Max Stirner and Ludwig Feuerbach

1978 ◽  
Vol 39 (3) ◽  
pp. 451 ◽  
Author(s):  
Lawrence S. Stepelevich
Keyword(s):  
Ludwig Feuerbach ◽  
Max Stirner

Ruge, Arnold (1802–80)

2018 ◽  
Author(s):  
Hans-Martin Sass
Keyword(s):  
Karl Marx ◽  
German Idealism ◽  
Self Determination ◽  
Political Practice ◽  
Political Activities ◽  
Ludwig Feuerbach ◽  
Liberal Philosophy ◽  
Max Stirner ◽  
Bruno Bauer

Arnold Ruge was the most influential liberal writer and activist of the radical wing of Young Hegelianism. For him philosophy was a challenge to translate the humanist ideals of emancipation and self-determination into the realities of moral, cultural and political practice. As editor of powerful intellectual journals such as Hallesche und Deutsche Jahrbuecher (1838–43) with Theodor Echtermeyer, ‘Anekdota zur neuesten deutschen Philosophie und Publizistik’ (1843), ‘Deutsch-Franzoesische Jahrbuecher’ (1844) with Karl Marx, and ‘Die Akademie’ (1850), he became the leading promotor of liberal philosophy and civic emancipation in Germany. Ruge represented the citizens of Breslau in the Frankfurt Paulskirche parliament in 1848–9 and worked briefly with Alexandre Ledru-Rollin and Guizeppe Mazzini in establishing a short-lived ‘European Democratic Committee’ in London in 1849. Ruge understood his critical educational, cultural and political activities as a direct calling from the heritage of European enlightenment and German idealism, thus transforming idealistic theory and vision into the realities of political practice and agitation. In this manner he promoted such radical figures as Bruno Bauer, Max Stirner, David Friedrich Strauss and Ludwig Feuerbach.

scholarly journals Homem e religião no Movimento Neohegeliano de Esquerda: Uma leitura de Bruno Bauer, Max Stiner e Ludwig Feuerbach

2016 ◽  
Author(s):  
Renato A. De Oliveira
Keyword(s):  
Ludwig Feuerbach ◽  
Max Stirner ◽  
Bruno Bauer

O presente artigo pretende apresentar as filosofias de Bruno Bauer, Max Stirner e Ludwig Feuerbach, em especial suas ideias acerca do homem e da religião. Entendemos que tais pensadores foram, durante muito tempo, na história do pensamento ocidental, relegados ao esquecimento, especialmente devido à crítica de Marx aos mesmos. A maior dificuldade em desenvolver esta pesquisa foi o acesso à bibliografia dos autores em questão. Porém, procuramos realizar uma leitura imanente das obras que tivemos acesso, bem como de pesquisadores renomados sobre o movimento neohegeliano.

Max Stirner als Reform-Pädagoge

2021 ◽  
Author(s):  
Tijana Müller-Sladakovic
Keyword(s):  
Karl Marx ◽  
Ludwig Feuerbach ◽  
Max Stirner

Max Stirner ist im Vergleich mit den Zeitgenossen seines intellektuellen Umfelds – zu denen Karl Marx, Ludwig Feuerbach und Moses Hess zählen – ein wenig rezipierter Autor. In diesem Buch wird dieser unkonventionelle Denker zum ersten Mal als unzeitgemäßer Reformpädagoge und Bildungsphilosoph verstanden. Gerade im Hinblick auf seine bildungsphilosophische und kommunikationstheoretische Orientierung kann eine Auseinandersetzung mit Stirner sehr gewinnbringend sein, da seine ideologiekritischen und reformpädagogischen Ansätze eine bislang nicht ausgeschöpfte Ressource für heutige pädagogische und bildungsphilosophische Fragen bilden. Die in diesem Buch vorgeschlagene Neulektüre Stirners zeigt unter anderem, dass seine sprach- und bildungsphilosophische Ideologiekritik zentrale Gemeinsamkeiten mit der aktuellen Framingforschung aufweist.

Communism: The Philosophical Foundations

Philosophy ◽  
1991 ◽  
Vol 66 (257) ◽  
pp. 269-282 ◽  
Author(s):  
Antony Flew
Keyword(s):  
Working Class ◽  
Significant Contribution ◽  
Karl Marx ◽  
German Philosophy ◽  
Great Work ◽  
Philosophical Foundations ◽  
Ludwig Feuerbach ◽  
German Philosopher ◽  
Classical Philosophy ◽  
Predicate Expression

‘Karl Marx was a German philosopher.’ It is with this seminal sentence that Leszek Kolakowski begins his great work on The Main Currents of Marxism: its Rise, Growth and Dissolution (Oxford: Clarendon, 1978). Both the two terms in the predicate expression are crucial. It is most illuminating to think of Marx as originally a philosopher, even though nothing in his vastly voluminous works makes any significant contribution to philosophy in any academic understanding of that term. It is also essential to recognize that for both Marx and Engels philosophy was always primarily, indeed almost exclusively, what they and their successors called classical German philosophy. This was a tradition seen as achieving its climactic fulfilment in the work of Hegel, and one which they themselves identified as a main stimulus to their own thinking. Thus Engels, in Ludwig Feuerbach and the End of Classical German Philosophy, claimed that ‘The German working-class movement is the inheritor of German classical philosophy’.

Le persone sono sostituibili?

2009 ◽  
pp. 147-158
Author(s):  
Jean-Claude Wolf
Keyword(s):  
Peter Singer ◽  
Max Stirner

- L'articolo risponde negativamente alla domanda, a partire dall'assunto che le persone non devono essere sacrificate nel nome di privilegi, ideali o altre persone. L'egoismo etico, quale č celebrato nell'Unico e la sua proprietÀ (1844) di Max Stirner, pare essere un efficace antidoto contro le eccessive pretese morali altrui. Infatti, l'origine del problema della sostituibilitÀ non risiede, come pensa Peter Singer, nell'edonismo, bensě nella imparzialitÀ forte dell'etica kantiana e di quella utilitarista, che escludono qualunque ragione egoistica dalla scelta morale.

Além do Devir-animal: a co-criação egoísta da individualidade em um enterro budista de cachorros robôs | Beyond becoming-animal: the egoist co-creationof individuality in a robot-dogs Buddhist funeral

2021 ◽  
Vol 3 (2) ◽  
pp. 313-337
Author(s):  
Guilherme Castro Nunes Mesquita ◽  
Newton De Oliveira Lima
Keyword(s):  
Critical Thinking ◽  
Buddhist Temple ◽  
Max Stirner

O pensamento egoísta de Max Stirner povoou a reflexão críticadesde oséculo XIX até à contemporaneidade, servindo como uma das bases para o movimento do anarco-individualismo. Entretanto, sua estrutura serve como início para uma aceleração da desconstrução da noção de individualidade– não mais lida, aqui, como uma essência presente em cada ser, mas como uma categoria viva que transpassa os corpos de quaisquer tipos de entidades que povoam o real e imaginário. Esteartigo é uma tentativa de expor tais significados e compreender essa relação como uma possibilidade de cocriação da individualidade, a partir do estudo da noção de devir-animal, em Julian Langer, e do evento do funeral budista de cachorros robôs no templo budista Kofuku-Ji, em Chiba,no Japão, em 2018.Palavras-chave: Egoísmo. Individualidade. Budismo. Devir-animal. AbstractMax Stirner’segoist thought populated the critical thinking fromthe XIX centuryup to the present, serving as one of the bases for the individualist anarchism movement. However, its structure serves as a start for an acceleration of deconstruction of the notion of individuality – here no longer read as an essence present in everybeing, but as a living category that permeates the bodies of any kindsof entities that populates the realityand the imaginary. This article is an attempt to expose these meanings and understand this relationship as a possibility forthe co-creation of individuality, from the study of the notion of becoming-animal, in Julian Langer, and the Buddhist funeral for robot dogs at the Kofuku-Ji Buddhist temple in Chiba, Japan, in 2018.Keywords:Egoism. Individuality. Buddhism.Becoming-animal. ORCIDhttp://orcid.org/0000-0003-2251-2413http://orcid.org/0000-0002-0459-6978

scholarly journals The Bayreuth Festspielhaus: The Metaphysical Manifestation of Wagner's Der Ring des Nibelungen

2015 ◽  
Vol 8 (1) ◽  
Author(s):  
Matthew Timmermans
Keyword(s):  
Architectural Design ◽  
Richard Wagner ◽  
Arthur Schopenhauer ◽  
Theatre Design ◽  
Ludwig Feuerbach ◽  
Art Forms ◽  
Ring Des Nibelungen ◽  
And Performance

This essay explores how the architectural design of the Bayreuth Festspielhaus effects the performance of Wagner’s later operas, specifically Der Ring des Nibelungen. Contrary to Wagner’s theoretical writings, which advocate equality among the various facets of operatic production (Gesamtkuntswerk), I argue that Wagner’s architectural design elevates music above these other art forms. The evidence lies within the unique architecture of the house, which Wagner constructed to realize his operatic vision. An old conception of Wagnerian performance advocated by Cosima Wagner—in interviews and letters—was consciously left by Richard Wagner. However, I juxtapose this with Daniel Barenboim’s modern interpretation, which suggests that Wagner unconsciously, or by a Will beyond himself, created Bayreuth as more than the legacy he passed on. The juxtaposition parallels the revolutionary nature of Wagner’s ideas embedded in Bayreuth’s architecture. To underscore this revolution, I briefly outline Wagner’s philosophical development, specifically the ideas he extracted from the works of Ludwig Feuerbach and Arthur Schopenhauer, further defining the focus of Wagner’s composition and performance of the music. . The analysis thereby challenges the prevailing belief that Wagner intended Bayreuth and Der Ring des Nibelungen, the opera which inspired the house’s inception, to embody Gesamtkunstwerk; instead, these creations internalize the drama, allowing the music to reign supreme. From this research I hope to encourage scholars to critically examine the connections between theatre design, composition and performance so that we may better understand the process by which works are manifested in performance.

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