Progressivism and the World of Reform: New Zealand and the Origins of the American Welfare State

1988 ◽  
Vol 75 (2) ◽  
pp. 639
Author(s):  
Milton D. Speizman ◽  
Peter J. Coleman
Keyword(s):  
1963 ◽  
Vol 8 (2) ◽  
pp. 177-197 ◽  
Author(s):  
P. J. O'Farrell

The Bolsheviks saw their revolution, not as merely Russian, but as the opening act in a great drama of international socialist revolution. This vision, dazzling in itself, mingled with Russian reality, evoked responses in the Australian and New Zealand labour movements. To these countries, the Russian revolution came as part accomplished fact, part world myth, an astonishing sublimation of the enforced and sordid internationalism of suffering on the battlefields of the world war. As such, it was peculiarly disturbing to labour movements which had been, in the main, traditionally cautious and self-sufficient, resistant to both dreams and doctrines. But even Australian and New Zealand labour could not live by bread alone. Was the Russian revolution relevant? This was the basic question, and, at first, it went to the core of local conflicts and indecisions. At first, this question seemed to mean – were revolutionary concepts relevant to Australian and New Zealand conditions, in a situation of imminent world revolution. Was labour to pursue doctrinaire, militant and revolutionary socialism, or welfare-state reformism? This fundamental alternative was, of course, not absent before the Russian revolution, but that revolution posed it with a realism, bluntness and urgency never experienced before. Yet hardly had Australian and New Zealand labour confronted with this imperative, when its terms began to change as circumstances narrowed the challenge represented by Russia. Was the Russian revolution relevant? By 1920 this question had come to mean – would Australian and New Zealand labour accept Russian methods, theories and direction?


2018 ◽  
Vol 11 (1) ◽  
pp. 27-50
Author(s):  
John Marsland

During the twenty years after the Second World War, housing began to be seen as a basic right among many in the west, and the British welfare state included many policies and provisions to provide decent shelter for its citizens. This article focuses on the period circa 1968–85, because this was a time in England when the lack of affordable, secure-tenured housing reached a crisis level at the same time that central and local governmental housing policies received wider scrutiny for their ineffectiveness. My argument is that despite post-war laws and rhetoric, many Britons lived through a housing disaster and for many the most rational way they could solve their housing needs was to exploit loopholes in the law (as well as to break them out right). While the main focus of the article is on young British squatters, there is scope for transnational comparison. Squatters in other parts of the world looked to their example to address the housing needs in their own countries, especially as privatization of public services spread globally in the 1980s and 1990s. Dutch, Spanish, German and American squatters were involved in a symbiotic exchange of ideas and sometimes people with the British squatters and each other, and practices and rhetoric from one place were quickly adopted or rejected based on the success or failure in each place.


Author(s):  
Peter Hoar

Kia ora and welcome to the second issue of BackStory. The members of the Backstory Editorial Team were gratified by the encouraging response to the first issue of the journal. We hope that our currentreaders enjoy our new issue and that it will bring others to share our interest in and enjoyment of the surprisingly varied backstories of New Zealand’s art, media, and design history. This issue takes in a wide variety of topics. Imogen Van Pierce explores the controversy around the Hundertwasser Art Centre and Wairau Māori Art Gallery to be developed in Whangarei. This project has generated debate about the role of the arts and civic architecture at both the local and national levels. This is about how much New Zealanders are prepared to invest in the arts. The value of the artist in New Zealand is also examined by Mark Stocker in his article about the sculptor Margaret Butler and the local reception of her work during the late 1930s. The cultural cringe has a long genealogy. New Zealand has been photographed since the 1840s. Alan Cocker analyses the many roles that photography played in the development of local tourism during the nineteenth century. These images challenged notions of the ‘real’ and the ‘artificial’ and how new technologies mediated the world of lived experience. Recorded sound was another such technology that changed how humans experienced the world. The rise of recorded sound from the 1890s affected lives in many ways and Lewis Tennant’s contribution captures a significant tipping point in this medium’s history in New Zealand as the transition from analogue to digital sound transformed social, commercial and acoustic worlds. The New Zealand Woman’s Weekly celebrates its 85th anniversary this year but when it was launched in 1932 it seemed tohave very little chance of success. Its rival, the Mirror, had dominated the local market since its launch in 1922. Gavin Ellis investigates the Depression-era context of the Woman’s Weekly and how its founders identified a gap in the market that the Mirror was failing to fill. The work of the photographer Marti Friedlander (1908-2016) is familiar to most New Zealanders. Friedlander’s 50 year career and huge range of subjects defy easy summary. She captured New Zealanders, their lives, and their surroundings across all social and cultural borders. In the journal’s profile commentary Linda Yang celebrates Freidlander’s remarkable life and work. Linda also discusses some recent images by Friedlander and connects these with themes present in the photographer’s work from the 1960s and 1970s. The Backstory editors hope that our readers enjoy this stimulating and varied collection of work that illuminate some not so well known aspects of New Zealand’s art, media, and design history. There are many such stories yet to be told and we look forward to bringing them to you.


Author(s):  
Patricia O'Brien

This is a biography of Ta’isi O. F. Nelson, the Sāmoan nationalist leader who fought New Zealand, the British Empire and the League of Nations between the world wars. It is a richly layered history that weaves a personal and Pacific history with one that illuminates the global crisis of empire after World War One. Ta’isi’s story weaves Sweden with deep histories of Sāmoa that in the late nineteenth century became deeply inflected with colonial machinations of Germany, Britain, New Zealand and the U. S.. After Sāmoa was made a mandate of the League of Nations in 1921, the workings and aspirations of that newly minted form of world government came to bear on the island nation and Ta’isi and his fellow Sāmoan tested the League’s powers through their relentless non-violent campaign for justice. Ta’isi was Sāmoa’s leading businessman who was blamed for the on-going agitation in Sāmoa; for his trouble he was subjected to two periods of exile, humiliation and a concerted campaign intent on his financial ruin. Using many new sources, this book tells Ta’isi’s untold story, providing fresh and intriguing new aspects to the global story of indigenous resistance in the twentieth century.


1992 ◽  
Vol 18 (1) ◽  
pp. 218
Author(s):  
Cecil J. Houston ◽  
Donald Harman Akenson ◽  
Richard Kearney ◽  
Patrick O'Farrell
Keyword(s):  

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