The Bonds of Governmental Policy

2021 ◽  
pp. 99-152
Keyword(s):  
2021 ◽  
Vol 12 (1) ◽  
pp. 26-44
Author(s):  
Emilia KORKEA-AHO ◽  
Martin SCHEININ

In the coronavirus pandemic that has swept the world, the Finnish Government, like many of its peers, has issued policy measures to combat the virus. Many of these measures have been implemented in law, including measures taken under the Emergency Powers Act, or by ministries and regional and local authorities exercising their legal powers. However, some governmental policy measures have been implemented using non-binding guidelines and recommendations. Using border travel recommendations as a case study, this article critically evaluates governmental soft law-making. The debacle over the use of soft law to fight the pandemic in Finland revealed fundamental misunderstandings about the processes and circumstances under which instruments conceived as soft law can be issued, as well as a lack of attention to their effects from a fundamental rights perspective.


2018 ◽  
Vol 1 (1) ◽  
pp. 48-68
Author(s):  
Muzaffer Kaya

This article seeks to explain how in the beginning of the 1960s in Turkey the right to strike was adopted as a social right. The existing literature is divided regarding the factors that led to the shift in governmental policy. While some argue that the state granted this right without any struggle on the side of the workers, others propose that the main determinant in the process was the struggle of workers. By scrutinizing the interaction between political developments at the state and party levels, and the actions of the workers in that period, I argue that the recognition of the right to strike was the combined result of several interrelated political developments at the local and global level.


Sexualities ◽  
2017 ◽  
Vol 21 (3) ◽  
pp. 350-363
Author(s):  
Anthea Skinner

The international disability music scene is a thriving musical subculture consisting of performers self-identifying as disabled who use their performances to explore experiences of living with disability. As a genre predominantly written by, about and for people with disabilities, it provides a space for discourse about life with disability which is largely unmediated by governmental policy, political correctness or able-bodied facilitators. As such, it is a medium through which people with disability are free to express opinions about sex and romance rarely seen in mainstream media. This article examines the ways in which the topics of sexuality and romance are explored within disability music culture. It will focus on four case study songs, I Love My Body (1988) by Johnny Crescendo, Vagina Ain’t Handicapped (2011) by Laura Martinez, Def Deaf Girls (2012) by Sean Forbes and No Goodbyes (2012) by Rory Burnside and Rohan Brooks from Rudely Interrupted. These four songs will be used to explore the themes of body image, cultural expectations of the disabled body, the benefits of dating fellow members of the disability community and relationships. This article also draws on the author’s own experience as a person with disability and a musician in a band that regularly performs on the disability music scene.


2019 ◽  
Vol 4 (1) ◽  
pp. 20-39
Author(s):  
Andrew C Hageman

In a wide range of academic, public, and governmental policy discourses, Frankenstein continues to appear today with an uncanny persistence. Many of these appearances, however, have taken on identities not recognizably connected to Mary Shelley’s 1818 novel.  Instead, the word “Frankenstein” has been transformed into a cultural signifier of theological and/or technological cautionary tales about limits to and transgressions of human techno-scientific endeavors. This essay presents methodical close readings of the 1818 and 1831 prefaces to the novel as well as key passages within the novel to argue that Shelley's writing does not support the cautionary uses to which her novel is put today. The essay further argues that only by re-animating the horror present in the dun white sockets of this monumental novel that the cautionary cliché has obfuscated can we work through the trauma that drives us obsessively to repeat this story while consistently avoiding the anxieties and imaginations that constitute our techno-scientific trauma.


1979 ◽  
Vol 31 (4) ◽  
pp. 518-538
Author(s):  
Joseph M. Grieco

Britain's experience with the Concorde Project was characterized by changes in the objectives of governmental policy for which the Concorde was to be an instrument. Early in the project, the British state used the Concorde to rationalize Britain's aircraft industry and to enter the E.E.C. Later, the international objective became less salient; the domestic objective, instead of encouragement of efficiency, became maintenance of the industry's employment levels in order to promote political stability. The shift in the purposes of policy can be linked to changes in the power relations beween Britain's society and state. The changes in power relations raise issues about recent characterizations of the British polity and other advanced industrialized societies.


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