scholarly journals SUMBER SENI INDONESIA LAMA

CORAK ◽  
2012 ◽  
Vol 1 (2) ◽  
Author(s):  
Akhmad Nizam
Keyword(s):  
Southeast Asia ◽  
Bronze Age ◽  
Modern Art ◽  
Traditional Culture ◽  
Traditional Art ◽  
Prehistoric Art

Modern Art of Indonesian is rich of mozaik. The result from combination of estheticekspression of traditional and non traditional. Some element can be arrange in modern art is theevolution from prehistoric art that buried from the prest. The relation from traditional art andmodern art become symbiosis. Exactly modern art has been appropriate with some genre in art,infact in comtamprorary art. There any attraction with Etnic art as reminder about the presistant asancient tradition.In papper/article has been explorated about the ekspression of tradition art wich already givea beg influence, create, and also develop any responsibility about the evolution of art in Indonesianformany years. The traditional culture have much the glories of bronze age in southeast Asia. At thebegining a sign and symbol have been stated on a cave as art, a megalith statue, and any kind oftradition motive/theme for worship of anchestral spirits. Their cultural hesitge are delicate carvingsengraved on brame ritual tools, magic carvings on war shields and elaborate ceremonial symbol fromthe bronze artifact.Keyword : Last Art, Artifact.

SUMBER SENI INDONESIA LAMA

CORAK ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Akhmad Nizam
Keyword(s):  
Southeast Asia ◽  
Bronze Age ◽  
Modern Art ◽  
Traditional Culture ◽  
Traditional Art ◽  
Prehistoric Art

Modern Art of Indonesian is rich of mozaik. The result from combination of esthetic ekspression of traditional and non traditional. Some element can be arrange in modern art is the evolution from prehistoric art that buried from the prest. The relation from traditional art and modern art become symbiosis. Exactly modern art has been appropriate with some genre in art, infact in comtamprorary art. There any attraction with Etnic art as reminder about the presistant as ancient tradition. In papper/article has been explorated about the ekspression of tradition art wich already givea beg influence, create, and also develop any responsibility about the evolution of art in Indonesianfor many years. The traditional culture have much the glories of bronze age in southeast Asia. At the begining a sign and symbol have been stated on a cave as art, a megalith statue, and any kind of tradition motive/theme for worship of anchestral spirits. Their cultural hesitge are delicate carvings engraved on brame ritual tools, magic carvings on war shields and elaborate ceremonial symbol fromthe bronze artifact.Keyword : Last Art, Artifact.

scholarly journals Primitive and Traditional Art in Modern Art Theory and Practice

2020 ◽  
Author(s):  
Marina Mikhailovna Novikova
Keyword(s):  
Subject Matter ◽  
Modern Art ◽  
Traditional Culture ◽  
Theory And Practice ◽  
Art Theory ◽  
Artistic Creativity ◽  
Traditional Art ◽  
The Subject ◽  
Symbolic Content ◽  
Formal Techniques

The article is devoted to identifying the points of contact between primitive and modern cultures. The subject matter is based on the theory and practice of artistic creativity, its origins and aesthetic potential. The article reveals the degree of influence of the figurative-semantic and symbolic content of primitive and traditional culture on modern artistic creativity: on stylistic, formal techniques, themes, images; in General, on artistic thinking.

The Bronze Age of Southeast Asia: New Insight on Social Change from Ban Non Wat

2011 ◽  
Vol 21 (3) ◽  
pp. 365-389 ◽  
Author(s):  
Charles Higham
Keyword(s):  
Southeast Asia ◽  
Bronze Age ◽  
Cultural Context ◽  
Social Impact ◽  
Eleventh Century ◽  
Southeast Asian ◽  
Copper Base ◽  
French Colonial ◽  
The 1960S ◽  
The Bronze Age

The expansion of copper-base metallurgy in the mainland of Eurasia began in the Near East and ended in Southeast Asia. The recognition of this Southeast Asian metallurgical province followed in the wake of French colonial occupation of Cambodia and Laos in the nineteenth century. Subsequently, most research has concentrated in Thailand, beginning in the 1960s. A sound chronology is the prerequisite to identifying both the origins of the Bronze Age, and the social impact that metallurgy may have had on society. This article presents the revolutionary results of excavations at the site of Ban Non Wat in northeast Thailand within the broader cultural context of Southeast Asian prehistory, concluding that the adoption of copper-base metallurgy from the eleventh century BC coincided with the rise of wealthy social aggrandizers.

scholarly journals Cultural exchanges, intergration and developmet of the chinese community in central coastal provinces

2019 ◽  
Vol 2 (4) ◽  
pp. 11-20
Author(s):  
Hop Vinh Dao ◽  
Tuyet Thi Anh Vo
Keyword(s):  
Southeast Asia ◽  
Traditional Culture ◽  
Chinese Community ◽  
International Integration ◽  
Native Communities ◽  
Geographic Position ◽  
Cultural Exchanges ◽  
Land Region ◽  
At Home

In the circumstance of the Chinesse emigrants going abroad to seek shelter and find new lands, especially southeast Asia, Dang Trong of Dai Viet kingdom has gradually become a point of arrival which attracts them strongly. Depending on geographic position of contigous sea and advantage of Dang Trong context at home and abroad, Chinese merchants and emigrants have come to the central coastal parts (especially in Quang Nam, Quang Ngai, Binh Dinh, and Phu Yen). Having settled in southeast Asia region as well as in the central part of Vietnam, Chinese emigrants have preseved their traditional culture to gain achievements in this land region. Besides, they have actively integrated into native communities, exchanging culture for prosperity and development. This paper indicates cultural exchanges, integration and development of the Hoa in the central coastal provinces in history and present, which asserts their contributions in the fields of culture, economy and society to build Vietnam nation, notably in the age of present international integration.

Bridging the time gap in the Bronze Age of Southeast Asia and Southwest China

2020 ◽  
Vol 22 ◽  
pp. 100189 ◽  
Author(s):  
Alice Yao ◽  
Valentín Darré ◽  
Jiang Zhilong ◽  
Wengcheong Lam ◽  
Yang Wei
Keyword(s):  
Southeast Asia ◽  
Bronze Age ◽  
Southwest China ◽  
Time Gap ◽  
The Bronze Age

Rediscovering the settlement system of the ‘Dian’ kingdom, in Bronze Age southern China

Antiquity ◽  
2012 ◽  
Vol 86 (332) ◽  
pp. 353-367 ◽  
Author(s):  
Alice Yao ◽  
Jiang Zhilong
Keyword(s):  
Southeast Asia ◽  
Bronze Age ◽  
Southern China ◽  
Settlement Pattern ◽  
Settlement System

Surface collection, exposed sections and the use of irrigation wells and channels enabled the authors to map the settlement pattern of the elusive Dian kingdom before it became a subsidiary of the Han empire. The pattern showed that the Dian were already hierarchical, with settlements of different sizes and a political centre in which ritual bronzes featured. The empire redrew the landscape, with settlement migrating away from the wetlands into the hills where it could oversee the routes of communication into Southeast Asia.

Historicising “Modernity” in Southeast Asia

1997 ◽  
Vol 40 (4) ◽  
pp. 391-409 ◽  
Author(s):  
Barbara Watson Andaya
Keyword(s):  
Economic Growth ◽  
Southeast Asia ◽  
Traditional Culture ◽  
Recent History ◽  
Southeast Asians ◽  
Beliefs And Practices ◽  
Historical Perspectives ◽  
Western Influence ◽  
Economic Control

AbstractThe term “modernity” implies Western influence and the weakening of beliefs and practices associated with traditional culture. Although it is increasingly used in reference to contemporary Southeast Asia because of the region's current economic growth, there seems little room for historical perspectives. This paper takes up the idea that if we broaden our understanding of modernity in Southeast Asia so that it is not restricted to recent history, we may see evidence of a modern spirit in earlier times. Although being modern became increasingly linked to Europe, Southeast Asians never rejected their own past. However the eclectic nature of “modernity” in Southeast Asia was undermined as “modern” ideas and practices came increasingly from Europe, to be inevitably associated with Europe's political and economic control.

scholarly journals Manuscript of Е. D. Prokofieva “Fishing of the Taz-Turukhansk Selkups” from the Archive of the Museum of Anthropology and Ethnography (Kunstkamera) of the Russian Academy of Sciences as a Source on the History and Ethnography of Siberia: 1920s–60s

2021 ◽  
pp. 168-180
Author(s):  
Olga B. Stepanova ◽  
Keyword(s):  
Southeast Asia ◽  
Graduate Student ◽  
Traditional Culture ◽  
Valuable Source ◽  
Russian Academy Of Sciences ◽  
East And Southeast Asia ◽  
History Of ◽  
Ethnographic Data ◽  
Academy Of Sciences ◽  
Traditional Fishing

In the archive of the Museum of Anthropology and Ethnography (Kunstkamera) of the Russian Academy of Sciences, in the collection of famous ethnographers and researchers of Siberia, employees of the MAE RAS G.N. Prokofiev and E.D. Prokofieva there is an incomplete manuscript of an article by Ekaterina Dmitrievna Prokofieva “Fishing in the Taz-Turukhansk Selkups” (AMAE, fond 6, series 1, no. 104). In the first part of the manuscript, the author provides purely ethnographic data on traditional fishing methods among the population of the Taz River, characterizing the state of fishing in the region on the eve of Soviet modernization. The second part contains information about socialist changes that had taken place in the Taza region from the 1920s to the early 1960s: the transformation of the traditional culture of the local peoples, the change in the anthropogenic landscape, and the formation of the industrial fishing. The material, on which the work is based, was collected by E.D. Prokofieva during the expedition of 1962 to the Krasnoselkup district of the Tyumen region. The expedition was her last trip to the Northern Selkups. Alongside E.D. Prokofieva in the expedition there worked a young graduate student A.M. Reshetov, in future, well-known sinologist, historian of Russian ethnography, head of the department of East and Southeast Asia, and party organizer of the MAE RAS. The materials included in the text of the manuscript were obtained from direct participants and witnesses of the events or were taken from the economic documentation available at that time in the organizations of the district. The generation of informants has since changed, and the complex of documentation with which the researcher worked has become fragmented, scattered in the archives, and partially lost. This makes the manuscript a valuable source containing rare materials on unexplored issues of ethnography and history of the Taz lands of the era of intensive Soviet transformations. The purpose of this and several previous publications by the author, written on the basis of E.D. Prokofieva’s manuscript , is to introduce into the scientific use new data on the history, ethnography, and historiography of Siberia.

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