scholarly journals Carlos Hernán García o "Canán": Una imaginación desbordada por los sueños

2014 ◽  
Vol 1 (18) ◽  
pp. 121
Author(s):  
Jaime Ruíz Solórzano

Cuando nos hablan de los sueños hechos imágenes a través de las artes visuales, nuestro recuerdo trae a la mente las obras de los artistas europeos y latinoamericanos que han trabajado dentro de la tendencia verista del surrealismo; es decir, aquellas obras que podemos asociar con elementos y seres de nuestro mundo circundante. Tal es el caso de Salvador Dalí, Rene Magritte, Paul Delvaux, Max Ernest, María Izquierdo, Frida Kahlo, Mercedes Varo, Leonora Carrington, Leonor Fini o el pintor huilense Filomeno Hernández.

2017 ◽  
pp. 46-64
Author(s):  
Susan Feleman

Figurative sculpture had a special status within the visual universe of Surrealism. Iconographically, statues are a prominent element in the dreamlike spaces of Giorgio de Chirico’s paintings of 1913–14 that so enchanted André Breton and friends after the end of the war and became among the first and most paradigmatic images associated with the movement. Statues appear in many other Surrealist paintings, including those of Salvador Dalí, where, although they might stand on plinths or pedestals, they equivocate between the appearance of inanimate and living bodies, through the impression of liquidity and putrefaction that infects all his visions. In Surrealist collages, too, bodies are often rendered equivocally sculptural through fragmentation, for instance in photographic or printed images of the female nude rendered headless or otherwise dismembered to resemble antiques, in the works of Max Ernst and others. René Magritte, Paul Delvaux, Man Ray, Pierre Boucher, Picasso, and Jean Cocteau, among others associated with Surrealism, also incorporated statuary into their paintings, drawings, and photographs.


Author(s):  
Annbritt Palo ◽  
Anna Nordenstam

AbstractThis article highlights the interpictorality in two YA books by the Swedish writer and illustrator Anna Höglund, Om detta talar man endast med kaniner [This Is Something You Only Talk About with Rabbits] (2013) and Att vara jag [To Be Me] (2015). The analysis of the visual intertextuality between pieces of artwork by Peter Tillberg, Frida Kahlo, Lena Cronqvist, Richard Bergh and René Magritte and five pictures from Höglund’s books thematises school, body and identity. The discursive positioning in the artworks and in Höglund’s pictures directs the readers in their decoding of Höglund’s text, offers possibilities in their interpretations and challenges the adolescent readers to make connections across different formats, such as text and image, and between different images.


2005 ◽  
Vol 46 (112) ◽  
pp. 442-457
Author(s):  
Virginia Figueiredo

Partindo do quadro de René Magritte, La trahison des images (Ceci n'est pas une pipe), este texto pretende tecer um comentário sobre as relações entre arte e realidade. Visando esse objetivo, tentarei interpretar a obra do pintor belga à luz do ensaio heideggeriano sobre a "Origem da obra de arte", não sem antes passar em revista alguns resultados da análise contida no livro de Michel Foucault, assim como algumas reflexões do filósofo da arte norte-americano Arthur Danto.


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