Comparison of Demands of Sustained Attentional Events between Public and Private Children's Television Programs

1998 ◽  
Vol 86 (2) ◽  
pp. 431-434 ◽  
Author(s):  
Mary-Louise Hooper ◽  
Pengkwei Chang

The durations and variability of changing events were analyzed for 20 min. each of 13 children's television programs. These programs included selections from both publically and privately produced shows. Significantly different patterns of attentional demands were found between the programs. Public television programming is characterized by longer and more variable durations of sustained attentional events, while private television programming is best described as having fast-paced shorter events. The implications of this finding for difficulties in learning by school-age children to attend for longer periods are discussed.

1981 ◽  
Vol 22 (1) ◽  
pp. 47-48
Author(s):  
Patricia Edgar

At a meeting of the Australian Education Council in Hobart on February 19, 1981, the Ministers for Education representing the Federal and State Governments, resolved to support the establishment of an Australian Children's Television Foundation. The Foundation's major function is envisaged as encouraging the development, production and transmission of children's television programs of quality. This organization would not duplicate existing facilities, but work through existing production houses and producers, supplying finance for worthwhile projects that are brought to it as well as commissioning the making of projects it has initiated. Following consultation with State and Government Ministers, a Steering Committee has been established with a view to the creation of the Foundation.


1977 ◽  
Vol 96 (2) ◽  
pp. 197-204 ◽  
Author(s):  
John D. Nolan ◽  
Joann Paley Galst ◽  
Mary Alice White

2012 ◽  
Vol 18 (8) ◽  
pp. 490-496 ◽  
Author(s):  
David J. Whitin ◽  
Phyllis Whitin

Constructing pie charts furnishes fifth graders with a meaningful context in a long-term study about commercial advertising during children's television programs.


2014 ◽  
Vol 153 (1) ◽  
pp. 41-52
Author(s):  
Matthew Loads

This article reports on a study of additional transmedia content that is available online in relation to all Australian television drama productions and high rating international drama productions in a five-month period, between January and June 2012. In particular, it asks what additional material exists, and develops a typology of different types of content in order to further explain the current state of play in Australian production. The study examines extended storytelling texts developed specifically for the internet, like ‘webisodes’. It also considers other video and further content that can be based on extending the story world of a program. This article presents and examines the results of the study, arguing that this material can be seen to support the idea of an industry in transition. It finds that there are differences in approach to this type of content between public, free-to-air commercial and subscription broadcasters. Children's television programs are seen to offer the most sophisticated approach online at this time.


2010 ◽  
Vol 32 (3) ◽  
pp. 356-382 ◽  
Author(s):  
Marilee Long ◽  
Jocelyn Steinke ◽  
Brooks Applegate ◽  
Maria Knight Lapinski ◽  
Marne J. Johnson ◽  
...  

2008 ◽  
Vol 36 (1) ◽  
pp. 49-64 ◽  
Author(s):  
Ali J. Al Shehab

An examination was carried out of television programs made for children and also television programs that involved children, regardless of their intended audience. The aim of the study was to determine the effects of these programs in terms of gender and race representations and stereotypes. A content analysis was run on segments from two television channels, the Kuwait national channel and the Egyptian satellite channel. Findings are given and discussed against a rich background of research in this area, and conclusions and implications for education are presented.


2016 ◽  
Vol 12 (2) ◽  
pp. 113-118 ◽  
Author(s):  
Gina Tripicchio ◽  
Moonseong Heo ◽  
Lisa Diewald ◽  
Seth M. Noar ◽  
Rachel Dooley ◽  
...  

Sign in / Sign up

Export Citation Format

Share Document