Agricultural Regions of North America. Part XI--The Columbia Plateau Wheat Region

1933 ◽  
Vol 9 (2) ◽  
pp. 167 ◽  
Author(s):  
Oliver E. Baker
1954 ◽  
Vol 19 (4) ◽  
pp. 387-389
Author(s):  
Earl Swanson ◽  
Alan Bryan

During a long period of the time when archaeological research was in progress in other areas of North America, the Columbia Plateau and western Washington lay relatively untouched and unknown. Only recently have systematic studies been undertaken by the University of Washington.The archaeological survey of cave sites in Washington, during the summer of 1952, is a part of those studies. The plan was to locate as many caves as possible, to determine if they had been occupied aboriginally, and to evaluate them with an eye to future excavation.Prior to the field work, reports had been received of caves in various parts of Washington, but the total was small, and we had little expectation of swelling the known number. Many of these had been learned of through newspaper clippings and letters, and from amateur activities. The problem, then, was not simply to examine a few choice caves for testing and excavation, but of surveying a large area in order to initiate an immediate program of excavation to save what remained. In addition to the survey of the caves, the University provided money for the examination of private collections.


2006 ◽  
Vol 71 (1) ◽  
pp. 3-26 ◽  
Author(s):  
James D. Keyser ◽  
David S. Whitley

Much rock art worldwide was traditionally interpreted in terms of “hunting magic,” in part based on the related concept of “sympathetic magic” In the last forty years, these interpretations were disproven in many regions and now are largely ignored as potential explanations for the origin and function of the art. In certain cases this may be premature. Examination of the ethnographic and archaeological evidence from western North America supports the origin of some art in sympathetic magic (often related to sorcery) in both California and the Plains and provides a case for hunting magic as one of a series of ritual reasons for making rock art in the Columbia Plateau. Both case studies emphasize the potential diversity in origin, function, and symbolism of shamanistic rock art.


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