Prison Literature, Genre, and Truth Effects

2021 ◽  
pp. 25-40
Keyword(s):  
Babel ◽  
2019 ◽  
Vol 65 (5) ◽  
pp. 648-661 ◽  
Author(s):  
Ekrema Shehab ◽  
Abdelkarim Daragmeh ◽  
Iman Rayyan

Abstract This study deals with the translation into English of nine cryptic security Arabic terms Palestinian prisoners have nomenclatured in response to the life conditions in Israeli prisons. These terms were collected from prison literature and through interviews with five newly-freed Palestinian prisoners who served long terms in Israeli jails. The terms’ functions are pragmatically explicated, and suitable translations, capturing their pragmatic imports, are offered. The study found that these terms have drifted from their original semantic usages and acquired new functions prompted by Palestinian prisoners’ needs for self- and mate-security concerns. In such cases of highly contextualized language usages, the translation options range from those capturing the form and/or function to those capturing the communicative sense independently.


2020 ◽  
pp. 088626051989842
Author(s):  
Jane C. Daquin ◽  
Leah E. Daigle

Historically, criminologists have examined offending and victimization in the community as separate outcomes. Recently, however, researchers have begun to explore the shared commonalities of being an offender and a victim. The victim–offender overlap literature shows that victimization and offending are not different and distinct outcomes, but rather these outcomes share numerous risk factors. A close examination of the victim–offender overlap has not been done within the prison literature. Thus, it remains unclear whether there are commonalities among prisoners who offend while incarcerated and those who experience victimization. The focus of the current study is to (a) identify the proportion of the prisoners who were victims-only, offenders-only, victim–offenders, or neither victim nor offender and (b) identify the factors that predict membership into the four categories of the overlap. The current study used the 2004 Survey of Inmates in State and Federal Correctional Facilities with multinomial logistic regression analyses to examine which factors are associated with group membership into the victim–only, offender–only, or victim–offender groups in prison. Findings show that although the victim–offender overlap exists among prisoners, the majority of prisoners were neither a victim nor an offender. Victim–offenders and victims-only comprise only a small proportion of the sample. Findings also indicate that there are few unique factors across the groups. Results of the study have implications policy and future research.


2001 ◽  
Vol 75 (2) ◽  
pp. 237 ◽  
Author(s):  
Miriam Cooke
Keyword(s):  

2021 ◽  
Vol 4 (2) ◽  
pp. 40-48
Author(s):  
Anup Adhikari

Poetry is a form of art; to express emotions and feelings by the use of distinctive style, meaning, sound and rhythm. The poem presents the rebellious nature of the revolutionists to defeat the arbitrary through literature and is much privileged towards independence. The poet imagines such an awful condition that happens in the insurgency period and he is not able to equivalent the freedom of choice and action. Oligarchy creates fascism, besides it, the poet has used the literary term, ‘my friend’ in each stanza to denote all victimized citizens and inmates who are anguished from despotism. To uplift from authoritarianism regime and to live with full sovereignty the communist movement had played an appreciable role in the context of Nepal. The literary genre which is characterized by literature and cultural form of early modern England that is written while the author is confined in a location against his wills, such as a prison, jail, or house arrest is known as prison literature. Thus, the message or underlying meaning of the poem is such that the poet alerts the emperor and leaders to adopt a democratic model.


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