A Personal Crisis

2021 ◽  
pp. 185-188
Keyword(s):  
Personal Crisis

A Systematic Review of User Expectations and Outcomes of Crisis Support Services

Crisis ◽  
2020 ◽  
pp. 1-9
Author(s):  
Kelly Mazzer ◽  
Megan O'Riordan ◽  
Alan Woodward ◽  
Debra Rickwood
Keyword(s):  
Systematic Review ◽  
Support Services ◽  
Text Message ◽  
Positive Outcomes ◽  
Online Chat ◽  
Online Databases ◽  
Personal Crisis ◽  
Crisis Support ◽  
User Expectations ◽  
Behavioural Sciences

Abstract. Background: Crisis support services play an important role in providing free, immediate access to support people in the community experiencing a personal crisis. Recently, services have expanded from telephone to digital modalities including online chat and text message services. This raises the question of what outcomes are being achieved for increasingly diverse service users across different modalities. Aims: This systematic review aimed to determine the expectations and outcomes of users of crisis support services across three modalities (telephone, online chat, and text message/SMS). Method: Online databases (CINAHL, MEDLINE, PsycARTICLES, PsycINFO, Psychological and Behavioural Sciences Collection) and gray literature were searched for studies measuring expectations and outcomes of crisis support services. Results: A total of 31 studies were included in the review, the majority of which were telephone-based. Similar expectations were found for telephone and online chat modalities, as well as consistently positive outcomes, measured by changes in emotional state, satisfaction, and referral plans. Limitations/Conclusion: There is a paucity of consistent outcome measures across and within modalities and limited research about users of text message/SMS services.

A Slow Unfolding “Fault Sequence”: Risk and Responsibility in Lucy Kirkwood’s The Children

2020 ◽  
Vol 8 (1) ◽  
pp. 83-99
Author(s):  
Julia Hoydis
Keyword(s):  
Risk Management ◽  
Communication Theory ◽  
Risk Behaviour ◽  
Environmental Crisis ◽  
Environmental Destruction ◽  
Human Risk ◽  
Collective Risk ◽  
Aesthetic Form ◽  
Personal Crisis ◽  
Dramatic Text

AbstractBritish playwright Lucy Kirkwood’s The Children (2016) tackles the imaginative challenge of depicting environmental crisis, in particular the risks of nuclear destruction and climate change. With questions of intra- and intergenerational justice being at the heart of the dramatic text, this article draws on conceptions and insights from cultural risk theory to argue that human risk behaviour and decision-making is the play’s main focus and determines characterisation as well as structure. Interrogating the tension between aesthetic form and content, it shows how The Children naturalizes the (post-)apocalyptic condition and strives for a balance of scales with regard to collective and personal crisis. Characteristic of the rapidly growing corpus of contemporary “cli-fi” drama, and in accordance with many of the strategies proclaimed by climate communication theory, the play stages the catastrophic implications of environmental destruction predominantly as collective risk management and in a predominantly realist manner, discarding formal experimentation as well as futurist setting. Yet this article argues that it remains ambiguous what kind of risk management is proposed and whether we should read it as a call for action or as an imaginative means of accepting finitude.

scholarly journals The Success and Failures of Sari-Sari Stores: Exploring the Minds of Women Micro-Entrepreneurs

2020 ◽  
Vol 11 (2) ◽  
pp. 25-51
Author(s):  
Jonathan C. Gano-An ◽  
Gloria P. Gempes
Keyword(s):  
Women Entrepreneurs ◽  
Family Income ◽  
Defining Moments ◽  
Depth Interview ◽  
Personal Crisis ◽  
Multiple Case ◽  
People Skills ◽  
Will Power ◽  
Cross Case Analysis

AbstractIn the past decades, the unprecedented number of women in entrepreneurship has been overwhelmingly increasing. This was fueled by their motivation to earn independently and to uplift their economic condition. This paper magnified the stories of success and failures of women micro entrepreneurs in managing their ‘sari-sari’ stores. Informants of this multiple case study were five women micro-entrepreneurs who had been in business for at least five years. An in-depth interview was done and cross case analysis was employed. Results revealed that new investments, enhanced family income, productivity, and resourcefulness were the stories that they highlighted as success. On the stories of failures, they emphasized that business breakdowns and personal crisis once confronted their operation. They also revealed that failures framed them to be determined, faithful, diligent, and optimistic. Lastly, they shared significant insights that women entrepreneurs must be business oriented, develop people skills, and employ a strong will power. These women entrepreneurs have their own way of defining moments relative to success and failures in micro entrepreneurship. What is worth noting is the fact that the innumerable failures which confronted them shaped the entrepreneurial traits they now possessed and achieved the optimum success in their entrepreneurial journey.

Transgressing Boundaries; Transcending Bodies: Sublimation and the Abject Corpus in Uncanny Stories and Tales Told by Simpson

May Sinclair ◽  
2017 ◽  
Author(s):  
Claire Drewery
Keyword(s):  
Twentieth Century ◽  
Cultural Change ◽  
Human Subject ◽  
Early Twentieth Century ◽  
Personal Crisis ◽  
Textual Bodies ◽  
Psychoanalytic Theories ◽  
Subjective Identity

This chapter traces an early-twentieth century cultural change in perceptions of the nature and representation of reality, the breakdown of the dominant Victorian discourses of humanism and realism and the concurrent Modernist reconstitution of the human subject. I examine this epochal shift through a consideration of May Sinclair’s engagement with contemporary philosophical and psychoanalytical discourses, her personal crisis of Anglican faith and her growing interest in philosophical Idealism. The theme of guilt, this chapter will claim, is closely associated in Sinclair’s writing with the Modernist re-examination of both physical and textual bodies in the light of burgeoning contemporary discourses – both philosophical and scientific – surrounding subjective identity. Guilt is constantly evoked through an emphasis on spirituality and mystical themes and their frequent juxtaposition with psychoanalytic theories of sublimation.

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