Understanding the Bluff Great House Site

Author(s):  
CATHERINE N. CAMERON
2007 ◽  
Vol 32 (4) ◽  
pp. 339-352 ◽  
Author(s):  
Catherine M. Cameron ◽  
Phil R. Geib

2002 ◽  
Vol 67 (4) ◽  
pp. 677-695 ◽  
Author(s):  
Catherine M. Cameron

This article reports on the excavation of a “berm”—an earthen mound that surrounds the Bluff Great House in southeastern Utah. Comparisons are made to Chacoan-era (A.D. 850–1150) great house mounds in Chaco Canyon and to other berms and mounds at great houses throughout the Chacoan region. Great house mounds in Chaco Canyon and berms outside Chaco Canyon are assumed to have been ritual architecture, and continuity in the use of mounded earth and trash as a sacred place of deposit is traced through time from the Pueblo 1 period to modern Pueblos. The Bluff berm does not seem to have been constructed as the result of ceremonial gatherings (as has been suggested for the great house mounds in Chaco Canyon), but there is intriguing evidence that it continued to be used into the post-Chacoan era (A.D. 1150–1300), perhaps as a result of a restructuring or revival of Chacoan ideas in the northern San Juan region. Examination of the spatial distribution of berms suggests that they are most common at great houses south and west of Chaco Canyon; the northern San Juan region, where Bluff is located, has far fewer such features, possibly because the revival of Chacoan ideas in this region was short-lived.


2007 ◽  
Vol 18 (1) ◽  
pp. 35-53 ◽  
Author(s):  
Kate Newland
Keyword(s):  

2020 ◽  
Vol 75 (1) ◽  
pp. 323-378
Author(s):  
David Allen ◽  
Briony A. Lalor ◽  
Ginny Pringle

This report describes excavations at Basing Grange, Basing House, Hampshire, between 1999 and 2006. It embraces the 'Time Team' investigations in Grange Field, adjacent to the Great Barn, which were superseded and amplified by the work of the Basingstoke Archaeological & Historical Society, supervised by David Allen. This revealed the foundations of a 'hunting lodge' or mansion built in the 1670s and demolished, and effectively 'lost', in the mid-18th century. Beneath this residence were the remains of agricultural buildings, earlier than and contemporary with the nearby Great Barn, which were destroyed during the English Civil War. The report contains a detailed appraisal of the pottery, glass and clay tobacco pipes from the site and draws attention to the remarkable window leads that provide a clue to the mansion's date of construction. It also explores a probable link with what was taking place on the Basing House site in the late 17th and early 18th century.


2017 ◽  
Vol 7 (2) ◽  
pp. 159
Author(s):  
Eva Krisna

“Batombe” is an oral tradition of the Nagari Abai society at Sangir Batanghari Subdistrict, South Solok District, West Sumatra Province. Batombe is exchanging rhymes (berbalas pantun) which is performed as an entertainment on the wedding party (baralek). Batombe is identical with Great House (Rumah Gadang) Nagari Abai which is a unique house because it is a long traditional custom house that has many rooms. It reaches 21 rooms. The rhymes in batombe tends to deliver a feeling of lilting so the singers often drift into the atmosphere of the show. Therefore, as part of community life, batombe often cause a negative effects for the singers soul. This paper describes various things, such as: who batombe singer is; the time to perform this activity; the relationship between batombe and Great House (Rumah Gadang) at Nagari Abai; and the negative effects caused by batombe for the singers. This paper based on the fact that in oral tradition there is a close relationship between text and the speakers and text with context (place, time and atmosphere), a multidisciplinary approach is used in this paper, such as historical, sociological, anthropological, and psychological approach. The method used is descriptive analysis method.AbstrakBatombe adalah tradisi lisan masyarakat Nagari Abai, Kecamatan Sangir Batanghari, Kabupaten Solok Selatan, Provinsi Sumatra Barat. Batombe adalah tradisi berbalas pantun yang dilakukan sebagai hiburan pada pesta pernikahan (baralek). Batombe identik dengan rumah gadang Nagari Abai yang unik, yakni rumah adat dengan ruangan yang sangat panjang hingga 21 ruangan. Pantun-pantun batombe cenderung menyampaikan perasaan yang mendayu-dayu sehingga para pedendangnya sering hanyut ke dalam suasana pertunjukan. Oleh sebab itu, sebagai bagian dari kehidupan masyarakat, seringkali batombe menyebabkan efek negatif bagi (kejiwaan) para pedendangnya. Tulisan ini mendeskripsikan berbagai hal, seperti penutur batombe, waktu untuk melakukan batombe, hubungan batombe dengan rumah gadang di Nagari Abai, dan efek negatif yang ditimbulkan batombe bagi pedendangnya. Tulisan ini bertolak dari kenyataan bahwa pada tradisi lisan terdapat hubungan erat, antara lain seperti teks dengan penutur dan teks dengan konteks (tempat, waktu, dan suasana). Pendekatan multidisipliner digunakan pada tulisan ini, yakni pendekatan historis, sosiologis, antropologis, dan psikologis. Metode yang digunakan adalah metode analisis deskriptif.


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