On the nature of chemistry

2018 ◽  
Vol 10 (2) ◽  
pp. 74 ◽  
Author(s):  
Eric R. Scerri
Keyword(s):  
19Th Century ◽  
The Other ◽  
Recent History ◽  
History Of Chemistry ◽  
History Of ◽  
The One ◽  
Fundamental Unity ◽  
The 19Th Century

<span>The very nature of chemistry presents us with a tension. A tension between the exhilaration of diversity of substances and forms on the one hand and the safety of fundamental unity on the other. Even just the recent history of chemistry has been al1 about this tension, from the debates about Prout's hypothesis as to whether there is a primary matter in the 19th century to the more recent speculations as to whether computers will enable us to virtually dispense with experimental chemistry.</span>

scholarly journals Kant, Nietzsche and the idealization of friendship into nihilism

2013 ◽  
Vol 54 (128) ◽  
pp. 401-417
Author(s):  
Paul van Tongeren
Keyword(s):  
19Th Century ◽  
Literary Imagination ◽  
The Other ◽  
Other Hand ◽  
History Of ◽  
The One ◽  
Articles Of Faith ◽  
The 19Th Century

Is friendship still possible under nihilistic conditions? Kant and Nietzsche are important stages in the history of the idealization of friendship, which leads inevitably to the problem of nihilism. Nietzsche himself claims on the one hand that only something like friendship can save us in our nihilistic condition, but on the other hand that precisely friendship has been unmasked and become impossible by these very conditions. It seems we are struck in the nihilistic paradox of not being allowed to believe in the possibility of what we cannot do without. Literary imagination since the 19th century seems to make us even more skeptical. Maybe Beckett provides an illustration of a way out that fits well to Nietzsche's claim that only "the most moderate, those who do not require any extreme articles of faith" will be able to cope with nihilism.

scholarly journals Patterns in the history of the commentation on the so-called ḥadīth Ibn Masʿūd

2019 ◽  
Vol 18 ◽  
pp. 137-162
Author(s):  
Thomas Eich
Keyword(s):  
19Th Century ◽  
Medical Knowledge ◽  
The Other ◽  
History Of ◽  
Diachronic Analysis ◽  
The One ◽  
The 19Th Century ◽  
Clear Line

This paper analyzes the so-called Ibn Masʿūd ḥadīth (see below) on two levels: the specific wording of the ḥadīth on the one hand and a significant portion of the commentation written about it since the 10th century until today on the other. This aims at three things. First, I will show how the ḥadīth’s exact wording still developed after the stabilization of the material in collections. Although this development occurred only on the level of single words, it can be shown that it is a reflection of discussions documented in the commentaries. Therefore, these specific examples show that there was not always a clear line separating between ḥadīth text and commentaries on that text. Second, the diachronic analysis of the commentaries will provide material for a nuanced assessment in how far major icons of commentation such as Nawawī and Ibn Ḥajar al-ʿAsqalānī significantly influenced following generations in composing their respective commentaries. Third, I will argue that in the specific case study provided here significant changes in the commentation can be witnessed since the second half of the 19th century which are caused by the spread of basic common medical knowledge in that period.

THE INFLUENCE OF ABSINTHE ON WORLD CULTURE

2021 ◽  
pp. 5-11
Author(s):  
Beloglazov I.A. ◽  
Biryukova N.V. ◽  
Nesterova N.V.
Keyword(s):  
Side Effects ◽  
20Th Century ◽  
19Th Century ◽  
The Other ◽  
Early 20Th Century ◽  
World Culture ◽  
Artemisia Absinthium ◽  
History Of ◽  
The One ◽  
The 19Th Century

The authors of the work analyzed the sources that characterize the influence of absinthe on human culture. Absinthe, an alcoholic drink containing wormwood (Artemisia absinthium L.), was banned in the early 20th century due to unusual properties attributed to the side effects of drinking this alcohol. This review contains information about the history of the drink. On the one hand, absinthe left its mark in the culture as a “muse” for the creators, remaining forever imprinted in the works of various types of art, on the other hand, it became the main enemy for the most part of society because of the harmful properties that was characterized by researchers of the 19th century.

Prosody and Meter: Twentieth Century

2021 ◽  
Author(s):  
Ben Glaser
Keyword(s):  
Native American ◽  
19Th Century ◽  
The Other ◽  
Literary Modernism ◽  
Critical Tradition ◽  
History Of ◽  
American Black ◽  
Verse Form ◽  
The One ◽  
The 19Th Century

If the 19th century was marked by competing systems, debates about how to write metrical poetry in English and disagreement over how to read and teach that poetry once written, then the 20th century was marked by first an artificial consolidation and subsequent rejection of so-called 19th-century “traditions” by the poets and critics associated with literary modernism and second, a reification of stress on the one hand (via Pound and the increased acceptance of “accentual-syllabic” verse form) and the attempt to measure verse form, in all its valences, scientifically, linguistically, and objectively (though never successfully) on the other. On the literary side, debates about “form” and value cycled throughout the century. On the linguistic side, unseating the false dominance, and abstraction, of stress as the main feature of meter was a main goal. Though overviews, histories, theories, and practical guides presented contrary paths, most focus on an unspoken concept of “the literary” as opposed to “the vernacular.” This bibliography therefore has not included a variety of work relating to particular prosodic traditions (Welsh, Irish, “African American,” Black) nor has it included the robust history of Black poetics, with its complicated relationship to the very terms “English prosody” and “English meter” and the latter’s underlying concepts of meter and rhythm. Indeed Black poetics deserves its own bibliography, as does Native American poetics, quite apart from the often exclusionary critical tradition outlined here.

Contraste, Dissonanzen, Missklänge: Zum Verhältnis von Idylle und Tourismus in literarischen Schweiz-Reisen des 19. Jahrhunderts (Ida Hahn-Hahn, Hans Christian Andersen)

2021 ◽  
Vol 50 (1) ◽  
pp. 34-56
Author(s):  
Christian Schmitt
Keyword(s):  
19Th Century ◽  
The Other ◽  
Hans Christian Andersen ◽  
The Aesthetic ◽  
The One ◽  
The 19Th Century ◽  
The Relationship

Abstract The discrepancy between common temporary expectations of Switzerland as idyll on the one hand, and the reality of its industrially organized tourism on the other, imposes irritations upon the touristic gaze. This article, then, traces the origins of this discrepancy and examines the relationship between Swiss idyll and tourism in the 19th century. The analyses of Ida Hahn-Hahn’s Eine Idylle and Hans Christian Andersen’s Iisjomfruen showcase different ways of relating idyll and tourism to one another as well as the aesthetic merit produced by this constellation.

scholarly journals PEMIKIRAN JAMALUDDIN AL-AFGHANI (JAMAL AD-DIN AL-AFGHANI) (1838 – 1897 M)

2017 ◽  
Vol 13 (1) ◽  
pp. 9-24
Author(s):  
Akmal Hawi
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
The Other ◽  
The West ◽  
Unique Position ◽  
Islamic Reform ◽  
Other Hand ◽  
The People ◽  
The One ◽  
The 19Th Century

The 19th century to the 20th century is a moment in which Muslims enter a new gate, the gate of renewal. This phase is often referred to as the century of modernism, a century where people are confronted with the fact that the West is far ahead of them. This situation made various responses emerging, various Islamic groups responded in different ways based on their Islamic nature. Some respond with accommodative stance and recognize that the people are indeed doomed and must follow the West in order to rise from the downturn. Others respond by rejecting anything coming from the West because they think it is outside of Islam. These circles believe Islam is the best and the people must return to the foundations of revelation, this circle is often called the revivalists. One of the figures who is an important figure in Islamic reform, Jamaluddin Al-Afghani, a reformer who has its own uniqueness, uniqueness, and mystery. Departing from the division of Islamic features above, Afghani occupies a unique position in responding to Western domination of Islam. On the one hand, Afghani is very moderate by accommodating ideas coming from the West, this is done to improve the decline of the ummah. On the other hand, however, Afghani appeared so loudly when it came to the question of nationality or on matters relating to Islam. As a result, Afghani traces his legs on two different sides, he is a modernist but also a fundamentalist. 

scholarly journals ROME AND CARTHAGE BY A.V. TIMOFEEV: ON THE PROBLEM OF THE GENESIS OF “HISTORICAL FANTASY” AS A GENRE VARIETY OF RUSSIAN ROMANTIC DRAMA OF THE 19TH CENTURY

2021 ◽  
pp. 142-163
Author(s):  
ARKADII MAN'KOVSKII
Keyword(s):  
19Th Century ◽  
Religious Tradition ◽  
The Other ◽  
Literary Critic ◽  
Historical Events ◽  
Romantic Drama ◽  
The One ◽  
Historical Fantasy ◽  
The 19Th Century ◽  
The Way

The paper explores the genre of scarcely studied play by Russian minor writer Alexei V. Timofeev (1812-1883) Rome and Carthage (1837). Timofeev’s contemporary literary critic Osip Senkovskii treated like poet’s failure his use of romantic techniques in the play on ancient plot. Taking into account this opinion the paper analyzes the paratextual elements in the play, the way of describing characters, the division of the play into acts, the connection of the plot events with historical facts. The paper argues that the play approaches the kind of romantic drama, which the author suggests to call “historical fantasy” Its main feature is the coexisting in the plot mythology and religious tradition, on the one hand, and historical events, on the other, the heroes of historical chronicles and the heroes of folk legends, belief in miracles and rationalism. The goal of historical fantasy is to produce a generalized image of the time, to convey the spirit of the epoch while the dramatic action takes a secondary place. Samples of the genre were given in the works of Alexander A. Shakhovskoi, Alexander I. Gertsen, Apollon N. Maikov. Timofeev’s play was just in the way to this kind of drama.

scholarly journals Opisy interiekcji w wybranych XIX-wiecznych słownikach języka polskiego

LingVaria ◽  
2021 ◽  
Vol 31 (1) ◽  
pp. 11-24
Author(s):  
Marek Kaszewski
Keyword(s):  
19Th Century ◽  
The Other ◽  
Functional Variants ◽  
Wide Range ◽  
The One ◽  
The 19Th Century ◽  
Linguistic Units

Descriptions of Interjections in Selected Polish Dictionaries from 19th Century The author of the text analyses interjections present in three Polish dictionaries from the 19th century: the dictionaries by S.B. Linde, J.S. Bandtkie and A. Osiński, which are a part of a larger linguistic collection created in order to study and describe historical Polish interjections. The article takes into account the internal diversity of the historical class of interjections in the light of the lexicographers’ attempts to describe such units. Our attention is drawn to the lack of graphical normalization of interjections in the dictionaries, as well as the inconsistency of their marking and definition on the one hand, and the wide range of functional variants on the other. Differences in the manner of presentation of interjections in these dictionaries are also taken into account. Moreover, the author emphasizes the fact that they include a large number of animal-related (hunting) interjections. The study of the dictionary materials confirmed that their authors did not work out a method of a lexicographical description of these linguistic units.

The Feminization of Etiquette Literature: Foucault, Mechanisms of Social Change, and the Paradoxes of Empowerment

1996 ◽  
Vol 39 (3) ◽  
pp. 417-434 ◽  
Author(s):  
Jorge Arditi
Keyword(s):  
United States ◽  
Social Change ◽  
19Th Century ◽  
The United States ◽  
The Other ◽  
Women’S Empowerment ◽  
Discursive Space ◽  
History Of ◽  
New Space ◽  
The 19Th Century

This paper explores the opening of a discursive space within the etiquette literature in the United States during the 19th century and how women used this space as a vehicle of empowerment. It identifies two major strategies of empowerment. First, the use or appropriation of existing discourses that can help redefine the “other” within an hegemonic space. Second, and more importantly, the transformation of that space in shifting the lines by which differentiation is produced to begin with. Admittedly, these strategies are neither unique nor the most important in the history of women's empowerment. But this paper argues that the new discourses formulated by women helped forge a new space within which women ceased being the “other,” and helped give body to a concept of womanhood as defined by a group of women, regardless of how idiosyncratic that group might have been.

Samuel Ajayi Crowther, 1806–1891

2021 ◽  
Author(s):  
Oluwatoyin Oduntan
Keyword(s):  
West Africa ◽  
Sierra Leone ◽  
19Th Century ◽  
Slave Trade ◽  
The Other ◽  
Modern State ◽  
European Colonization ◽  
History Of ◽  
Christian Missionary ◽  
The 19Th Century

The case for narrating the history of slavery and emancipation through the biography of enslaved Africans is strongly supported by the life and experiences of Samuel Ajayi Crowther. Kidnapped into slavery in 1821, recaptured and settled in Sierra Leone in 1822, he became a missionary in 1845, founder of the Niger mission in 1857, and Bishop of the Niger Mission in 1864. His life and career covered the span of the 19th century during which revolutionary forces like jihadist revolutions, the abolition of the slave trade, the rise of a new Westernized elite, and European colonization created the roots of the modern state system in West Africa. He was intricately tied to the Christian Missionary Society (CMS), Britain’s antislavery evangelical movement, resulting in Ajayi becoming the poster face of slavery, its acclaimed product of abolitionism, the preeminent advocate of evangelical emancipation, and the organizer of practical emancipation in West Africa. The leader of a very small group of Africans who worked diligently against the slave trade and domestic slavery, Ajayi also became a victim of the use of that agenda by imperialists. Thus, the contrasts of his life (i.e., slavery/freedom, nationalist/hybrid, preacher/investor, leader/weakling, linguist/literalist, etc.) were celebrated by himself, his patrons, and his evangelical followers on one hand, and denounced by his critics on the other. They underline the disagreements over his legacy, and indeed over the understanding of the institution of slavery, abolition, and emancipation in West Africa.

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