Music Education in China: An Overview and Some Issues

1989 ◽  
Vol 23 (1) ◽  
pp. 65 ◽  
Author(s):  
Bennett Reimer
2011 ◽  
Vol 28 (3) ◽  
pp. 371-388 ◽  
Author(s):  
Wing-Wah Law ◽  
Wai-Chung Ho

This article critically examines how interactions between social changes, social harmony, and historical memory shape school music education in China. As a historical review and documentary analysis, it traces the historical development of music education and examines the Chinese government's role in such interactions over time. The article argues that the Chinese government uses music and music education as an influential nation-building system to enrich the politics of memory. In particular, it adapts the nation's past for political ends, and passes on state-prescribed values to its citizens with a view to legitimising its power. The dynamics and dilemmas that challenge school education result from two divergent aims: (1) to combine the functional education of Confucianism and nationalism so as to encourage social harmony and maintain national myths; and (2) to encourage popular and other world music with traditional Chinese music by using multicultural teaching strategies in music lessons. The question remains how to balance ideas of social harmony, musical cultures and nationalism in school music education in the contexts of current Chinese education policies, teacher education and the globally oriented economics of China today.


1946 ◽  
Vol 33 (1) ◽  
pp. 26-61 ◽  
Author(s):  
Stella Marie Graves

2020 ◽  
Vol 4 (2) ◽  
pp. 35-39
Author(s):  
Chenghai Yang

In the pre-Qin period, Confucius proposed six subjects namely the etiquette, music, archery, driving, literacy, and calculation. Among the six subjects, music was ranked the second. Among them, traditional education in China can fully reflect the importance of music education, and the essence and core of music education can be reflected from the requirements of aesthetic education. In recent years, with the continuous development and improvement of production and life, the theme of education in today's society has changed, and quality education is the center and focus of education today. Moreover, people begin to focus on how to inherit and publicize the traditional music culture. As the music culture is of great importance, many people are encouraged to continue to practice and publicize the traditional music. The main point of this article is Confucian theory of music education.


Author(s):  
Чень Хуейхуей ◽  
Цзен Гуанхай

The article characterizes the formation of the origins of music education in China and identifies the features of its development. The process of reforming the system of music and pedagogical education and its current state in China is considered. It is noted that the formation of music and pedagogical education in China took place through the implementation of various forms, methods and tools in the process of training future music teachers from different countries


Author(s):  
G.S. Goloshumova ◽  
Yuan Lu ◽  
Xiaoxiao Li ◽  
Wanti Zhang ◽  
Yang Chen ◽  
...  

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