scholarly journals Gordinsky Stone of 1323: New Details

Author(s):  
Taisiya I. Ostanina

The study of the Gordinsky stone (grave slab) discovered by A. P. Smirnov in 1930 in Gordino village of Balezinsky District in Votyak Autonomous Oblast (presently the Udmurt Republic) is represented in the paper. The stone was regarded by scientists as the most northeastern Bolgar epigraphic monument (Ali Rahim, G. V. Yusupov, D. G. Mukhametshin, D. S. Khakimzyanov) and dated by researchers back to 1323. As a monument of archaeology, the stone was studied by local historians and archaeologists (N. G. Pervukhin, P. M. Sorokin, V. F. Gening, A. G. Ivanov, and others), and as a sacral monument of the population of Gordino village and the Tatars of the Cheptsa river basin, it was studied by ethnographers (E. V. Popova). The paper features the history of the slab’s appearance in the archaeological fund of the National Museum of the Udmurt Republic named after Kuzebay Gerd. In recent years, new material has appeared (Gordinsky II burial ground was discovered, and another fragment of the slab was found). The grave slab of the early 14th century was located on a mountain near the Gordinsky I (Guryakar) hillfort (9th – 13th centuries) where a cemetery was arranged by the first Besermyan settlers (17th – 18th centuries). The Tatars who arrived in the Besermyan village in the second half of the 19th century (possibly the Besermyans who adopted Islam) according to the Muslim tradition, proclaimed the location of the grave slab as the grave of a “saint”. The discovered fragment made it possible to clarify the text of the epitaph (add the “testimony of faith” text). A tamga mark of the slab’s manufacturer was found on the back of the fragment. The grave slab from Gordino village belongs to the Bolgar school of stone carving which has its territorial originality (the northeastern version of the gravestone steles). The paper features an attempt of its reconstruction.

2020 ◽  
Vol 8 (1) ◽  
Author(s):  
Poul Grinder-Hansen ◽  
Ulla Kjær ◽  
Morten Ryhl-Svendsen ◽  
Maria Perla Colombini ◽  
Ilaria Degano ◽  
...  

Abstract The cathedral in Odense, Denmark, has for nine centuries held the relics of the Danish King St Canute the Holy and his brother Benedikt. They were both murdered in the predecessor church at the site in AD 1086, and Canute was sanctified in already in AD 1100. The history of the relics has been that of turmoil at times, varying from initial worship of the Catholic believers, to being walled up and hidden away after the protestant reformation in AD 1536, and since the 19th Century on display as important heritage objects of national importance. In the present work we have characterised some of the textiles and analysed the air inside the glass showcases exhibiting the 11th Century wooden coffins holding the remains of St King Canute the Holy and his brother together with some precious textiles. Contrary to previous belief, we now prove that all the textiles analysed have the same age, which is consistent with the time of the enshrinement of the King and his brother in AD 1100. It is also shown that some of the textiles were treated with paraffin wax, most likely during attempts at conservation at the National Museum in the nineteenth century. The results of the air chemistry analyses show the problematic side of simultaneously storing of slowly decaying wood, fine textiles, and human bones in rather airtight environments. The wood continuously releases organic acids, the soaring concentrations of which are potentially harmful to the 11th Century textiles and probably also to the bones.


Author(s):  
Petr Benda ◽  
Eliška Fulínová ◽  
Vítězslav Kuželka ◽  
Milena Běličová

František Palacký (1798–1876), a historian and politician, was one of the most eminent personalities of the Czech society of the 19th century. He died on 26 May 1876 in Prague and on 30 May 1876, in the evening before the burial, the Palacký’s head was dissected and his brain was extracted and preserved as a liquid preparation. Then, it was deposited in the Museum of the Kingdom of Bohemia (present National Museum) in Prague; currently it is stored in a jar concealed in a wall niche of a column (next to a large statue of Palacký) in the Pantheon hall of the historical building of the National Museum on the Wenceslaus square in Prague. The investigation of the Museum archive brought some documents which elucidate certain parts of the history of the Palacký’s brain preparation, although its whereabouts during other periods still remain hidden. For several years after its extraction, the Palacký’s brain was deposited in the Museum library, and between the years 1878–1899 (most probably in 1892 at the latest), it was handed over to the Department of Zoology of the Museum, where it remained until 1931. Next fate of the brain is uncertain until 1958, when it was installed in the wall niche in the Pantheon hall, where it remains till now (with an interruption in the last five years), but again under the responsibility of the Department of Zoology and Department of Anthropology, respectively.


Ikonotheka ◽  
2018 ◽  
Vol 27 ◽  
pp. 27-54
Author(s):  
Mirosław P. Kruk

In 2011 the National Museum in Cracow received a bequest that had been specified in the last will and testament of Zofia Ruebenbauer from Ottawa. The gift was described as a 19th century Russian icon. Comparative stylistic analysis complemented by restoration work and a material study revealed an exquisite paint layer, for which analogies may be found in the mid-14th-century Greek art of the Paleologian period. The icon was probably painted in the third quarter of the 14th century in one of the centres in northern Greece including Kastoria, Veria, Mt. Athos, Thessalonike and Constantinople itself. The collection of the Byzantine Museum in Kastoria includes many icons of the holy physicians depicted in a similar pose. Iconographical details such as the surgical knives in the hands of the physicians and in the open tool case find close analogies in the 14th-century wall paintings in Peloponnese, e.g. in the Church of Saint Paraskevi (Αγία Παρασκευή, Agia Paraskevi) and Saint John Chrysostom (Άγιος Ιωάννης Χρυσόστομος, Agios Ioannes Chrisostomos) in Geraki, as well as in the Orthodox Church of the Holy Unmercenaries (Άγιοι Ανάργυροι, Agioi Anargyroi) in Nomitsi. The conclusions of the analysis regarding the icon’s provenance find indirect corroboration in the recently discovered fact that in the first half of the 19th century the work of art was owned by Haryklia Mavrocordatos-Serini, Sas-Hoszowska (1836–1906), a member of the Lvov line of the Greek princely family of Mavrocordatos. The names of her children with the exact dates of their birth appear on the reverse side of the icon. The work of art was passed down to Jerzy Ruebenbauer, who carried it away from Lvov during the Second World War, taking it first to Warsaw, where he met his future wife Zofia, and after the war to Canada via Belgium.


2018 ◽  
Vol 92 (5) ◽  
Author(s):  
Klaus Grübl

This paper investigates the history of -mente parlando, a construction that can be used in modern Italian either as a style disjunct (e. g. rigorosamente parlando ‘strictly speaking’) or as a domain adverbial (e. g. economicamente parlando ‘economically speaking’). This functional difference will be accounted for synchronically as a case of constructional polysemy, with different semantic types of adjectives (mainly relational vs non-relational) occurring in the -mente slot leading to a different reading of the whole construction. Diachronically, the constructional polysemy appears to be the result of a metonymic shift from the older STYLE reading to the newer DOMAIN interpretation. A corpus-based investigation will analyze the syntactic, pragmatic and discursive conditions from which the different uses arose. While both variants are attested from the 14th century on, a massive expansion of domain adverbials formed by -mente parlando is observed only in the first half of the 19th century, a tendency which can be explained as a new fashion for “rationalist” discourse organization and which corresponds to similar evolutions described for 19th-century English, French and Spanish.


2012 ◽  
Vol 2 ◽  
pp. 191-210
Author(s):  
Žygintas Būčys

The National Museum of Lithuania owns a small collection of Antique culture items. This article analyzes and identifies the history of three Antique vases from that collection: the ways in which they came to the museum, to whom they belonged, and what was the meaning of Antique in Lithuanian society in the first half of the 19th century. The reconstructed collection of count Adam Günther is compared with other collections of the Lithuanian aristocracy of that time. This article aims to reflect incentives, aspirations of that time collectors’, and their perception of the national country heritage as well as the common European heritage.


2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Nurman Kholis

Abstract. Many Muslims in the Riau Islands do not know the history of the development of Islamic theory from the center of power to spread to various corners. This is as the existence of the Great Mosque of Raja Haji Abdul Ghani (MBRHAG) on Buru Island, Karimun. Thus, to uncover the existence of this mosque, qualitative research methods are used so that history, architecture, and socio-religious functions can be known. Based on the results of the study it was concluded that the establishment of MBRHAG was initiated by Raja Haji Abdul Ghani. He was the first Amir (sub-district level government) of the kingdom of Riau-Lingga on Buru Island, in the 19th century. The architecture is a Chinese. Therefore, on the right side of this mosque is around 200 m, there is also the Sam Po Teng Temple and the Tri Dharma Dewa Bumi. Thus, the close location of the mosque with Chinese and Confucian worship houses's shows a harmonious relationship between Malay Muslims and Chinese Buddhists. In fact, in the continuation of this relationship there was information that a Chinese Buddhist had joined a Muslim friend to fast for half a month of Ramadan.Keywords: Mosque, Malay Muslims, Chinese Buddhists/Confucians, Harmonious RelationsAbstrak. Umat Islam di Kepulauan Riau banyak yang tidak mengenal sejarah perkembangan ajaran Islam dari pusat kekuasaan hingga tersebar ke berbagai pelosok. Hal ini sebagaimana keberadaan Masjid Besar Raja Haji Abdul Ghani (MBRHAG) di Pulau Buru, Karimun. Dengan demikian, untuk mengungkapkan keberadaan masjid ini digunakan metode penelitian kualitatif  agar dapat diketahui sejarah, arsitektur, dan fungsi sosial keagamaannya.  Berdasarkan hasil penelitian diperoleh kesimpulan bahwa pendirian MBRHAG diprakarsai oleh Raja Haji Abdul Ghani. Ia adalah Amir (pemerintah setingkat kecamatan) pertama kerajaan Riau-Lingga di Pulau Buru, pada abad ke-19. Adapun arsitekturnya adalah seorang Tionghoa. Karena itu, di sebelah kanan masjid ini sekitar 200 m juga terdapat Kelenteng Sam Po Teng dan cetya Tri Dharma Dewa Bumi. Dengan demikian, dekatnya lokasi masjid dengan rumah ibadah umat Tionghoa dan Khonghucu ini menunjukkan hubungan yang harmonis antara muslim Melayu dengan Budhis Tionghoa. Bahkan, dalam kelangsungan hubungan ini terdapat informasi seorang Buddhis Tionghoa pernah ikut temannya yang beragama muslim untuk berpuasa selama setengah bulan Ramadhan.Kata Kunci: Masjid, Muslim Melayu, Buddhis/Khonghucu Tionghoa, Hubungan Harmonis


2018 ◽  
Vol 10 (2) ◽  
pp. 74 ◽  
Author(s):  
Eric R. Scerri

<span>The very nature of chemistry presents us with a tension. A tension between the exhilaration of diversity of substances and forms on the one hand and the safety of fundamental unity on the other. Even just the recent history of chemistry has been al1 about this tension, from the debates about Prout's hypothesis as to whether there is a primary matter in the 19th century to the more recent speculations as to whether computers will enable us to virtually dispense with experimental chemistry.</span>


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