scholarly journals Modele świadectwa: "prze-pisywanie literatury Holokaustu"

2018 ◽  
Vol 17 ◽  
pp. 250-256
Author(s):  
Joanna Nazimek
Keyword(s):  
Critical Discussion ◽  
Holocaust Literature ◽  
Testimonial Literature ◽  
Primo Levi ◽  
The Holocaust ◽  
The Status

Models of testimony: “re-writing the Holocaust literature”AbstractThe article is a critical discussion of Pawel Wolski’s treatise titled Tadeusz Borowski – PrimoLevi. Prze-pisywanie literatury Holocaustu (Warsaw 2013). It is setting out selected aspects oftraversing of the researcher from Szczecin by considering the status of testimony literature.Also there is an emphasis put on the phenomenon of profiling using forms of utterancesin Holocaust discourse. The article shows two distinct strategies (analyzed by Wolski) ofautomodeling of writers’ own utterances: “towards” (Tadeusz Borowski) and “accordingto” (Primo Levi) preferred model of testimony shaped under the influence of contemporarypublic debate.Keywords: Tadeusz Borowski, Primo Levi, testimonial literature, Holocaust discourse

Widerfahrnisse. Dimensionen der Passivität und der Anonymität im Handlungsgeschehen

2011 ◽  
Vol 2011 (1) ◽  
pp. 61-87 ◽  
Author(s):  
Kerstin Andermann
Keyword(s):  
Critical Discussion ◽  
Philosophical Tradition ◽  
Transcendental Subjectivity ◽  
The Status

The discussion over the befallenness (Widerfahrnis) of experience illustrates how the philosophical tradition has substantially assumed an active and conscious subject. The constitutive meaning of the pre-egoistic and passive, anonymous dimensions of perception and agency become apparent through what befalls us, what we are suffering from, through befallenness, accidentalness and events beyond our control. This article deals with the status of the sovereign subject through a critical discussion of the principles of intentionality and the constitution of world in transcendental subjectivity, showing the development of phenomenology, above all between Husserl and Merleau-Ponty, as emphasising passivity and anonymity.

Le rôle de l’armée juive dans la libération de Juifs en France 1942 - 1945

2019 ◽  
Vol 3 ◽  
pp. 00007
Author(s):  
B Dewi Puspitaningrum ◽  
Airin Miranda
Keyword(s):  
Second World War ◽  
Historical Research ◽  
World War ◽  
French Army ◽  
German Occupation ◽  
The Holocaust ◽  
The Status ◽  
Jews In France ◽  
State Of Israel ◽  
Second World

<p class="Keyword">Nazi Germany used Endlösung to persecute Jews during the Second World War, leading them to the Holocaust, known as “death”. During the German occupation in France, the status of the Jews was applied. Polonski reacted to the situation by establishing a Zionist resistance, Jewish Army, in January 1942. Their first visions were to create a state of Israel and save the Jews as much as they could. Although the members of the group are not numerous, they represented Israel and played an important role in the rescue of the Jews in France, also in Europe. Using descriptive methods and three aspects of historical research, this article shows that the Jewish Army has played an important role in safeguarding Jewish children, smuggling smugglers, physical education and the safeguarding of Jews in other countries. In order to realize their visions, collaborations with other Jewish resistances and the French army itself were often created. With the feeling of belonging to France, they finally extended their vision to the liberation of France in 1945 by joining the French Forces of the Interior and allied troops.</p>

Out of the Whirlwind Reconsidered

2020 ◽  
Vol 53 (2) ◽  
pp. 1-12
Author(s):  
Michael Berkowitz
Keyword(s):  
United States ◽  
The United States ◽  
Personal History ◽  
Historical Writing ◽  
Holocaust Literature ◽  
The Holocaust ◽  
History Of ◽  
Mutual Accountability ◽  
Union College

This article argues that Albert Friedlander’s edited book, Out of the Whirlwind (1968), should be recognised as pathbreaking. Among the first to articulate the idea of ‘Holocaust literature’, it established a body of texts and contextualised these as a way to integrate literature – as well as historical writing, music, art and poetry – as critical to an understanding of the Holocaust. This article also situates Out of the Whirlwind through the personal history of Friedlander and his wife Evelyn, who was a co-creator of the book, his colleagues from Hebrew Union College, and the illustrator, Jacob Landau. It explores the work’s connection to the expansive, humanistic development of progressive Judaism in the United States, Britain and continental Europe. It also underscores Friedlander’s study of Leo Baeck as a means to understand the importance of mutual accountability, not only between Jews, but in Jews’ engagement with the wider world.

‘Anti-Fascist Literature’ as Holocaust Literature?

2019 ◽  
pp. 409-426
Author(s):  
Richard S. Esbenshade
Keyword(s):  
Second World War ◽  
Holocaust Literature ◽  
World War ◽  
The Holocaust ◽  
Political Conditions ◽  
Second World

THE long-accepted, fairly universal idea of a ‘great silence’ on the Holocaust in general, and in Hungary in particular, extending from the end of the Second World War until the Eichmann trial, has recently been challenged.1 The return or emergence from hiding of survivors quickly led to an explosion of Holocaust literature. Before the communist takeover, in the midst of difficult material and turbulent political conditions, Jenő Lévai and others published collections of documents;...

Reading Ngũgĩ Reading Conrad

2018 ◽  
pp. 55-80
Author(s):  
Mark Wollaeger
Keyword(s):  
Joseph Conrad ◽  
Theoretical Models ◽  
Critical Discussion ◽  
Ngugi Wa Thiong'o ◽  
Postcolonial Criticism ◽  
The Status ◽  
The Mind ◽  
The Relationship ◽  
Center Periphery

This chapter considers points of intersection between Ngũgĩ wa Thiong’o and Joseph Conrad. By Ngũgĩ’s own account, his rewriting of Conrad’s Under Western Eyes (1911) as A Grain of Wheat (1967) triggered a crisis of audience that ultimately led him to abandon English for his native Gikuyu. To further complicate the question of influence, Wollaeger also examines the relationship between two works of nonfiction: Conrad’s A Personal Record (1912) and Ngũgĩ’s Decolonizing the Mind (1986). At the heart of Ngũgĩ’s attempt to fashion premodern tribalism into a utopian space are two problems that still animate critical discussion. What is the status of the local and the indigenous? Does attention to influence reinstate a center-periphery model in postcolonial criticism? This chapter shows the extent to which Conrad and Ngũgĩ both anticipate and generate theoretical models later used to articulate modernism and postcolonialism as fields of inquiry.

scholarly journals Shirley Jackson’s “The Lottery” and Holocaust Literature

Humanities ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 35 ◽  
Author(s):  
Michael Robinson
Keyword(s):  
Personal Experience ◽  
Ethnic Difference ◽  
Historical Context ◽  
Critical Discourse ◽  
Holocaust Literature ◽  
Horror Genre ◽  
Anti Semitism ◽  
Theodor Adorno ◽  
The Holocaust ◽  
The Us

Shirley Jackson’s “The Lottery” has been notorious since its first publication in 1948, but rarely, if ever, has it been read in light of its immediate historical context. This essay draws on literature, philosophy, and anthropology from the period to argue that Jackson’s story, which scholars have traditionally read through the lens of gender studies, invokes the themes of Holocaust literature. To support this argument, the essay explores imaginative Holocaust literature from the period by David Rousset, whose Holocaust memoir The Other Kingdom appeared in English translation in 1946, anthropological discourse from the period on scapegoating and European anti-Semitism, and critical discourse on the Holocaust and anti-Semitism from the period by Hannah Arendt and Theodor Adorno. The analysis finds that, in representing the phenomena of scapegoating and death selection in a small town in the US, Jackson’s story belongs to an abstract discourse on Holocaust-related themes and topics that was actively produced at midcentury, as evidenced partly by Rousset’s influential memoir. A master of the horror genre, Jackson could have drawn on her own experience of anti-Semitism, along with her known interest in the study of folklore, to contribute this chilling representation of the personal experience of death selection to a discourse on Holocaust-related themes. As this article shows, the abstract discourse Jackson’s story joined is marked by skepticism about or disinterest in ethnic difference and anthropological concepts. Due to the fact that this article features comparative analysis of Holocaust literature, a sub-topic is the debate among scholars concerning the ethics of literary representation of the Shoah and of analysis of Holocaust memoir. Jackson’s story and its context invoke perennially important questions about identity and representation in discourse about the Shoah and anti-Semitism.

Ideologies of Gender on Television in India

2002 ◽  
Vol 9 (1) ◽  
pp. 1-26 ◽  
Author(s):  
Divya C. Mcmillin
Keyword(s):  
Narrative Analysis ◽  
Nation Building ◽  
Critical Discussion ◽  
Status Quo ◽  
Female Leadership ◽  
Prime Time ◽  
Analysis Method ◽  
National Network ◽  
Content Analyses ◽  
The Status

Content analyses of Indian television programmes on the national network Doordarshan in the 1980s have shown that prime-time shows cast women as docile homemakers and as objects of male desire. This paper uses a critical postcolonial theoretical framework and narrative analysis method to detect ideologies of gender from programmes randomly selected from a month's menu of the transnational, national and regional television networks in the country. A broad conclusion is that Indian television in the late 1990s perpetuates, across channels, the 1980s' stereotypical images of women, images that have their roots in Vedic, colonial, and nationalist literature. The status quo is explained through a critical discussion of the framing of 'woman' in colonial and postcolonial nation-building efforts. The paper also points to the emerging genre of hybrid programming, where the greater incidence of female veejays and talk show hosts paves the way for the expression of female leadership and desire, and leads to more positive television portrayals of women in the 21st century.

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