Witness narratives in context:

Author(s):  
Elisa Scaraggi
Keyword(s):  
2017 ◽  
Vol 29 (3) ◽  
pp. 237-255 ◽  
Author(s):  
Patricia Canning

This article examines the linguistic appropriation and deflection of blame in the witness testimonies and evidence-gathering processes of the South Yorkshire Police (SYP) following the 1989 Hillsborough football stadium disaster. It specifically focuses on patterns of stylistic features, such as negation and syntactic foregrounding, which, it is argued, function to encode alternative institutionally congruent stories. It employs schema theory to explore how a ‘hooligan’ narrative was readily invoked and accepted by the SYP. Moreover, it addresses instances of both self-incrimination and the upgrading of police efficacy within statements produced by the South Yorkshire Metropolitan Ambulance Service (SYMAS), and offers a linguistic analysis that points to police involvement in the construction of the SYMAS testimonies.


2013 ◽  
Vol 1 (1) ◽  
pp. 41-50 ◽  
Author(s):  
Isabel Picornell

Written witness statements are a unique source for the study of high-stakes textual deception. To date, however, there is no distinction in the way that they and other forms of verbal deception have been analysed, with written statements treated as extensions of transcribed versions of oral reports. Given the highly context-dependent nature of cues, it makes sense to take the characteristics of the medium into account when analysing for deceptive language. This study examines the characteristic features of witness narratives and proposes a new approach to search for deception cues. Narratives are treated as a progression of episodes over time, and deception as a progression of acts over time. This allows for the profiling of linguistic bundles in sequence, revealing the statements’ internal gradient, and deceivers’ choice of deceptive linguistic strategy. Study results suggest that, at least in the context of written witness statements, the weighting of individual features as deception cues is not static but depends on their interaction with other cues, and that detecting deceivers’ use of linguistic strategy is en effective vehicle for identifying deception.


2009 ◽  
Vol 36 (106) ◽  
pp. 96-119
Author(s):  
Stefan Iversen

Witnessing the Witness: Anxiety of Reception and the Survivor Interview:In this article I highlight and discuss the ethical challenges raised in and by the reception of witness interviews, focusing on audiovisual and written interviews with survivors from what is commonly referred to as Holocaust. The article falls into three parts. In the first part I outline the basic features of witness interviews, arguing that such interviews may be described according to the different answers they provide to questions regarding authenticity, performativity and interactivity. Drawing upon recent theoretical approaches from the study of testimony and witness narratives, the second part of the article presents and discusses different ways of positioning oneself as the receiver of such cultural artifacts, suggesting the term ‘anxiety of reception’ to describe a common difficulty shared by these approaches, a difficulty not easily, if at all, avoidable. The final part of the article extends this discussion by turning towards some of the experiences gained during the making of a recent Danish publication of witness interviews – Vidnesbyrd: Danske fortællinger fra tyske koncentrationslejre (2008) [Testimonies: Danish Stories from German Concentration Camps], collected and edited by Henrik Skov Nielsen, Stefan Kjerkegaard and myself.


2021 ◽  
Vol 17 (3) ◽  
pp. 348-365
Author(s):  
Nora Tataryan Aslan

Abstract Through a consideration of three film works—Ravished Armenia/Auction of Souls (1919), Testimony (2007), and Remembering (2019), which all represent the testimonies of Armenian women to form truths of the catastrophe—this article problematizes how such portrayals might, contrary to their best intentions, resonate with the logic of genocide. By discussing specific woman figures in the three works, published at three times in the postgenocidal era—one just after the events, the other two recently—this article aims not only to mark the evolution of the representational regime with which the Armenian woman is surrounded but also to show that this phenomenon is a key component in a transformation of the lexicon developed around the recognition politics, which ought to involve something other than feverishly chasing a representation of the events of 1915–17 and using women’s witness narratives to this end.


More Time ◽  
2019 ◽  
pp. 153-187
Author(s):  
Lee Clark Mitchell

Lydia Davis’s “flash fictions” shift our attention from narrative to verbal craft, evident in her resolute choice of words, syntax, and sentence rhythms. An abbreviated style compels readers to focus on fully stopped moments, an effect that defies narrative progression much as do Joy Williams’s and Alice Munro’s discontinuous stories. Like them as well, the development of a later style is a matter of branching into new directions—in her case, continuing a microscopic fascination with individual words and their resonances, but now shifting toward found objects (Flaubert’s letters), or letters of complaint, or grammatical puzzles: all as “witness” narratives revealing the ways in which the mundane minutiae of life is transformed into art. The borders between fiction and nonfiction become less clear, as Davis presses on the boundaries of what a short story can be.


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