Literature and Politics in the Nineteenth Century

1972 ◽  
Vol 2 ◽  
pp. 304
Author(s):  
Sheila M. Smith ◽  
John Lucas
2020 ◽  
Vol 9 (1) ◽  
pp. 46-71
Author(s):  
Ragnhild Johnsrud Zorgati

This article explores the encounters between a Polish-Danish painter and an Egyptian princess in the second part of the nineteenth century, at the junction of Orientalism, modernism and Islamic reformism. The painter Elisabeth Jerichau-Baumann is known for her Orientalist paintings and autobiographical writings, while Princess Nazli Fadhel was a hostess of influential intellectual salons in Cairo and Tunis and, as such, a contributor to the world of art, literature and politics. Jerichau-Baumann and Nazli Fadhel were both creative and controversial personalities engaged in the cultural and political debates of their time. They were outspoken and well-travelled, which challenged conventional gender roles. Based on Scandinavian, English, French and Arabic sources concerning Jerichau-Baumann and Nazli Fadhel's lives, this article argues that the activities of these two women are testament to the increasing international importance of feminist discourses in the late nineteenth century. Their encounter is emblematic of the rapidly expanding connections across cultural, linguistic, and religious boundaries that characterized the nineteenth-century world. It thus questions the binary constructions – the idea of the West/Europe and the Other – underlying the paradigm of Orientalism.


Author(s):  
Katarzyna Kozak

The system of propaganda employed by the competing political groups in early eight- eenth century England embraced the popular literary circles in order to gain their support, a process which was reflected in the prolific and politically inclined literary output of the period. One of the lesser known members of these circles was the writer and physi- cian Joseph Browne. Little information concerning Browne is available, something which perhaps can be attributed to the relatively scant attention paid to his person. One critic, Howard Weinbrot, in his study on Samuel Johnson, acknowledged Browne as the author of the poem “The Gothick Hero” (so far only accredited to Browne) and associated his political views with support for the Hanoverian dynasty that ascended the British throne in 1714. However, the works Browne actually authored, as well as those attributed to him, contradict such a statement. In fact, his literary output, journalism, literary and political circles as well as his posthumous opinion reflected in nineteenth century works and com- ments on his literary activity prove Browne’s anti-Harleyite, anti-Whig and therefore anti- Hanoverian views. This article attempts to draw a sketch of Joseph Browne, confirming the constancy of his political views, and contributes to the discussion on the authorship of a number of key texts hitherto only attributed to him.


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