The New 18th Century: Theory, Politics, English Literature.

1989 ◽  
Vol 22 (4) ◽  
pp. 566
Author(s):  
Marshall Brown ◽  
Felicity Nussbaum ◽  
Laura Brown
2018 ◽  
Vol 57 ◽  
pp. 41-47
Author(s):  
Magda Ebert

The entertainments of „tender hearts” in Ann Radcliffe’s The Mysteries of Udolpho in the light of Jean Jacques Rousseau’s worksIn the second half of the 18th century, English literature was influenced by sentimentality. One of the most talented writers of this time was Ann Radcliffe. She created the novel by combining the Gothic romance with the novel of sensibility. Radcliffe in her works formed two contrasting groups of heroes: honest and virtuous, and hypocritical and cruel people. With the diversity of character stemmed variety of preferred pastimes. In this article I discuss excerpts from novel The Mysteries of Udolpho, which describe ways of spending free time by the main characters and I show their relationship with the works of the philosopher Jean Jacques Rousseau.


1980 ◽  
Vol 1 (1) ◽  
pp. 61
Author(s):  
Alita Sodré Dawson

In English Literature a significant change took place in 1798 originated by William Wordsworth and Samuel Taylor Coleridge who in Lyrical Ballads broke with the reigning school of Pope and the spirit of the 18th century to achieve a new art freer in form and suited to the spirit of their time: Coleridge with poems of romantic wonder, Wordsworth with poems of nature and simple humanity. The new poetic tradition established by them and later romantic poets remained in authority in America until 1855 when the revolt of Walt Whitman, breaking away from the past, proclaimed a new age for America's poetry. Whitman considered himself - and was to some extent for his time - a literary radical, and as such he did not hesitate to write essays, poems, or utter remarks which among other things anathematized the poetry of his day.


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