The June 24 Elections: On Political Change and the Future of Turkey

2018 ◽  
Vol 20 (4) ◽  
pp. 67-80 ◽  
Author(s):  
Ali Yaşar Sarıbay
Keyword(s):  
1975 ◽  
Vol 10 (3) ◽  
pp. 294-305 ◽  
Author(s):  
Gordon Smith

AS A WAY OF REACHING IMPORTANT POLITICAL DECISIONS, THE referendum is usually regarded as a clumsy and unsatisfactory instrument and quite unimportant as a contribution to political democracy. Yet widespread demands for more participation ‘by the people’ have brought the referendum into new-found favour. Interest has been rekindled too by its application to the issue of membership of the European Community, with the clear possibility of directly comparing the referenda in the four countries involved. This new interest in the referendum comes at a time when many party systems, the traditional supports of a purely parliamentary democracy, appear to be in disarray, and there are signs of increasing volatility within electorates which can foreshadow basic realignments in party systems. Questions now are naturally being raised about the future ordering of democratic politics, and for this reason it seems justifiable to focus an examination of the referendum especially on the problem of political change.


Author(s):  
Lars Schmeink

Chapter 6 discusses the TV series Heroes as more optimistic in its depiction of the social consequences of posthuman evolution than the other texts analyzed. The show's premise of posthumanity as a result of evolutionary mutation reflects radical changes in subjectivity not onto an elite few, as in classic superhero narratives, but onto the everyday man. The series consequently emphasizes the potential of the posthuman condition as a catalyst for global social and political change – a solution to the 'big issues' that elude the current institutions of power. The posthuman becomes the site of struggle over the potential changes to the future, in effect over the concept of utopia. In contrasting dystopian futures with the present possibility of change through posthumanity, the show allows a utopian space to emerge, in which global issues such as the war on terror can be solved and attacks such as those on 9/11 could be prevented. In this, Heroes returns to humanist notions and concepts of history as events shaped by exceptional individuals, while at the same time complicating them with communal images of a cooperative and interconnected posthuman subjectivity.


2020 ◽  
Vol 3 (1) ◽  
pp. 52-67
Author(s):  
Syned Mthatiwa

Francis Moto is a Malawian writer who has published poetry both in vernacular (Chichewa) and in English. His poetry in English appears in a collection titled Gazing at the Setting Sun published in 1994, the year Malawians voted Dr Hastings Kamuzu Banda and his Malawi Congress Party (MCP) out of power. Besides recording the suffering of Malawians during the autocratic leadership of the first post-independence president, Dr Banda, and remembering the author's childhood experiences, the poetry also celebrates Malawi's political transformation from one party rule to multiparty democracy in the early 1990s. In the poems, Moto also looks to the future with a sense of hope for a better society where human rights and the rule of law will be respected. This article analyses Moto's poems with the aim of celebrating his successes as a poet. This is done by focusing on his more successful poems in terms of style. It is argued in this article that the success of some of Moto's poems in Gazing at the Setting Sun depends on his allusions to and evocations of dictatorship and political change in Malawi. These evocations and allusions depend on his imagery and choice of words and expressions. In the analysis of the poems, close reading with a particular focus on style is done. The discussion is in two parts. The first part discusses Moto's poems that allude to the dictatorial reign of Dr Banda in Malawi and the second part provides a discussion of Moto's imagery in relation to his evocation of political change.


2019 ◽  
Vol 6 (1-2) ◽  
pp. 3-18 ◽  
Author(s):  
Ewa Bińczyk

Nineteen years after Stoermer’s and Crutzen’s proposal, the article poses questions regarding the sources of the captivating uniqueness dwelling in the idea of the Anthropocene and in the debate surrounding it. The distinctiveness of the Anthropocene debate is elucidated in seven points. These points discuss: (1) a shocking confrontation of timeframes, (2) the drama surrounding the risk of losing the future, (3) a bold reinterpretation of the basic philosophical concepts, (4) the unification of different disciplines around a common research agenda, (5) the central problem of irreversibility, (6) the eschatological dimension of the debate, (7) the vision of the debate as a warning and a catalyst for political change.


2004 ◽  
Vol 83 (5) ◽  
pp. 180 ◽  
Author(s):  
L. Carl Brown ◽  
Nora Bensahel ◽  
Daniel L. Byman

Author(s):  
Thomas J. Brown

This chapter situates northern and southern monuments to Civil War victory within longstanding traditions in art history. The triumphal arch came to the United States after the war. Proposals for arches framed debates about the future of antebellum landscapes like town commons and parade grounds, and arches also figured prominently in the shaping of public parks, largely a key feature of post-war urban planning. Increasingly sexualized statues of Nike, or Winged Victory, imagined Union triumph as a more comprehensive consummation than the most renowned successes of antiquity. Early attempts to represent peace incorporated a foundation in social or political change, but peace gradually converged with martial victory. The shift in Union memorials from regeneration to self-congratulation paralleled the rise of Confederate victory memorials. These works partly celebrated the overthrow of Reconstruction and consolidation of white supremacism but also illustrated a deepening national reluctance to engage in critical introspection.


Soundings ◽  
2009 ◽  
Vol 43 (43) ◽  
pp. 65-76
Author(s):  
Roshi Naidoo
Keyword(s):  

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