Contesting the Moral Boundaries of Eros

2021 ◽  
pp. 167-190
Author(s):  
STEVEN SEIDMAN
Keyword(s):  
Author(s):  
Carrie Figdor

Chapter 9 presents the idea that Literalism undermines current social and moral boundaries for moral status. Possession of psychological capacities, moral standing, and respectful treatment are a standard package deal. So either many more beings enjoy moral status than we now think, or the relative superiority of human moral status over other beings is diminished. It introduces the role of psychological ascriptions in drawing social and moral boundaries by examining dehumanization and anthropomorphism. It argues that in the short term Literalism does not motivate us to do more than make minor adjustments to current moral boundaries. We can distinguish the kinds of psychological capacities that matter for moral status from the kinds that best divide nature at its joints. In the long run, however, Literalism prompts us to reconsider the anthropocentric standards that govern current moral boundaries.


2021 ◽  
pp. 003802612110144
Author(s):  
Riie Heikkilä ◽  
Anu Katainen

In qualitative interviews, challenges such as deviations from the topic, interruptions, silences or counter-questions are inevitable. It is debatable whether the researcher should try to alleviate them or consider them as important indicators of power relations. In this methodological article, we adopt the latter view and examine the episodes of counter-talk that emerge in qualitative interviews on cultural practices among underprivileged popular classes by drawing on 49 individual and focus group interviews conducted in the highly egalitarian context of Finland. Our main aim is to demonstrate how counter-talk emerging in interview situations could be fruitfully analysed as moral boundary drawing. We identify three types of counter-talk: resisting the situation, resisting the topic, and resisting the interviewer. While the first type unites many of the typical challenges inherent to qualitative interviewing in general (silences, deviations from the topic and so forth), the second one shows that explicit taste distinctions are an important feature of counter-talk, yet the interviewees mostly discuss them as something belonging to the personal sphere. Finally, the third type reveals how the strongest counter-talk and clearest moral boundary stemmed from the interviewees’ attitudes towards the interviewer herself. We argue that counter-talk in general should be given more importance as a key element of the qualitative interview. We demonstrate that all three types of counter-talk are crucial to properly understanding the power relations and moral boundaries present in qualitative interviews and that cultural practices are a particularly good topic to tease them out.


2017 ◽  
Vol 51 (4) ◽  
pp. 519-536 ◽  
Author(s):  
Elizabeth Stanley

The significant concept of ‘crimmigration’ has evolved to explain how criminal and immigration laws have begun to merge, expanding state powers to surveil, control and punish. States use crimmigration processes to reinforce cultural, political and moral boundaries. In doing so, states frequently displace principles of punishment or rights in favour of promoting compliance, security or belonging. In relation to the case of New Zealanders detained–deported from Australia, this article illustrates new forms of crimmigration. First, crimmigration is expanding in a context of neoliberal responsibilization. Given the gradual removal of economic supports or political inclusion, ‘non-citizens’ share a deeply precarious space, and more groups are being made ‘at risk’ of crimmigration interventions. Once likely to focus upon certain populations, especially on ‘race’ or nationality grounds, crimmigration now engages all ‘non-citizens’. Second, crimmigration has expanded to include pre-emption – ‘non-citizens’ are targeted not just on account of their criminal behaviours but also their perceived associations, ‘risky’ behaviours or suspicious associations. Finally, and third, crimmigration strategies have expanded across borders, in ways that fundamentally distort established legal principles on the ever-shifting grounds of security. The contagion of crimmigration creates multiple punishments for ‘non-citizens’ that far surpass the nature of their offending or their ‘risk’ to society.


2021 ◽  
Author(s):  
Michael D. Birnhack ◽  
Or Cohen-Sasson ◽  
Eldar Haber ◽  
Kim Treiger-Bar-Am ◽  
Naama Daniel ◽  
...  

2020 ◽  
pp. 50-54
Author(s):  
M. I. Korobko

The article is an effort to analyze the image of the modern television hero. Who is he? A hero or a villain? The analysis of modern protagonists is given through ethical and film theories. The problem of clarity of moral boundaries is very important in the light of the trend, which popularizes villains as normal people in modern storytelling, moral boundaries are blurring because of attraction of such heroes. According to Chapman scholars, the functions of modern "bad boy" as an architype are: a) bad boys have the strength to give us freedom at the personal and societal levels; b) a bad boy with a critical view of society can emancipate us on both personal and societal levels; c) bad boy's criticism can lead him to become isolated or withdrawn on a personal level or become a leader of resistance and rebellion on a societal level; d) the comedic bad boy parallels the evils of society and can shed a critical light on what is happening, which in turn can express the need for resistance as well as encourage the individual to retreat from social functions and live in an isolated manner. The complexity of people implies the bad boy limitless in determination because the bad boy appears in many shapes. Many modern heroes in movies and tv-shows are morally ambivalent, they combine features of Hero and Trickster archetypes and become bad boys and girls who question the very essence of our world order. Today there are so many characters like this in mass-culture (tv-series, movies and cartoons) because we live in time of the global world crisis and our culture reflects this, our heroes demonstrate us our problems and try to find a solution. And sometimes the classic understanding of morality can't help us and we are trying to solve the problems through immoral actions. Villains are attractive through their rebellion. Today we can't find clarity of moral boundaries in tv-shows. But it's very important. The influence of series and movies on the young generation is enormous. Cinematography in all forms (cinema and television) is very powerful ethical instrument. And it is not just the mirror of human morality but it has a teaching function too.


Author(s):  
Luis Daniel Gascón ◽  
Aaron Roussell

This chapter extends from the previous, further examining police service delivery with respect to Lakeside’s business community. The authors open with a discussion of the Lakeside Boosters, a police charity where corporations can sponsor CPAB-led events and programs or provide general use funds. The Business Car is the primary unit responsible for all business relations, however SLOs regularly patrol these establishments in the course of their patrol routines. The chapter follows SLO Phil Hackett as he regulates the racial and moral boundaries of local liquor store patrons and sees SLO Marge Sierra advocate for the deservingness of a new 7-Eleven convenience store in the neighborhood, despite public resistance, because its corporate ties ensure elevated security and regulation. She contrasts this store with the area’s Black-owned businesses, whose continuing closures signal a positive shift for the maintenance of social order. The Lakeside Division’s relationship with local businesses, as the authors found, was not unusual. Rather, this is a normative institutional alignment. Coupling community policing with LA’s post-1992 urban redevelopment scheme, Rebuild Los Angeles, ensures that divisions can support local enforcement strategies in a time of declining city budgets, while also maintaining a hospitable environment for business growth.


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