The Moral Space.

2020 ◽  
pp. 39-60
Author(s):  
Nicoletta Trasi
Keyword(s):  
2020 ◽  
Author(s):  
Olga A. Bogdanova ◽  

The book brings together articles by 24 authors, distributed into three problematic and thematic sections: a diachronic view of the Russian estate, estates of the Russian emigration, estates of European countries. A number of constant features of the Russian literary estate and cottages (storehouse of culture, moral space, the core of national identity, the concept of “non-city” in mass society, etc.) are highlighted in a comparative and diachronic analysis. The structure-forming potential and references of the “estate-dacha topos” in the foreign culture of Russian emigrants of the ХХth century disclosed in the works by I.A. Bunin, V.V. Nabokov, B.K. Zaitsev, L.F. Zurov, I.S. Shmelev, V.A. Nikiforov-Volgin of the 1920–1960s and in the Russian-language periodicals of France, Germany, Latvia, Estonia of the 1920–1930s. The most important topic of the book is the search for the origins of the Russian estate phenomenon in world culture, along with its involvement in the spectrum of similar phenomena in other national literatures (Greek, Polish, English, Belgian). The isomorphism of the estate space in Russia and other European countries allows us to speak of the “estate topos” as a universality. The publication is addressed to humanities professionals, primarily philo- logists, and at the same time to a wide circle of students and interested readers.


2016 ◽  
Vol 26 (1) ◽  
pp. 7-17 ◽  
Author(s):  
MARK WICCLAIR

Abstract:There are several reasons for accommodating health professionals’ conscientious objections. However, several authors have argued that among the most important and compelling reasons is to enable health professionals to maintain their moral integrity. Accommodation is said to provide “moral space” in which health professionals can practice without compromising their moral integrity. There are, however, alternative conceptions of moral integrity and corresponding different criteria for moral-integrity-based claims. It is argued that one conception of moral integrity, the identity conception, is sound and suitable in the specific context of responding to health professionals’ conscientious objections and their requests for accommodation. According to the identity conception, one maintains one’s moral integrity if and only if one’s actions are consistent with one’s core moral convictions. The identity conception has been subject to a number of criticisms that might call into question its suitability as a standard for determining whether health professionals have genuine moral-integrity-based accommodation claims. The following five objections to the identity conception are critically examined: (1) it does not include a social component, (2) it is a conception of subjective rather than objective integrity, (3) it does not include a reasonableness condition, (4) it does not include any substantive moral constraints, and (5) it does not include any intellectual integrity requirement. In response to these objections, it is argued that none establishes the unsuitability of the identity conception in the specific context of responding to health professionals’ conscientious objections and their requests for accommodation.


2018 ◽  
Vol 8 (1) ◽  
pp. 120-136 ◽  
Author(s):  
Dominika Latusek
Keyword(s):  

2020 ◽  
Vol 36 (36) ◽  
pp. 001-048
Author(s):  
錢南秀 錢南秀

<p>由漢代儒家學者劉向(前77&ndash;前6)開創的《列女傳》文體,其始便圖文並置。故本文所謂傳衍,便具圖文兩重意義,兩者均經歷了時間上的傳承與空間上的播延,其間因與不同時空語境的交纏互動,而有相應形式、載體、內涵等變遷。本文擬對劉向《列女傳》傳世兩千餘年間在東亞漢文化圈的傳衍過程,作一初步勾勒。首先概括漢唐之間、印刷術發明之前,《列女傳》圖像經由圍屏、壁畫、石刻和卷軸的形式流傳;次論宋明印刷術普及後,圖像如何進入《列女傳》木刻版本。而明代大量《列女傳》及仿作的刻印發行,又影響激發了朝鮮與日本仿作的出現。因卷帙浩繁,斷難求全,惟冀能就目前筆者所蒐集的有限資料,考察比勘,以期理解不同社會、政治、文化、經濟等語境對於婦女道德空間建構及其圖文表述所生影響。</p> <p>&nbsp;</p><p>The genre of the Biographies of Exemplary Women, initiated by the Han Confucian Scholar Liu Xiang (77&ndash;6 BCE), consisted of the texts and illustrations from the very beginning. Thus, a study of its transmission and transformation in the Sinosphere requires examination of both. Throughout the two thousand years, this genre has gone through constant changes of forms, media, and connotations in its interactions with different spatial and temporal contexts. This article intends to summarize this process, first on its evolution through painting screens, murals, stone carvings, and hand scrolls from the Han to the Tang, and then its woodblock versions after the invention of the printing technique in the Song. The spread of the illustrated Ming editions of the Biographies of Exemplary Women into Korea and Japan further inspired its imitative works in these areas. Through a comparative study of excavated materials, this article expects to understand how the sociopolitical, cultural, and economic environments influenced the textual and imagery construction of women’s moral space in the Sinosphere.</p> <p>&nbsp;</p>


2019 ◽  
pp. 82-99
Author(s):  
Nicholas Hookway
Keyword(s):  

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