BATOMBE: WARISAN BUDAYA BANGSA DARI NAGARI ABAI PROVINSI SUMATERA BARAT

2017 ◽  
Vol 7 (2) ◽  
pp. 159
Author(s):  
Eva Krisna

“Batombe” is an oral tradition of the Nagari Abai society at Sangir Batanghari Subdistrict, South Solok District, West Sumatra Province. Batombe is exchanging rhymes (berbalas pantun) which is performed as an entertainment on the wedding party (baralek). Batombe is identical with Great House (Rumah Gadang) Nagari Abai which is a unique house because it is a long traditional custom house that has many rooms. It reaches 21 rooms. The rhymes in batombe tends to deliver a feeling of lilting so the singers often drift into the atmosphere of the show. Therefore, as part of community life, batombe often cause a negative effects for the singers soul. This paper describes various things, such as: who batombe singer is; the time to perform this activity; the relationship between batombe and Great House (Rumah Gadang) at Nagari Abai; and the negative effects caused by batombe for the singers. This paper based on the fact that in oral tradition there is a close relationship between text and the speakers and text with context (place, time and atmosphere), a multidisciplinary approach is used in this paper, such as historical, sociological, anthropological, and psychological approach. The method used is descriptive analysis method.AbstrakBatombe adalah tradisi lisan masyarakat Nagari Abai, Kecamatan Sangir Batanghari, Kabupaten Solok Selatan, Provinsi Sumatra Barat. Batombe adalah tradisi berbalas pantun yang dilakukan sebagai hiburan pada pesta pernikahan (baralek). Batombe identik dengan rumah gadang Nagari Abai yang unik, yakni rumah adat dengan ruangan yang sangat panjang hingga 21 ruangan. Pantun-pantun batombe cenderung menyampaikan perasaan yang mendayu-dayu sehingga para pedendangnya sering hanyut ke dalam suasana pertunjukan. Oleh sebab itu, sebagai bagian dari kehidupan masyarakat, seringkali batombe menyebabkan efek negatif bagi (kejiwaan) para pedendangnya. Tulisan ini mendeskripsikan berbagai hal, seperti penutur batombe, waktu untuk melakukan batombe, hubungan batombe dengan rumah gadang di Nagari Abai, dan efek negatif yang ditimbulkan batombe bagi pedendangnya. Tulisan ini bertolak dari kenyataan bahwa pada tradisi lisan terdapat hubungan erat, antara lain seperti teks dengan penutur dan teks dengan konteks (tempat, waktu, dan suasana). Pendekatan multidisipliner digunakan pada tulisan ini, yakni pendekatan historis, sosiologis, antropologis, dan psikologis. Metode yang digunakan adalah metode analisis deskriptif.

2017 ◽  
Vol 7 (2) ◽  
pp. 159
Author(s):  
Eva Krisna

“Batombe” is an oral tradition of the Nagari Abai society at Sangir Batanghari Subdistrict, South Solok District, West Sumatra Province. Batombe is exchanging rhymes (berbalas pantun) which is performed as an entertainment on the wedding party (baralek). Batombe is identical with Great House (Rumah Gadang) Nagari Abai which is a unique house because it is a long traditional custom house that has many rooms. It reaches 21 rooms. The rhymes in batombe tends to deliver a feeling of lilting so the singers often drift into the atmosphere of the show. Therefore, as part of community life, batombe often cause a negative effects for the singers soul. This paper describes various things, such as: who batombe singer is; the time to perform this activity; the relationship between batombe and Great House (Rumah Gadang) at Nagari Abai; and the negative effects caused by batombe for the singers. This paper based on the fact that in oral tradition there is a close relationship between text and the speakers and text with context (place, time and atmosphere), a multidisciplinary approach is used in this paper, such as historical, sociological, anthropological, and psychological approach. The method used is descriptive analysis method. Abstrak Batombe adalah tradisi lisan masyarakat Nagari Abai, Kecamatan Sangir Batanghari, Kabupaten Solok Selatan, Provinsi Sumatra Barat. Batombe adalah tradisi berbalas pantun yang dilakukan sebagai hiburan pada pesta pernikahan (baralek). Batombe identik dengan rumah gadang Nagari Abai yang unik, yakni rumah adat dengan ruangan yang sangat panjang hingga 21 ruangan. Pantun-pantun batombe cenderung menyampaikan perasaan yang mendayu-dayu sehingga para pedendangnya sering hanyut ke dalam suasana pertunjukan. Oleh sebab itu, sebagai bagian dari kehidupan masyarakat, seringkali batombe menyebabkan efek negatif bagi (kejiwaan) para pedendangnya. Tulisan ini mendeskripsikan berbagai hal, seperti penutur batombe, waktu untuk melakukan batombe, hubungan batombe dengan rumah gadang di Nagari Abai, dan efek negatif yang ditimbulkan batombe bagi pedendangnya. Tulisan ini bertolak dari kenyataan bahwa pada tradisi lisan terdapat hubungan erat, antara lain seperti teks dengan penutur dan teks dengan konteks (tempat, waktu, dan suasana). Pendekatan multidisipliner digunakan pada tulisan ini, yakni pendekatan historis, sosiologis, antropologis, dan psikologis. Metode yang digunakan adalah metode analisis deskriptif.


2015 ◽  
Vol 6 (2) ◽  
pp. 76-88
Author(s):  
Makmun Syadullah

Tax revenue is influenced by many factors. Existing studies reveal that political stability, level of corruption, quality of the policy, income per capita, share of agriculture to the GDP, and market openness are some of the factors influencing tax revenue. This study aims to analyze the influence of governance by using some indicators, such as political stability, government effectiveness, quality of regulation, law enforcement accountability and control on corruption in tax area through empirical analysis of ASEAN countries. Descriptive analysis and causality methods are employed in this study. causality method is used to determine the relationship between observed variables using panel regression. The results of the study indicate that the controlon corruption, voice and accountability and political stability variables have significant negative effects on the tax ratio, while rule of law and quality of regulatory variables have positive impact on the tax ratio.


2020 ◽  
Vol 3 (1) ◽  
pp. 65
Author(s):  
Rahmat Kurniawan

Suku Minangkabau memiliki berbagai kesenian, di antaranya adalah Randai. Randai hidup dan berkembang dalam kehidupan masyarakat, dan hampir di setiap daerah di Minangkabau mempunyai Randai. Salah satu grup yang mengembangkan Randai yaitu Grup Parewa Limo Suku yang berada di Kuranji Kota Padang Sumatera Barat. Randai ini dilaksanakan dengan berbagai unsur seni yaitu Silek, Tari, Musik dan Teater. Randai termasuk kedalam Drama Musikal  kedaerahan dengan memliki unsur seni yang kompleks. penyajian Randai diawali oleh permainan musik untuk menarik perhatian masyarakat. Berikutnya pidato dari Tukang Gore yang kemudian masuk ke dalam Legaran dengan diiringi musik untuk memberikan kesempatan kepada pelaku cerita memasuki lingkaran. Naskah cerita yang digunakan berjudul Untuang Sudah yang memiliiki permasalahan dan perselisihan dengan  Rajo Angek Garang. Cerita ini dilaksanakan dalam lima legaran, cerita  dalam Randai pada umumnya merupakan perumpamaan  dalam  masyarakat yang didalamnya mengandung nasehat-nasehat yang berisikan pesan moral. Cerita Untuang Sudah dalam Randai sering dibawakan dalam acara hiburan Baralek  oleh Parewa Limo Suku. Musik iringan dalam Randai berperan sangat penting dimana musik  membuat karakter suasana yang berbeda-beda yakni sebagai ilustrasi cerita dan sebagai penguat suasana dalam penyampaian pesan di setiap adegan Randai. Tujuan Grup Parewa Limo Suku, yaitu untuk melestarikan kebudayaan Minangkabau, serta turut aktif membantu pemerintah dalam membina dan mengembangkan seni budaya khususnya seni budaya Minangkabau. Randai saat ini masih digunakan dalam pertunjukan rakyat Minangkabau dan bentuk penyajiannya disesuaikan dengan drama musikal yang menggunakan berbagai unsur-unsur kesenian yang ada dalam masyarakat Minangkabau. Penelitian ini menggunakan metode analisis deskriptif dan pendekatan Etnomusikologi. Minangkabau tribe has a variety of arts, including Randai. Randai lives and develops in community life, and almost every area in Minangkabau has Randai. One of the groups that developed Randai is the Parewa Limo Tribe Group located in Kuranji, Padang, West Sumatra. This randai is carried out with various elements of art namely Silek, Dance, Music and Theater. Randai included in the Regional Musical Drama with a complex element of art. Randai's presentation was preceded by a musical game to attract the attention of the public. Next was the speech from Tukang Gore which then entered Legaran accompanied by music to give the story actors a chance to enter the circle. The text of the story used is titled Untuang Sudah which has problems and disputes with Rajo Angek Garang. This story is carried out in five stories, the story in Randai is generally a parable in a society which contains advice which contains a moral message. Untuang Stories Already in Randai is often sung in Baralek entertainment programs by the Parewa Limo Tribe. Accompanied music in Randai plays a very important role where the music makes the character of a different atmosphere that is as an illustration of the story and as a reinforcement of the atmosphere in delivering messages in each Randai scene. The aim of the Parewa Limo Suku Group is to preserve the Minangkabau culture, and to actively assist the government in fostering and developing cultural arts, especially Minangkabau cultural arts. Randai is currently still used in Minangkabau folk performances and the form of presentation is adapted to musical dramas that use various artistic elements in the Minangkabau community. This research uses descriptive analysis method and ethnomusicology approach 


2019 ◽  
Vol 14 (4) ◽  
pp. 509
Author(s):  
Oryza Nurmartanti

The journal entitled "Analysis of the Relationship between Reaching For The Sky Short Story and Genetic Structural Theory" aims to describe the genetic structuralistic relationship shown in the study of Reaching For The Sky short stories. This research uses descriptive analysis method by using literary sociology analysis techniques. Short Story Reaching For The Sky is an interesting to be chosen because it is thought to show the relationship between structuralism theory and social inequality.The results showed that the short story Reaching For The Sky by Mitchell Waldman is work that is full of criticism about social class inequality that occurs in Brooklyn, New York, USA. This short story besides carrying the theme of social class, can also be examined more deeply using the theory of Genetic Structuralism. This can be achieved because between the short story and the author, there is a very close relationship. Can be identified through the author's background and what is in the short story. Characters, settings, story lines, enough to represent the correlation of short stories, authors and theories that support the link between the short storyline and genetic structuralism. Among these are: facts of humanity, collective subjects, worldview, structuration and dialectics of understanding.


tuahtalino ◽  
2020 ◽  
Vol 14 (1) ◽  
pp. 66
Author(s):  
NFN Martina

This research was Indigenous Marriage Day of Tobag, Anthropolinguistic Review. The problem in this study is how anthropolinguistic studies are able to dissect on tradition and produce a neat analysis of the relationship between the two. In the discussion there are three main approaches in the study of anthropolinguistics, namely the performance (performance), indexicality (indexicalty), participation (participation), which proved effective in examining the relationship of text structure, context and context (culture, ideology, social, and situation) an oral tradition which is based on different cultural elements and aspects of human life. Anthropolinguistic studies, namely the emphasis of anthropolinguistics in exploring the meaning, function, values, norms, and local wisdom of an oral tradition, the concept of all three can be distinguished. More than that, the anthropolinguistic approach is able to formulate a model of revitalization and preservation of an oral tradition. In this case the distinguishing features of anthropolinguistic studies with other approaches are strong and prominent. The method used is descriptive analysis with a qualitative approach. This research is a literature or literature study which is supported by various research results. The results of the analysis show that local wisdom in the tradition  terms sanggan bebayo ', tonya' menonya ', betunang, kebabar), (beloki bebini mbio lopas, beboki bebini bepipis becale'k abis man manu'k, beboki bebini ponoh, beloki bebini), and customary law are divided into four, namely customary social relations and issues (adat timpak kemata labat ka oti, nganggoh adat, betama'k kediri custom, nggagap custom), there are seven mas, adat sara'k or divorce (adat adat tabat kemabat labat oti, adat nganggoh, adat betama'k kediri, adat nggagap), there are seven mas, adat sara'k or divorce (adat adat). sara'k ingka ', sara'k siko'nngi like, sara'k timpak, sara'k creep, nula'k loki/chant and hand in hand), and adat amar (amar lawing agong adat, amar pesirah adat, amar jata crawl adat, amar temenggung adat, and amar pati adat).


2021 ◽  
Vol 21 (1) ◽  
pp. 399
Author(s):  
Arif Rahim

This article discusses the Minangkabau kingdom and its existence as the origin of the Jambi Sultanate. This issue is considered important because at this time there are many people who do not understand the relationship between the kingdoms in the past, which regions are currently included in the kingdoms of these kingdoms. The results of this study are expected to provide an explanation of the main problems proposed and so contribute to the development of knowledge, especially about the local history of Jambi and West Sumatra. Besides, it can be used as material for consideration by related institutions in order to preserve historical and cultural values and for regional development and development. By using a multidimensional approach and supported by the application of historical methods that refer to scientific historical research procedures, it is hoped that the questions raised in the formulation of the problem will be objectively and systematically expressed. The results showed that the Minangkabau area was an old area that had been inhabited by humans at least since the Batu Muda era around 2000 years BC. In the district of 50 Kota there are many Menhir findings which are thought to be from that period. The Minangkabau area is the area where Sang Sapurba's title Datuk Maharaja Diraja descended which in oral tradition is considered the ancestor of the Minangkabau tribe and the Malay family in general and also as a figure who descended the kings who ruled on the island of Sumatra, especially the Malay countries. In the context of Jambi and Minangkabau relations, it can be said that the kings who ruled in the Jambi kingdom were descended from the Minangkabau Kingdom. Putri Selaro Pinang Masak, who in the Jambi royal legend is seen as the founder of the Jambi kingdom, was the son of Ananggawarman who ruled in Pagaruyung from 1376 - 1417 AD. As an old country, Minangkabau has a customary and cultural system that affects the surrounding area, including the Jambi area. A source from the Jambi Malay Customary Institute said that the one who composed Jambi's customs was Datuk Perpatih Nan Sabatang from Pagaruyung, while those from Bandar Jambi were Datuk Ketemanggungan


2020 ◽  
Vol 1 (2) ◽  
pp. 125
Author(s):  
N Naifah

The study aimed to find out the meaning of <em>halu' </em>in the Qur'an, the relationship between <em>halu</em> and Adversity Quotient (AQ), and the Qur’anic management methods<em> </em>to address <em>halu'</em> as well as to enhance the Adversity Quotient (AQ). This study was a descriptive qualitative research with semantic approach. The data were collected through documentation method and analized by means of Syntagmatic Paradigmatic approach. The study found that <em>halu'</em> was a negative human potential to easily complain but hard to share with others because it was triggered by greed. It had potential to cause people to quickly give up, despair, and be selfish, thus causing self-difficulties to face challenges of life. It hampered an individual to be a strong personality and to achieve personal success. Therefore, human needed for specific methods to suppress and manage the negatif potential to avoid its negative effects. <em>Halu'</em> and AQ (Adversity Quotient) had a very close relationship. <em>Halu'</em> could be overcome by improving the level of Adversity Quotient (AQ). Thus, a high Adversity Quotient (AQ) was the solution for the problem of human’s <em>halu'</em>. The Qur’anic management methods in addressing <em>halu' </em>used to improve Adversity Quotient (AQ) were performing prayers, establishing prayers continuously, spending the property for <em>infaq</em>, believing in the day of judgment, feeling fear of the God’s punishment, having sexual intercourse only with a legitimate partner, fulfilling the mandate and promises, enforcing bear testimony, and keeping the prayers quality.


1982 ◽  
Vol 47 (03) ◽  
pp. 230-231 ◽  
Author(s):  
N K Sharma ◽  
P A Routledge ◽  
M D Rawlins ◽  
D M Davies

SummaryThe validity of a previously described technique for predicting warfarin requirements based on the anticoagulant response to a fixed loading dose was assessed prospectively in 57 patients. There was a close relationship between the predicted and initially observed daily warfarin dose required to maintain the patient within the therapeutic range for anticoagulation. The significant relationship between predicted and observed maintenance dose persisted at 4 and 12 weeks although it decreased with increasing time.The relationship between observed and predicted maintenance requirement of warfarin was not affected by the concomitant use of intermittent intravenous injections of heparin when 9 hr was allowed to elapse between the previous dose of heparin and the thrombotest estimation on which the prediction was based.It is concluded that the method is valuable in predicting an individual’s warfarin requirement, although it does not obviate the need for regular monitoring of anticoagulant control.


2019 ◽  
pp. 46-64 ◽  
Author(s):  
Vladimir V. Klimanov ◽  
Sofiya М. Kazakova ◽  
Anna A. Mikhaylova

The article examines the impact of various socio-economic and financial indicators on the resilience of Russian regions. For each region, the integral index of resilience is calculated, and its correlation dependence with the selected indicators is revealed. The study confirms the relationship between fiscal resilience and socio-economic resilience of the regions. The analysis of panel data for 75 regions from 2007 to 2016 shows that there are significant differences in the dynamics of indicators in different periods. In particular, the degree of exposure to the negative effects of the crises of 2008—2009 and 2014—2015 in non-resilient regions is higher than in resilient ones.


Author(s):  
Paolo FESTA ◽  
Tommaso CORA ◽  
Lucilla FAZIO

Is it possible to transform stone into a technological and innovative device? The meeting with one of the main stone transformers in Europe produced the intention of a disruptive operation that could affect the strategy of the whole company. A contagious singularity. By intertwining LEAN methodologies and the human-centric approach of design thinking, we mapped the value creation in the company activating a dialogue with the workers and the management, listening to people, asking for ambitions, discovering problems and the potential of production. This qualitative and quantitative analysis conducted with a multidisciplinary approach by designers, architects and marketing strategists allowed us to define a new method. We used it to design a platform that could let all the players express their potential to the maximum. This is how the group's research laboratory was born, with the aim of promoting the relationship between humans and stone through product innovation. With this goal, we coordinated the new team, developing technologies that would allow creating a more direct relationship between man and surface, making the stone reactive. The result was the first responsive kitchen ever.


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