Spoken Arts: Treasury of American Writers. Walt Whitman. John Greenleaf Whittier. Henry Wadsworth Longfellow. Nathaniel Hawthorne, Vol. 1

1968 ◽  
Vol 57 (2) ◽  
pp. 275
Author(s):  
J. R. S.
Author(s):  
Christopher Castiglia

This chapter examines the career of Newton Arvin’s creation of queer humanism, combining the progressive socialism of the 1930s and the experiential innovation of an ethics of enhancement. In his readings of Nathaniel Hawthorne, Walt Whitman, and Herman Melville, Arvin conjoined creative imagination, social idealism, and human solidarity, generating a vital critical alternative to a disenchanting “cant of pessimism.” In the works of American Romanticism, Arvin found examples of practiced movements from pain to wonder, generating both personal and social dissatisfaction (generating critique) and endurance (ensuring the perpetual life of ideals). Arvin endorsed the socialist humanism he found in literary depictions of erotic fraternalism. Within those queer social visions, the conventions of prescribed life give way to the fantastic, extraordinary, and unprecedented. In such moments—the moments that Arvin recognized as central to the romance—new assemblages are worked out in the service of human possibility. Throughout his scholarship, Arvin combined imagination, sexuality, and humanism, placing the hybrid—the dispositional ethics of hope—at the center of the American literary canon and of a critical practice still available today.


1932 ◽  
Vol 47 (5) ◽  
pp. 314
Author(s):  
T. A. Zunder

2021 ◽  
pp. 19-45
Author(s):  
David Caplan

“American English as a poetic resource” argues that American English is one of the country’s great poetic resources. It is remarkably adaptable, contested, and diverse. When poets explore American English’s poetic usefulness, the diversity of their approaches and interests demonstrates the language’s flexibility. They use American English to critique and celebrate America and its literary traditions and to create a distinctive literature that also draws from traditions outside it. They mark differences as well as affinities. In some cases, the poetry shows an exuberant appreciation of American English’s peculiarities, its quirks and openness to experimentation and cultural cross-fertilization. Discussed poets include Walt Whitman, Harryette Mullen, Henry Wadsworth Longfellow, Ezra Pound, and Robert Frost.


Author(s):  
Michael Martin ◽  
Samuel Coale

Unlike Dickinson, Melville, and Thoreau, who are now viewed as classic American authors, Nathaniel Hawthorne and his work were never completely ignored by the public and various critics. Hawthorne (b. 1804–d. 1864)—was born Nathaniel Hathorne in Salem, Massachusetts, and came from a long line of farmers and sailors. His most notorious ancestor was John Hathorne, a judge at the Salem witch trials in 1692, which helps explain his constant struggle with the Calvinistic sense of determinism and tragic fate in his fiction. He married Sophia Peabody in 1842 and sought and accepted political appointments to the custom house in Boston and Salem and finally as consul to Liverpool, England, as a result of his campaign biography of President Franklin Pierce, a fellow Bowdoin graduate. He spent a twelve-year apprenticeship in his mother’s family’s home (1825–1837)—his father died when he was four—writing short stories, sketches, and essays, which led to his romantic legend as a hermit and recluse. Success came with The Scarlet Letter in 1850 and went on to include The House of the Seven Gables (1851), The Blithedale Romance (1852), and The Marble Faun (1860) as well as collections of his short fiction and Our Old Home (1863). Early on, critics wrestled with the relationship between his genteel style and his “morbid” subjects, biographers creating either a very pragmatic Hawthorne or a reclusive ghost. The New Critics delved into the psychological and proto-theological themes in his work and trumpeted his use of contradiction, paradox, and the polarized perspectives of his characters, thus concentrating on such tales as “The Minister’s Black Veil” and “My Kinsman, Major Molineux” at the expense of the popular ones in his lifetime, such as “Little Annie’s Ramble,” “A Rill from the Town Pump,” and “Sunday at Home.” Friends such as Elizabeth Peabody and Henry Wadsworth Longfellow consistently praised his work, as did other writers such as Edgar Allan Poe (at first he praised and then disparaged it as too allegorical and thin) and Herman Melville. Criticism has always emphasized the dualisms in his work—good and evil, men and women, and Puritanism and romanticism—as well as his often contradictory responses to such historical issues as the Civil War, abolitionism, feminism, and the delicate political compromises, which upheld the status quo between North and South, of the 1850s. After his four-year stint in Liverpool, he traveled extensively in Italy and returned to Concord, Massachusetts, in 1860.


2000 ◽  
Vol 55 (1) ◽  
pp. 129-132
Author(s):  
Robert K. Martin
Keyword(s):  

Metahumaniora ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 87
Author(s):  
Lestari Manggong

ABSTRAKSajak “Song of Myself” karya pujangga Amerika abad ke-19, Walt Whitman,mengupas konsep demokrasi yang menjadi salah satu pondasi prinsip kebebasanberpendapat di Amerika. Makalah ini membahas pembelajaran tentang konsep demokrasiyang dapat diperoleh dari sajak tersebut. Arah pembahasan menjadi spesifik ketikakonsep demokrasi dalam sajak tersebut dikaitkan dengan praktek demokrasi yang terjadidi Amerika sekarang, sejak Amerika berada dalam masa administrasi Presiden DonaldTrump. Dalam pembahasannya, makalah ini mengemukakan argumentasi bahwa dalamprakteknya, prinsip demokrasi yang mengedepankan kebebasan berpendapat bagi setiapindividu, secara dilematis mengantar Amerika pada masa kepresidenan Trump yang dinilaikontroversial. Selain “Song of Myslelf,” makalah ini juga membahas dan membandingkansajak Whitman yang lain, yaitu “For You O Democracy” untuk melihat lebih jauh lagi persepsiWhitman tentang demokrasi. Pembahasan dilakukan dengan melihat aspek pragmatis sajakWhitman dengan merujuk pada Mack (2002). Selain itu, pembahasan juga akan berfokuspada aspek xenofobia dalam karya Whitman dengan merujuk pada salah satu tulisan Price(2004). Simpulan dari pembahasan akan bermuara pada gagasan bahwa konsep utopissemacam demokrasi pun tidak sepenuhnya ideal. Karena, seperti yang terjadi di Amerikasekarang, prinsip demokrasi yang dipraktekkan membuat rakyatnya memasuki era yangbanyak menuai protes. Pada akhirnya, pembelajaran tentang konsep demokrasi ini secaraglobal juga dapat memberi sudut pandang yang lebih kritis mengenai konsep demokrasi.Kata kunci: pembelajaran sastra, Walt Whitman, demokrasi Amerika, Donald Trump,kajian pragmatis, xenofobia.ABSTRACT“Song of Myself,” by America’s nineteenth-century poet, Walt Whitman, describesthe concept of democracy which is one of foundations of the principle of freedom of speechin America. This essay discusses literature learning on the concept of democracy in thepoem. The discussion becomes specific when the concept of democracy in the poem is linkedwith the practice of democracy that occurs currently in America, ever since it is underPresident Trump’s administration. This essay argues that in its practice, the principle ofdemocracy that upholds freedom of speech to every individual, in a dillematic way bringsAmerica to today’s controversial administration by President Trump. Aside From “Songof Myslelf,” this essay also discusses and compares Whitman’s other poem, “For You ODemocracy,” to see further Whitman’s perception on democracy. The discussion will havea look at the pragmatic aspect of Whitman’s poem, by referring to Mack (2002), and it will1 Makalah ini telah dipresentasikan dalam Seminar Nasional HISKI: “Literasi, Sastra, dan Pembelajaran” yangdiselenggarakan di Fakultas Ilmu Budaya Universitas Halu Oleo Kendari, Sulawesi Tenggara, 29-30 April 2017.222 | METAHUMANIORA, Vol. 7, Nomor 2 September 2017: 221—233Lestari Manggongalso focus on the xenophobic aspect in the poem, by referring to Price (2004). This essayconcludes that even a utopian concept such as democracy is not entirely ideal, because thepractice of democracy today leads the American people to enter an era of protests. Thisessay proposes an idea that literature learning of the concept of democracy in the poemalso contributes to giving a more critical view on the concept of democracy.Keywords: literature learning, Walt Whitman, American democracy, Donald Trump,pragmatics studies, xenophobia.


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