Anthologie van muziekfragmenten uit de Lage Landen (Middeleeuwen-Renaissance). Polyfonie, monodie en leisteenfragmenten in facsimile / An Anthology of Music Fragments from the Low Countries (Middle Ages-Renaissance). Polyphony, Monophony and Slate Fragments in Facsimile

Author(s):  
Kees Vellekoop ◽  
E. Schreurs ◽  
B. Bouckaert

The facsimile revived: a review and a reflection - Ed. Arlt Wulf Rankin Susan. Stiftsbibliothek Sankt Gallen Codices 484 and 381. Winterthur: Amadeus, 19963 volumes in a slipcase: 329, 91, 262 pp. ISBN 3 905049 67 8. - Ed.Ike de loos Charles Downey and Ruth Steiner LJtrecht, Bibliotheek der Rijksuniversiteit MS 406 (3.J.7).. Publications of Mediaeval Musical Manuscripts 21. Ottawa: Institute of Mediaeval Music, 1997. liii + 260 pp. ISBN 1 896926 03 7 Charles Downey, An Utrecht Antiphoner … Printouts from an Index in Machine-Readable Form. Musicological Studies LV/6. Ottawa: Institute of Mediaeval 1997. xx + 220 pp. ISBN 1 896926 05 3. - Ed.Martin Staehlin. Die mittelalterliche Musik-Handschrift W1: Vollständge Reproduktion des ‘Notre Dame’ -Manuskripts der Herzog August Billiothek Wolfenbüttel Cod. Guelf. 628 Helmst. Wolfenbütteler Mittelalter-Studien 9. Wiesbaden: Harrassowitz Verlag, 1995. 470 pp. ISBN 3 447 03779 2. - Ed.Maria Carmen Góme Muntané. Polifonía de la Corona de Aragón Siglos XIV y XV: Ars Nova de la Corona de Aragón. Polifoní Aragonesa VIII. ZaragozaInstitución ‘Fernando el Católico’, 1993. 104 pp. ISBN 88 7820 167 X. - Ed.Agostino Ziino.Ii Codice T.III.2, Torino, Biblioteca Nazionale Universitaria. Ars Nova 3. LuccaLibreria Musicale Italiana, 1994. 190 pp. ISBN 88 7096 034 X. - Ed.Eugeen Schreurs. An Anthology of Music Fragments from the Low Countries (Middle Ages – Renaissance): Polyphony, Monophony and Slate Fragments in Facsimile.. LeuvenAlamire, 1995. xxiv + 136 pp. ISBN 90 6853 107 7. - Ed.David Fallows Oxford, Bodleian Library, s. Cannin. Misc. 213. Late Medieval and Early Renaissance Music in Facsimile 1. ChicagoChicago University Press, 1995. 362 pp. ISBN 0 226 23706 0. - Musical Codex Huelgas Reales Monastery (Burgos): Documentation for the facsimile edition. Madrid: Testimonio Compañia Editorial and Patrinionio Nacional, n.d. Brochure and sample pages.

1999 ◽  
Vol 8 (2) ◽  
pp. 177-184 ◽  
Author(s):  
Daniel Leech-Wilkinson

2018 ◽  

During the Late Middle Ages a unique type of ‘mixed media’ recycled and remnant art arose in houses of religious women in the Low Countries: enclosed gardens. They date from the time of Emperor Charles V and are unique examples of ‘anonymous’ female art, devotion and spirituality. A hortus conclusus (or enclosed garden) represents an ideal, paradisiacal world. Enclosed Gardens are retables, sometimes with painted side panels, the central section filled not only with narrative sculpture, but also with all sorts of trinkets and hand-worked textiles.Adornments include relics, wax medallions, gemstones set in silver, pilgrimage souvenirs, parchment banderoles, flowers made from textiles with silk thread, semi-precious stones, pearls and quilling (a decorative technique using rolled paper). The ensemble is an impressive and one-of-a-kind display and presents as an intoxicating garden. The sixteenth-century horti conclusi of the Mechelen Hospital sisters are recognized Masterpieces and are extremely rare, not alone at a Belgian but even at a global level. They are of international significance as they provide evidence of devotion and spirituality in convent communities in the Southern Netherlands in the sixteenth century. They are an extraordinary tangible expression of a devotional tradition. The highly individual visual language of the enclosed gardens contributes to our understanding of what life was like in cloistered communities. They testify to a cultural identity closely linked with mystical traditions allowing us to enter a lost world very much part of the culture of the Southern Netherlands. This book is the first full survey of the enclosed gardens and is the result of year-long academic research.


Author(s):  
Teofilo F. Ruiz

This chapter examines tournaments. The origins of tournaments in Western Europe can be traced back to classical sources and to a sparse number of references to events that looked like tournaments in the Central Middle Ages. While these early mentions provide interesting glimpses of the genealogy of fictitious combat, it was the twelfth century that truly saw the formal beginnings of these traditions of artificial warfare that would hold such a powerful grip on the European imagination for many centuries to come. Closely tied to courtly culture and in a symbiotic relationship with the great outburst of courtly literature that took place in the twelfth and early thirteenth centuries, the tournament sank deep roots in England, France, the Low Countries, and parts of Germany during the twelfth century, and then developed elaborate rules of engagement and pageantry in succeeding centuries.


2000 ◽  
Vol 33 (2) ◽  
pp. 257
Author(s):  
Joel T. Rosenthal ◽  
Caroline Barron ◽  
Nigel Saul

2006 ◽  
Vol 39 (4) ◽  
pp. 611-640
Author(s):  
Michael Rowe

The following article focuses on the Rhineland, and more specifically, the region on the left (or west) bank of the Rhine bounded in the north and west by the Low Countries and France. This German-speaking region was occupied by the armies of revolutionary France after 1792. De jure annexation followed the Treaty of Lunéville (1801), and French rule lasted until 1814. Most of the Rhineland was awarded in 1815 to Prussia and remained a constituent part until after the Second World War. The Rhineland experienced Napoleonic rule first hand. Its four departments—the Roër, Rhin-et-Moselle, Sarre, and Mont-Tonnerre—were treated like the others in metropolitan France, and it is this status that makes the region distinct in German-speaking Europe. This had consequences both in the Napoleonic period and in the century that followed the departure of the last French soldier. This alone would constitute sufficient reason for studying the region. More broadly, however, the Rhenish experience in the French period sheds light on the much broader phenomena of state formation and nation building. Before 1792, the Rhenish political order appeared in many respects a throwback to the late Middle Ages. Extreme territorial fragmentation, city states, church states, and mini states distinguished its landscape. These survived the early-modern period thanks in part to Great Power rivalry and the protective mantle provided by the Holy Roman Empire. Then, suddenly, came rule by France which, in the form of the First Republic and Napoleon's First Empire, represented the most demanding state the world had seen up to that point. This state imposed itself on a region unused to big government. It might be thought that bitter confrontation would have resulted. Yet, and here is a paradox this article wishes to address, many aspects of French rule gained acceptance in the region, and defense of the Napoleonic legacy formed a component of the “Rhenish” identity that came into being in the nineteenth century.


Antiquity ◽  
1942 ◽  
Vol 16 (61) ◽  
pp. 36-50
Author(s):  
O. G. S. Crawford

The situation of Southampton has many geographical resemblances to that of London. Both are at the head of estuaries to which the main drainage systems of their hinterland converge. Both towns were separated from that hinterland by large tracts of forest and scrub, and both are built on hard ground near channels of deep water. Southampton has, throughout most of its history, been a Channel port, looking across the Channel to France and Spain whence came the traders and raiders of the Middle Ages, just as London looked to the Low Countries.


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