Neal-Marshall Black Culture Center

2021 ◽  
pp. 110-113
Keyword(s):  
Black Culture

Howling “A Hot Time”: The Paradoxical Anthem of the Progressive Age

2020 ◽  
pp. 1-24
Author(s):  
DEIRDRE O'CONNELL
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
White Supremacy ◽  
American Exceptionalism ◽  
Black Culture ◽  
Time Served ◽  
Musical Traditions

This study investigates the shifting meanings invested in the ragtime song “A Hot Time in the Old Time, Tonight” at the turn of the twentieth century. Complicating the tune's place in the canon of military, political, and national anthems was its associations with “vice,” black culture, and white supremacy. By mapping the ritual and representational uses of the song, this investigation demonstrates how “A Hot Time” served paradoxical functions that simultaneously affirmed and unsettled American exceptionalism. In doing so, this article traces the processes of obfuscation whereby black musical traditions and white supremacy defined America's distinctive national identity.

scholarly journals “Ain’t Got Enough Money to Pay Me Respect”: Blackfishing, Cultural Appropriation, and the Commodification of Blackness

2021 ◽  
pp. 153270862110293
Author(s):  
Maha Ikram Cherid
Keyword(s):  
Black Women ◽  
North America ◽  
White Women ◽  
Black Culture ◽  
Cultural Appropriation ◽  
Financial Benefits

The term blackfishing, which takes a twist on the concept of catfishing, that is, tricking people online into thinking you are someone else, refers to the practice of (mostly) White women pretending to be Black by using makeup, hairstyles, and fashion that originate in Black Culture to gain financial benefits. This article aims to contextualize the concept of blackfishing through a critical literary review that will cover the following elements: cultural appropriation, the commodification of Black culture, the representation of Black women in North America, and the operationalization of blackfishing.

Where Is Black Culture?

Souls ◽  
2003 ◽  
Vol 5 (1) ◽  
pp. 46-70
Keyword(s):  
Black Culture

scholarly journals Blackfishing on Instagram: Influencing and the Commodification of Black Urban Aesthetics

2021 ◽  
Vol 7 (3) ◽  
pp. 205630512110382
Author(s):  
Wesley E. Stevens
Keyword(s):  
Critical Analysis ◽  
Black Identity ◽  
Economic Value ◽  
Black Culture ◽  
Cultural Appropriation ◽  
Media Discourse ◽  
Black Markets ◽  
Economic Agents ◽  
The Media ◽  
Urban Aesthetics

This article examines blackfishing, a practice in which cultural and economic agents appropriate Black culture and urban aesthetics in an effort to capitalize on Black markets. Specifically, this study analyzes the Instagram accounts of four influencers (Instagram models) who were accused of blackfishing in late 2018 and is supplemented with a critical analysis of 27 news and popular press articles which comprise the media discourse surrounding the controversy. Situated within the literature on cultural appropriation and urban redevelopment policies, this study explores how Black identity is mined for its cultural and economic value in the context of digital labor. I assert that Instagram’s unique platform affordances (including its racial affordances) and the neoliberal logics which undergird cultural notions of labor facilitate the mechanisms by which Black identity is rendered a lucrative commodity vis-à-vis influencing.

scholarly journals O centro de cultura negra do Maranhão no contexto das ações afirmativas / The maranhão black culture center in the context of affirmative action

2021 ◽  
Vol 7 (4) ◽  
pp. 33813-33823
Author(s):  
Antonio de Assis Cruz Nunes ◽  
Delma Josefa Da Silva ◽  
Ana Beatriz Sousa Gomes ◽  
Liz Marina de Jesus Raposo Amaral ◽  
Clênia de Jesus Pereira Dos Santos ◽  
...  
Keyword(s):  
Affirmative Action ◽  
Black Culture

scholarly journals Review of "American Allegory: Lindy Hop and the Racial Imagination"

2017 ◽  
Author(s):  
Lisa Wade
Keyword(s):  
Cultural Change ◽  
Black Youth ◽  
Black Culture ◽  
White Americans ◽  
White People ◽  
Social Dance ◽  
Black And White ◽  
Lindy Hop ◽  
The Relationship ◽  
Insight Into

American Allegory uses lindy hop—a social dance invented in the 1920s by black youth in Harlem and now practiced mostly by white dancers—to gain insight into the relationship between black and white Americans and their cultural forms. It aims to contribute to theory about how superordinate groups manipulate culture to maintain power, while also accounting for cultural change and exchange. On page 204 Hancock begins to ask sophisticated theoretical questions but, by then, it is far too late to answer them. While Hancock’s central premise is one to which I am sympathetic—that the community of primarily white people who dance lindy hop today are participating in an appropriation of black culture—he’s never able to move past his premise to a useful contribution.

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