scholarly journals “Stories that go on and on”: Transformative Resilience against Gender Violence in Tishani Doshi’s Girls Are Coming out of the Woods

Author(s):  
Jorge Diego Sánchez ◽  

Tishani Doshi’s Girls Are Coming out of the Woods (2017) details the gender violences inflicted against women in India and the world to promote consciousness-raising, resistance, and subversion against interlocking systems of patriarchal power based on economy, ethnicity and gender. In this paper I firstly propose that Doshi promotes a transformative mode of resilience that guarantees socio-politic change rather than acceptance and submission. Secondly, I reflect on how Doshi’s description of the fear and gender violences systemically inflicted on women unveil counter-stories that exceed the portrayal of women as victims. Finally, I propose that Doshi’s presentation of resilient bodies embraces the interplanetary possibilities of creating constellations of co-resistance that allow the world to go forward instead of leaning back.

2004 ◽  
Vol 66 ◽  
pp. 57-77 ◽  
Author(s):  
Donna Gabaccia ◽  
Franca Iacovetta ◽  
Fraser Ottanelli

A decade-long project on the migration of Italian laborers around the world during the nineteenth and twentieth centuries points to the methodological challenges, theoretical debates, and some of the rewards of transnational analysis of class, ethnicity, and gender in the making of modern national states. Analyses of internationally mobile laborers historicize current transnational studies, problematize the historiography of national groups, and reveal how profoundly—and usually also how “nationally”—every multiethnic nation-state understood relations among ethnicity, race or color, class, and gender.


2008 ◽  
pp. 3592-3603
Author(s):  
Anil Shaligram

At “One Village One Computer Campaign” (1V1C) in India we are resolved to tackle the gender question using information technology. The strategic slogan is “Age old problems, Youthful movement”. Gender equality is sought in the context of the fight against a digital divide that is expressed through the problems of underdevelopment and exclusion. The approach is based on introduction of organizational innovations to raise human capital and social capital in the rural communities and connect them with each other and the world over through a knowledge network. In the hands of women, this becomes a weapon to fight against gender inequality and discrimination. Through the use of information technology, a community centric approach can help rural India to combat social problems. In contemporary times where information, knowledge is the key to development and progress, IT can be used to combat the development concerns of rural India, while keeping local communities and their involvement and empowerment at the forefront of the process. As a technology IT is best suited for the “gendered” sex to empower themselves with education, information, knowledge, skills and so forth, and connect themselves with other rural communities and overcome physical isolation through IT network. For resolution of gender problem, individualized IT empowerment has extremely marginal relevance, whereas tele-center like models based on private proprietorship has also very little success. IT Enabled Women’s Social Network can be a solution in bridging the digital divide and gender problem. 1V1C campaign shows that it is possible to build such networks in remote villages and reach the most downtrodden and even illiterate women.


2021 ◽  
Author(s):  
Michelle Wong ◽  
John Shiga

In an age of technology, screens are all around us and hold great power in the shaping of public opinion and thought. The United States of America is the largest film industry in the world in terms of global box office revenue. Statistics show that in 2018, the United States had a gross box office revenue of 11.08 billion US dollars making it the leading film market in the world (Watson, 2019). American cinema has a strong influence on society’s notion of identity and what is accepted as the norm. This major research paper (MRP) uses a critical analysis of popular romantic comedies and coming of age films over the past four decades to explore the portrayal of masculinity as represented in Asian male characters within American cinema. Through the analysis of the films Sixteen Candles (1984), Joy Luck Club (1993), and Crazy Rich Asians (2018), I explore the traditional representation of hegemonic masculinity, the common elements of dominant portrayals of Asian men in American cinema, and how these portrayals have changed over time. This study examines the intersections of race, ethnicity, and gender drawing from a theoretical framework based on concepts of power and hegemony which shape mainstream notions of what being a man in society “really” means.


Author(s):  
Michael Newman

Socialism: A Very Short Introduction looks at the history of socialism and its contemporary relevance. Is socialism an outdated ideology today? This VSI provides an overview of socialism’s origins, its relationships to communism and social democracy, its different manifestations around the world and throughout history, and its intersections with issues of ethnicity and gender. Examples of the practical implementation of socialist values are provided by case studies of social democracy in Sweden and communism in Cuba. The rise of the ‘New Left’ midway through the 20th century included feminist and green movements, followed up by radical anti-capitalist and climate justice protests and political movements.


2021 ◽  
Author(s):  
Michelle Wong ◽  
John Shiga

In an age of technology, screens are all around us and hold great power in the shaping of public opinion and thought. The United States of America is the largest film industry in the world in terms of global box office revenue. Statistics show that in 2018, the United States had a gross box office revenue of 11.08 billion US dollars making it the leading film market in the world (Watson, 2019). American cinema has a strong influence on society’s notion of identity and what is accepted as the norm. This major research paper (MRP) uses a critical analysis of popular romantic comedies and coming of age films over the past four decades to explore the portrayal of masculinity as represented in Asian male characters within American cinema. Through the analysis of the films Sixteen Candles (1984), Joy Luck Club (1993), and Crazy Rich Asians (2018), I explore the traditional representation of hegemonic masculinity, the common elements of dominant portrayals of Asian men in American cinema, and how these portrayals have changed over time. This study examines the intersections of race, ethnicity, and gender drawing from a theoretical framework based on concepts of power and hegemony which shape mainstream notions of what being a man in society “really” means.


Author(s):  
Anil Shaligram

At “One Village One Computer Campaign” (1V1C) in India we are resolved to tackle the gender question using information technology. The strategic slogan is “Age old problems, Youthful movement”. Gender equality is sought in the context of the fight against a digital divide that is expressed through the problems of underdevelopment and exclusion. The approach is based on introduction of organizational innovations to raise human capital and social capital in the rural communities and connect them with each other and the world over through a knowledge network. In the hands of women, this becomes a weapon to fight against gender inequality and discrimination. Through the use of information technology, a community centric approach can help rural India to combat social problems. In contemporary times where information, knowledge is the key to development and progress, IT can be used to combat the development concerns of rural India, while keeping local communities and their involvement and empowerment at the forefront of the process. As a technology IT is best suited for the “gendered” sex to empower themselves with education, information, knowledge, skills and so forth, and connect themselves with other rural communities and overcome physical isolation through IT network. For resolution of gender problem, individualized IT empowerment has extremely marginal relevance, whereas tele-center like models based on private proprietorship has also very little success. IT Enabled Women’s Social Network can be a solution in bridging the digital divide and gender problem. 1V1C campaign shows that it is possible to build such networks in remote villages and reach the most downtrodden and even illiterate women.


2004 ◽  
Vol 178 ◽  
pp. 518-519
Author(s):  
Rachel Harris

An enjoyable overview of the world of pop, rock and politics in Beijing, accessible for students of Chinese culture and popular music studies. This is an area that has been exceptionally well covered in the literature, and Baranovitch's claim to originality lies mainly in his focus on ethnicity and gender. The overview of the development of pop from 1978–97 does a useful job of drawing together the various strands, though most of this is very familiar from the writings of Geremie Barmé, Andrew Jones et al. We begin with the introduction of Gangtai (Hong Kong and Taiwan pop) to the mainland, led by Deng Lijun whose ‘coquettish nasal slides,’ Baranovitch rightly suggests, were more truly subversive in China in 1978 than any of the subsequent rock and punk styles. Baranovitch chronicles the rise of the xibeifeng, the Shaanbei folk-infused rock style, linking it into the xungun roots movement and Tiananmen. An interesting section on qiuge or ‘prison songs,’ popular in 1988, explores somewhat less well-known territory. We follow the rise of the commercial, the karaoke craze and Mao fever, and the co-option of at least some of the rebellious rockers by the state. Baranovitch enthusiastically reveals the significance of music in the political arena, and its ability to prefigure, even shape the political.


2009 ◽  
Author(s):  
Erin Winterrowd ◽  
Silvia Canetto ◽  
April Biasiolli ◽  
Nazanin Mohajeri-Nelson ◽  
Aki Hosoi ◽  
...  

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