ago, when working on the political activities of Edward II's bishops, it seemed to me that social origins, family connexions and provenance might in a number of cases have had at least as much influence on a bishop's attitude to politics as his early career. I there fore collected information about the origins and provenance of these bishops. I now think that a rather more careful and complete study of this subject might throw further light not only on the political history of the reign, but on other problems connected with the character and work of the English episcopate. There is a general impression that in England in the later middle ages the bishops' ties with their dioceses were becoming less close, and that they were normally spending less time in diocesan work than their predecessors in the thirteenth century.


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