scholarly journals Weaving a living: gender, craft, and sustainable resource use in Botswana

2017 ◽  
Vol 24 (1) ◽  
pp. 368
Author(s):  
Rachel B. DeMotts

Abstract Botswana baskets are both an emblematic cultural symbol and a popular tourist souvenir, made by women from natural materials and reflecting gendered experiences of work, creativity, and resource use. The expansion of their production for sale over the past 30 years has often led to concerns about strain on the natural resources used for weaving, but more recently, the ways in which women talk about how they access these materials has changed. Rather than framing resources as scarce and under threat from poor harvesting practices, increasing numbers of women describe shifts in use practices that reflect growing awareness of the need to protect and cultivate plants such as hyphaene petersiana, or mokola palm. This change reflects the importance of rethinking what constitutes community-based natural resource management to include not only formalized trusts, but informal networks through which women harvest and use forest resources. It also highlights the insights of political ecology in considering the ways in which power impacts natural resource use, while emphasizing the need to expand notions of knowledge to become more inclusive and grounded. Key Words: Gender, political ecology, community-based conservation, Botswana, craft

2005 ◽  
Vol 14 (11) ◽  
pp. 2653-2677 ◽  
Author(s):  
Elmer Topp-Jørgensen ◽  
Michael K. Poulsen ◽  
Jens Friis Lund ◽  
John F. Massao

2021 ◽  
Author(s):  
◽  
Lauren Hayes

<p><b>Sand and aggregate are the world’s second-most extracted resource behind only water, and more than 75% of dredged-up sand is used in construction as a critical component of glass and concrete, often causing significant damage to ecosystems and coastlines. Sand extraction is rapidly increasing worldwide, while the recognition that worldwide supplies are finite is still limited. The United Nations have acknowledged sustainable natural resource use as a pivotal factor to improving economic prosperity and human wellbeing globally. </b></p> <p>Meanwhile, New Zealand architecture is increasingly dependent on glass as a key conveyor of the landscape, freedom and command of space. This reliance presents a major contradiction between sustainable natural resource use and themes in idealised residential architecture. This opposition between the poetic aspects of successful architecture and practical application of sustainable principles is also evident in existing scholarship. This research portfolio attempts to develop approaches on how this issue could be addressed. </p> <p>This thesis contributes to the development of much needed scholarship that addresses and problematises the issues associated with the fact that in the near future, the construction industry be more deliberate in how much glass is used for minimal wastefulness but maximum impact. It will investigate opportunities of designing with less glass through poetic design in parallel with scientific analysis, examining existing buildings’ sand usage and determining limitations for a framework for designing with less glass. </p> <p>This thesis aims to raise awareness of the discrepancies between sustainable resource use and current New Zealand architecture themes. The acknowledgment of these issues must be accelerated in the architecture community to prepare for the imminent crises of the sand shortage and its architectural implications.</p>


2021 ◽  
Author(s):  
◽  
Lauren Hayes

<p><b>Sand and aggregate are the world’s second-most extracted resource behind only water, and more than 75% of dredged-up sand is used in construction as a critical component of glass and concrete, often causing significant damage to ecosystems and coastlines. Sand extraction is rapidly increasing worldwide, while the recognition that worldwide supplies are finite is still limited. The United Nations have acknowledged sustainable natural resource use as a pivotal factor to improving economic prosperity and human wellbeing globally. </b></p> <p>Meanwhile, New Zealand architecture is increasingly dependent on glass as a key conveyor of the landscape, freedom and command of space. This reliance presents a major contradiction between sustainable natural resource use and themes in idealised residential architecture. This opposition between the poetic aspects of successful architecture and practical application of sustainable principles is also evident in existing scholarship. This research portfolio attempts to develop approaches on how this issue could be addressed. </p> <p>This thesis contributes to the development of much needed scholarship that addresses and problematises the issues associated with the fact that in the near future, the construction industry be more deliberate in how much glass is used for minimal wastefulness but maximum impact. It will investigate opportunities of designing with less glass through poetic design in parallel with scientific analysis, examining existing buildings’ sand usage and determining limitations for a framework for designing with less glass. </p> <p>This thesis aims to raise awareness of the discrepancies between sustainable resource use and current New Zealand architecture themes. The acknowledgment of these issues must be accelerated in the architecture community to prepare for the imminent crises of the sand shortage and its architectural implications.</p>


PLoS ONE ◽  
2011 ◽  
Vol 6 (9) ◽  
pp. e24107 ◽  
Author(s):  
Kerry A. Brown ◽  
Dan F. B. Flynn ◽  
Nicola K. Abram ◽  
J. Carter Ingram ◽  
Steig E. Johnson ◽  
...  

Sign in / Sign up

Export Citation Format

Share Document