Charlotte Perkins Gilman: The Making of a Radical Feminist, 1860-1896

1981 ◽  
Vol 54 (2) ◽  
pp. 288
Author(s):  
Sandra A. Zagarell ◽  
Mary A. Hill
Keyword(s):  
Charlotte Perkins Gilman ◽  
Radical Feminist

Charlotte Perkins Gilman: The Making of a Radical Feminist, 1860-1896

1980 ◽  
Vol 67 (3) ◽  
pp. 705
Author(s):  
Sarah Stage ◽  
Mary A. Hill
Keyword(s):  
Charlotte Perkins Gilman ◽  
Radical Feminist

The Snow Angel and Other Imprints

2010 ◽  
Vol 3 (1) ◽  
pp. 103-124
Author(s):  
Mona Livholts
Keyword(s):  
Research Process ◽  
Literary Fiction ◽  
Charlotte Perkins Gilman ◽  
Helene Cixous ◽  
Memory Work ◽  
The Social ◽  
Writing Research ◽  
Women's Lives ◽  
Symbolic Formation ◽  
Writing Practice

This article, written in the form of an untimely academic novella is a text, which explores academic authoring as thinking and writing practice in a place called Sweden. The aim is on inquiries of geographical space, place, and academia, and the interrelation between the social and symbolic formation of class, gender and whiteness. The novella uses different writing strategies and visual representations such as documentary writing and photographing from the research process, letters to a friend, and memories from childhood, based on three generations of women's lives. The methodology can be described as a critical reflexive writing strategy inspired by poststructuralist and postcolonial feminist theory and literary fiction, and additionally by methodological approaches in the humanities and social sciences, such as theorizing of letters, memory work, and narrative, and autobiographical approaches. In particular, it draws on work by the theorist critic and writer of fiction, Hélène Cixous, and the feminist author and theorist Charlotte Perkins Gilman, drawing on interpretation of Cixous' essay “Enter the Theatre” and Gilman's story “The Yellow Wallpaper.” Characteristics of the untimely academic novella elaborate with possible forms of the symbolic, visual, and performative photographic and sensory in writing research; furthermore, time, social change, and unfinal endings play a pervasive role. It may be read as a story that situates and theorizes embodyment, landscape, and power through the interweaving of forest rural farming spaces and academic office spaces by tracing autobiographical imprints of an untimely feminist author. “The Snow Angel and Other Imprints” is the second article in a trilogy of untimely academic novellas. The first, with the title “The Professor's Chair,” was published in Swedish in 2007 (in the anthology “Genus och det akademiska skrivandets former,” (Eds.) Bränström Öhman & Livholts), and forthcoming in English in the journal Life Writing 2010.

The Yellow Wall-Paper and Other Stories

2009 ◽  
Author(s):  
Charlotte Perkins Gilman
Keyword(s):  
Twentieth Century ◽  
Short Fiction ◽  
Social Problems ◽  
Charlotte Perkins Gilman ◽  
Early Twentieth Century ◽  
Selection Of

Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century. The Yellow Wall-Paper and Other Stories makes available the fullest selection of her short fiction ever printed. In addition to her pioneering masterpiece, ‘The Yellow Wall-Paper’ (1890), which draws on her own experience of depression and insanity, this edition features her Impress ‘story studies’, works in the manner of writers such as James, Twain, and Kipling. These stories, together with other fiction from her neglected California period (1890-5), throw new light on Gilman as a practitioner of the art of fiction. In her Forerunner stories she repeatedly explores the situation of ‘the woman of fifty’ and inspires reform by imagining workable solutions to a range of personal and social problems.

scholarly journals Should society accept sex robots?

2020 ◽  
Vol 11 (1) ◽  
pp. 428-442
Author(s):  
Eleanor Hancock
Keyword(s):  
Sex Workers ◽  
Sex Industry ◽  
Sex Worker ◽  
Practical Applications ◽  
Radical Feminist ◽  
Female Sex ◽  
Moral Objection ◽  
Current State ◽  
Sex Robots ◽  
Informed Opinion

AbstractIn early 2015, Kathleen Richardson announced the arrival of the world’s largest, organised resistance group against the production of sex robots in society: The Campaign Against Sex Robots (CASR). Since the birth of the CASR, Richardson and other feminists have manipulated a combination of radical feminist rhetoric and sex industry abolitionist narratives, in order to promote the criminalisation of sex robots. Moreover, the CASR and Richardson have also made some rather unique claims regarding the “similarities” between sex workers and sex robots, which have not previously surfaced within the narratives of radical feminists in recent years. This article seeks to analyse if their analogous reference to sex workers and sex robots has credibility and viability in the context of the digitalised sex industry and in the wider teledildonic and sex robot market. Furthermore, this article will also formulate solutions for the ethical and social contentions surrounding the merge of sex dolls and robots within the contemporary sex industry. In order to disentangle the radical feminist arguments surrounding sex robots and the sex industry, the following contentions will be addressed:Is moral objection to female sex robots using client-sex worker analogies from feminists justified?Is opposition to sex robots based on informed opinion about the digitalised sex industry?To what extent are the positive considerations around sex robots/dolls and sex-technology ignored in the narratives of radical feminists and the CASR?What practical applications recommendations can be made to the sex robot industry from the stipulations of the CASR and the current state of sex dolls/robots in the sex industry?

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