Metaphysical Foundations of the Sacred Image Concept by P.A. Florensky

2021 ◽  
Vol 64 ◽  
pp. 322-329
Author(s):  
Elena V. Kovaleva

The article analyzes the influence of the basic “concrete metaphysics” ideas of Pavel Florensky, and in particular sophiology and the concept of symbolic reality, on his theory of the sacred image.

Chelovek RU ◽  
2020 ◽  
pp. 18-53
Author(s):  
Sergei Avanesov ◽  

Abstract. The article analyzes the autobiography of the famous Russian philosopher, theologian and scientist Pavel Florensky, as well as those of his texts that retain traces of memories. According to Florensky, the personal biography is based on family history and continues in children. He addresses his own biography to his children. Memories based on diary entries are designed as a memory diary, that is, as material for future memories. The past becomes actual in autobiography, turns into a kind of present. The past, from the point of view of its realization in the present, gains meaning and significance. The au-thor is active in relation to his own past, transforming it from a collection of disparate facts into a se-quence of events. A person can only see the true meaning of such events from a great distance. Therefore, the philosopher remembers not so much the circumstances of his life as the inner impressions of the en-counter with reality. The most powerful personality-forming experiences are associated with childhood. Even the moment of birth can decisively affect the character of a person and the range of his interests. The foundations of a person's worldview are laid precisely in childhood. Florensky not only writes mem-oirs about himself, but also tries to analyze the problems of time and memory. A person is immersed in time, but he is able to move into the past through memory and into the future through faith. An autobi-ography can never be written to the end because its author lives on. However, reaching the depths of life, he is able to build his path in such a way that at the end of this path he will unite with the fullness of time, with eternity.


2021 ◽  
Vol 74 (2) ◽  
pp. 147-157
Author(s):  
Dmitry Biryukov

AbstractThis article is a study of Pavel Florensky's philosophy of symbol in the context of his discovery of Palamism in the 1910s, when Florensky started to speak of symbol using Palamite language. It proposes a fundamental difference between Florensky's and Palamas’ teachings on symbol: Palamas views a natural symbol as the energy of an essence, while for Florensky symbol is the essence itself, the energy of which synergises with the energies of other essence. In this context the prehistory of the concept of synergy in Florensky is studied, leading to the identification of a further difference in the ontologies of Florensky and Palamas: while Florensky's ‘essence-energy’ has the property of necessary correlation with the ‘other’, following the tendencies of the philosophy of that epoch, in Palamas ‘energy’ does not presuppose any necessary correlation with the ‘other’. The author connects this difference in ontologies between the two thinkers with their respective teachings on symbol.


Author(s):  
Vadim Markovich Rozin
Keyword(s):  

This article analyzes notebooks of the artist, architect and designer Roman Feierstein. They reflect certain aspect of over twenty yearlong artworks of the master, who immigrated to Germany with his family. The research presents separate sketches and fragments of the diary thoughts. The author analyzes the personality of Roman Feierstein, and advances a hypothesis that he lived in between two cultures (German and Russian), having created his own world. Being an artist, designer and immigrant, the endowed this world with aesthetics, constructive and reflective features, which is evident in his notebooks. As a result of this study, the author came to better understanding of the transformation of Roman Feierstein’s personality; was able to explain certain peculiarities of his works in immigration, advance a hypothesis on the character of drawings and texts from the notebooks; as well as use some results of reconstruction of personality of Pavel Florensky for the analysis of evolution of personality of the master.


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