scholarly journals Cultural Networks Italiart and Ruart: International Art Partnership

2020 ◽  
pp. 181-185
Author(s):  
E. Van Holsten ◽  
A. A. Koroleva ◽  
A. N. Nikiforova
Keyword(s):  
Modern Art ◽  
Museum Of Modern Art ◽  
Art Exhibitions ◽  
Russian Art ◽  
State Museum ◽  
Italian Art ◽  
The Difference ◽  
Reducing Costs ◽  
Academy Of Sciences ◽  
Cultural Networks

The networking format becomes the most widespread form of international cooperation in the field of culture at the present stage. First, it attracts subjects of the international market of culture and art by reducing costs and the price of implementing projects. Both previously existing organizations and new partner projects have adopted this format and transformed themselves into networks, building their structure on the principle of horizontal communications. Along with representatives of state structures and international organizations, there are networks initiated by independentexperts interested in the development of international private partnership. In 2020, the 3rd panoramic exhibition of contemporary Italian art «Italiartkremlin» will be held in the State Museum of Modern Art of the Russian Academy of Sciences. Apart from the worksof Italian masters, the exhibition will present the works of Russian artists, winners of the annual contest «My Italy» and «Italy through the eyes of Russian artists». «Italiartkremlin» is one of the projects of the ITALIART cultural network that unites the efforts of representatives of the Italian art market, as well as amateurs and collectors of contemporary Italian art in order to promote it in Russia and Europe. The partner network RUART specializes in the promotion of Russian art in the world, and especially in Northern Europe, through the organization of thematic art events, including art exhibitions, contests and seminars. The idea of sharing a single exhibition space of works of art from different countries allows to compare and see the difference between national schools and modern art concepts.

scholarly journals Anniversary solo exhibitions of Zurab Tsereteli abroad

2019 ◽  
Author(s):  
Мария Владиславовна Федорова
Keyword(s):  
Great Britain ◽  
Contemporary Art ◽  
Russian Federation ◽  
Possible Worlds ◽  
Modern Art ◽  
International Exhibition ◽  
Museum Of Modern Art ◽  
Charlie Chaplin ◽  
State Museum ◽  
The Russian Federation

Статья представляет обзор зарубежных выставокЗураба Константиновича Церетели. Зураб Церетели народный художник СССР и Российской Федерации, посол доброй воли ЮНЕСКО, президент Российской академии художеств отметил свой 85-летие в 2019 году. В течение года он представил свои скульптуры, живописные и графические работы на выставках Больше, чем жизнь (галерея Саатчи , Лондон, Великобритания), Возможные миры (Центр Гейдара Алиева, Баку, Азербайджан), Чарли Чаплин в Тифлисе (филиал Московского музея современного искусства, Тбилиси, Грузия), Персоналии Зураб Церетели (Государственный музей Лихтенштейна, Вадуц, Лихтенштейн), Монументальность (галерея D10 Art Space, Женева, Швейцария), экспозиции намеждународной выставке современного искусства АртПариж (Гран Пале, Париж), международной художественной ярмарке Art Bahrain Across Borders 2019 (Бахрейн). The article provides an overview of foreign exhibitions of Zurab Konstantinovich Tsereteli. Zurab Tsereteli, Peoples Artist of the USSR and the Russian Federation, UNESCO Goodwill Ambassador, President of the Russian Academy of Arts, celebrated his 85th birthday in 2019. During the year, he presented his sculptures, paintings and graphic works at the exhibitions More than Life (Saatchi Gallery, London, Great Britain), Possible Worlds (Heydar Aliyev Center, Baku, Azerbaijan), Charlie Chaplin in Tiflis (Branch of the Moscow Museum of Modern Art, Tbilisi, Georgia), Personalities Zurab Tsereteli (State Museum of Liechtenstein, Vaduz, Liechtenstein), Monumental (D10 Art Space Gallery, Geneva, Switzerland),expositions at the international exhibition of contemporary art ArtParis (Grand Palais, Paris), the international art fair Art Bahrain Across Borders 2019 (Bahrain).

scholarly journals Andrey Kovalchuk – Konstantin Kuzminykh: form and color

2019 ◽  
Author(s):  
Ольга Ивановна Зотова
Keyword(s):  
Modern Art ◽  
Fine Arts ◽  
Museum Of Modern Art ◽  
Heilongjiang Province ◽  
Russian Art

Выставка скульптуры Андрея Ковальчука и живописи и графики Константина Кузьминых «Форма и цвет» состоялась в Музее современного искусства г. Харбина (КНР) с 5 декабря 2018 года по 12 января 2019 года.  Это один из крупнейших художественных проектов по демонстрации российского искусства в КНР, который был представлен в столице провинции Хэйлунцзян, где последовательно развивается российско-китайское сотрудничество в области изобразительного искусства. The exhibition of Andrey Kovalchuk's sculpture and painting and drawing by Konstantin Kuzminykh «Form and color» was held at the Museum of modern art in Harbin (China) from December 5, 2018 to January 12, 2019. One of the largest art projects demonstrated Russian art in China in the capital of Heilongjiang province, where Russian-Chinese cooperation in the field of fine arts is consistently developing.

Museum of Modern Art

1962 ◽  
Vol 16 (2) ◽  
pp. 35-37
Author(s):  
Eileen Bowser
Keyword(s):  
Modern Art ◽  
Museum Of Modern Art

Ontological Laboratory in the Making: “After Year Zero” and the Resetting of Historical Imagination

2015 ◽  
Author(s):  
Anselm Franke ◽  
Annett Busch ◽  
Katarzyna Bojarska
Keyword(s):  
Modern Art ◽  
Museum Of Modern Art ◽  
Historical Imagination

A conversation between Annett Busch, Anselm Franke, and Katarzyna Bojarska about the exhibition "After Year Zero. Universal Imaginaries - Geographies of Collaboration", shown at the Museum of Modern Art in Warsaw between June and August 2015.

scholarly journals IX. An account of trigonometrical operations in the years 1821, 1822 and 1823, for determining the difference of longitude between the Royal Observatories of Paris and Greenwich

1828 ◽  
Vol 118 ◽  
pp. 153-239 ◽  
Keyword(s):  
Royal Society ◽  
Royal Academy ◽  
The Difference ◽  
Academy Of Sciences ◽  
The Church ◽  
Royal Society Of London

In the year 1790, a series of trigonometrical operations was carried on by General Roy, in co-operation with Messrs. De Cassini, Mechain, and Legendre, for the purpose of connecting the meridians of Paris and Greenwich. In England, the work commenced with a base measured on Hounslow Heath, whence triangles were carried through Hanger Hill Tower and Severndroog Castle on Shooter’s Hill, to Fairlight Down, Folkstone Turnpike, and Dover Castle on the English coast; which last stations were connected with the church of Notre Dame at Calais, and with Blancnez and Montlambert upon the coast of France. An account of these operations will be found in the Philosophical Transactions for 1790. In the year 1821, the Royal Academy of Sciences and the Board of Longitude at Paris communicated to the Royal Society of London their desire, that the operations for connecting the meridians of Paris and Greenwich should be repeated jointly by both countries, and that commissioners should be nominated by the Royal Academy of Sciences and by the Royal Society of London for that purpose. This proposal having been readily acceded to, Messrs. Arago and Matthieu were chosen on the part of the Royal Academy of Sciences, and Lieut.-Colonel (then Captain) Colby and myself were appointed by the Royal Society to co-operate with them.

The Museum of Modern Art, Rio de Janeiro

1956 ◽  
Vol 9 (2) ◽  
pp. 73-83 ◽  
Author(s):  
Affonso Eduardo Reidy
Keyword(s):  
Rio De Janeiro ◽  
Modern Art ◽  
Museum Of Modern Art
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