Feminism-Art-Theory, an Anthology 1968-2000

2005 ◽  
Vol 26 (1) ◽  
pp. 61
Author(s):  
Marilynn Lincoln Board ◽  
Hilary Robinson
Keyword(s):  
Art Theory

Geography, Art Theory, and New Perspectives for an Inclusive Art History

2014 ◽  
Vol 96 (3) ◽  
pp. 259-264 ◽  
Author(s):  
Claudia Mattos
Keyword(s):  
Art History ◽  
Art Theory

Contemporary Art and the Problem of Music: Towards a Musical Contemporary Art

2021 ◽  
pp. 1-26
Author(s):  
G. DOUGLAS BARRETT
Keyword(s):  
Contemporary Art ◽  
Contemporary Music ◽  
Conceptual Art ◽  
Social Process ◽  
Theoretical Concept ◽  
Sound Art ◽  
Art Theory ◽  
Avant Garde ◽  
Absolute Music ◽  
Art Form

Abstract This article elaborates the art-theoretical concept of ‘the contemporary’ along with formal differences between contemporary music and contemporary art. Contemporary art emerges from the radical transformations of the historical avant-garde and neo-avant-garde that have led to post-conceptual art – a generic art beyond specific mediums that prioritizes discursive meaning and social process – while contemporary music struggles with its status as a non-conceptual art form that inherits its concept from aesthetic modernism and absolute music. The article also considers the category of sound art and discusses some of the ways it, too, is at odds with contemporary art's generic and post-conceptual condition. I argue that, despite their respective claims to contemporaneity, neither sound art nor contemporary music is contemporary in the historical sense of the term articulated in art theory. As an alternative to these categories, I propose ‘musical contemporary art’ to describe practices that depart in consequential ways from new/contemporary music and sound art.

Human Sperm Preparation in ART—Theory and Application

2005 ◽  
Vol 22 (4) ◽  
pp. 211-215 ◽  
Author(s):  
Satoru Kaneko
Keyword(s):  
Human Sperm ◽  
Art Theory ◽  
Sperm Preparation

A new neural network classifier based on ART theory

2005 ◽  
Author(s):  
Xiu-Jiang Lv ◽  
Qi-Wen Zhang ◽  
Yan Zhao ◽  
Yu-E Li ◽  
Guang-Shun Yao
Keyword(s):  
Neural Network ◽  
Neural Network Classifier ◽  
Art Theory

Tech-Art-Theory

2021 ◽  
Vol 5 (CSCW1) ◽  
pp. 1-25
Author(s):  
Laewoo Kang ◽  
Steven Jackson
Keyword(s):  
Art Theory

The First-Level Subject Art Theory “Contends”

2021 ◽  
Vol 10 (09) ◽  
pp. 2667-2673
Author(s):  
亚 岳
Keyword(s):  
Art Theory

scholarly journals Slika i antislika – Julije Knifer i problem prezentacije

Ars Adriatica ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 379
Author(s):  
Blaženka Perica
Keyword(s):  
Visual Studies ◽  
Image Theory ◽  
Art Theory ◽  
Scholarly Output ◽  
Theoretical Approaches ◽  
Image Science ◽  
Theoretical Perspectives ◽  
Starting Point ◽  
Artistic Career ◽  
Insight Into

The collection of texts Image and Anti-Image – Julije Knifer and the Problem of Representation is based on multi- and transdisciplinary research conducted by Croatian and international critics and theoreticians. They have investigated the contemporary sensibility for the questions of image and pictoriality by referring to a common starting point: the oeuvre of one of the most important Croatian artists – Julije Knifer. In their analysis of Knifer’s paintings since the early 1960s, which revolve around a single motif – the “meander” – which the artist has repeated and varied throughout his artistic career, the authors have followed the changing reception of his work from the supremacy of the high modernist image concept, such as postulated in Greenberg’s formalistic theory, until today, when theoretical proposals have become essentially different. In his introduction to the project, editor Krešimir Purgar has stressed the importance of new perspectives that Knifer’s work may offer if viewed in the context of new disciplines such as visual studies and image science. The 21 articles, grouped into five thematic sections, aim at clarifying and expanding the references of Knifer’s “meander” by taking diverse informative and original approaches that have this recent image theory as their starting point. In the context of Croatian scholarly output, this publication is notable for having accomplished a rare blend between monographic material and a series of interdisciplinary, scholarly-theoretical studies based on extremely varied perspectives, resulting in a valuable comparative miscellany, a contribution both to the actualisation and new positioning of Knifer’s art and to our insight into various analytic and interpretative approaches related to the present state of art theory. Such an approach assigns a special place to the image, to pictoriality and visuality. The theoretical perspectives of image science and the heterogeneous, plural strategies of research developed within the new image studies (image science, visual studies) assimilate and expand rather than replace the previously accepted methods, common in traditional theoretical approaches to the discipline of art history.

scholarly journals Retrieval of snow grain size and albedo of Western Himalayan snow cover using satellite data

2011 ◽  
Vol 5 (1) ◽  
pp. 605-653 ◽  
Author(s):  
H. S. Negi ◽  
A. Kokhanovsky
Keyword(s):  
Grain Size ◽  
Snow Cover ◽  
Western Himalaya ◽  
Sensor Data ◽  
Art Theory ◽  
Grain Sizes ◽  
Spectral Bands ◽  
Steep Slopes ◽  
Different Parts ◽  
Good Agreement

Abstract. In the present study we describe the retrievals of snow grain size and spectral albedo (plane and spherical albedo) for Western Himalayan snow cover using Hyperion sensor data. The asymptotic radiative transfer (ART) theory was explored for the snow retrievals. To make the methodology operational only five spectral bands (440, 500, 1050, 1240 and 1650 nm) of Hyperion were used for snow parameters retrieval. The bi-spectral method (440 nm in the visible and 1050/1240 nm in the NIR region) was used to retrieve snow grain size. Spectral albedos were retrieved using satellite reflectances and estimated grain size. A good agreement was observed between retrieved snow parameters and ground observed snow-meteorological conditions. The satellite retrieved grain sizes were compared with field spectroradiometer retrieved grain sizes and close results were found for Lower Himalayan snow. The wavelength 1240 nm was found to be more suitable compared to 1050 nm for grain size retrieval along the steep slopes. The methodology was able to retrieve the spatial variations in snow parameters in different parts of Western Himalaya which are due to snow climatic and terrain conditions of Himalaya. This methodology is of importance for operational snow cover and glacier monitoring in Himalayan region using space-borne and air-borne sensors.

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