THE PACIFIC RIM AND THE SAN FRANCISCO RENAISSANCE:

2018 ◽  
pp. 1-44
2020 ◽  
Vol 13 (2) ◽  
pp. 159-183
Author(s):  
Nathaniel R. Racine

In this paper, I explore the Pageant of the Pacific, a sequence of mural-maps painted by the Mexican artist and illustrator, Miguel Covarrubias, for the San Francisco International Exposition of 1939–1940. By placing these mural-maps within the larger context of cultural geography and Covarrubias’s own theories of comparative anthropology, they offer an artistic and poetic explanation of the relationships found among the cultures of the Pacific Rim, drawing connections across historical epoch and geographical region. Within Covarrubias’s own historical context, these maps provide an important visual link that crosses disciplinary boundaries, providing insight into the intellectual conversation of his era and, perhaps, providing a model for interdisciplinarity in the present age as well.


2014 ◽  
Vol 41 (1) ◽  
pp. 1-16 ◽  
Author(s):  
B. J. Gill

In December 1884 Charles Francis Adams (1857–1893) left Illinois, USA, by train for San Francisco and crossed the Pacific by ship to work as taxidermist at Auckland Museum, New Zealand, until February 1887. He then went to Borneo via several New Zealand ports, Melbourne and Batavia (Jakarta). This paper concerns a diary by Adams that gives a daily account of his trip to Auckland and the first six months of his employment (from January to July 1885). In this period Adams set up a workshop and diligently prepared specimens (at least 124 birds, fish, reptiles and marine invertebrates). The diary continues with three reports of trips Adams made from Auckland to Cuvier Island (November 1886), Karewa Island (December 1886) and White Island (date not stated), which are important early descriptive accounts of these small offshore islands. Events after leaving Auckland are covered discontinuously and the diary ends with part of the ship's passage through the Dutch East Indies (Indonesia), apparently in April 1887. Adams's diary is important in giving a detailed account of a taxidermist's working life, and in helping to document the early years of Auckland Museum's occupation of the Princes Street building.


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