scholarly journals Looking at the Works of Alice Tawhai: An Argument for Māori Literary Nationalism

2021 ◽  
Author(s):  
◽  
Charlie Holland

<p>Contemporary Māori writer Alice Tawhai has published two collections of short stories, Festival of Miracles (2005) and Luminous (2007). Tawhai's narratives portray Māori people living an array of diverse lifestyles and her collections include stories about isolation, gangs, substance abuse, identity, education, art and spirituality; her work has been reviewed in literary magazines and online as new fiction that reflected a contemporary society in Aotearoa and these literary reviews imply that Tawhai's stories are a reflection of Māori people. For Māori readers, Tawhai's narratives demand a different interpretation of the text, a different way of reading, in order to read these stories of their own merits. To this end, this thesis proposes a practice for reading called 'Māori literary nationalism' which is based on a book called, American Indian Literary Nationalism whose proposed literary practice can be suitably adapted for a Maori literary context. One of the most important components of Maori literary nationalism is the idea of keeping Māori as the central focus, analyzing Māori literature with an insider's view. Māori literary nationalism provides a space for Māori readers to discuss literature, exchange ideas and encourage dialogue amongst each other. More importantly Māori literary nationalism offer Māori readers an opportunity to read Alice Tawhai's work in a way that foregrounds the uniqueness of her short stories.</p>

2021 ◽  
Author(s):  
◽  
Charlie Holland

<p>Contemporary Māori writer Alice Tawhai has published two collections of short stories, Festival of Miracles (2005) and Luminous (2007). Tawhai's narratives portray Māori people living an array of diverse lifestyles and her collections include stories about isolation, gangs, substance abuse, identity, education, art and spirituality; her work has been reviewed in literary magazines and online as new fiction that reflected a contemporary society in Aotearoa and these literary reviews imply that Tawhai's stories are a reflection of Māori people. For Māori readers, Tawhai's narratives demand a different interpretation of the text, a different way of reading, in order to read these stories of their own merits. To this end, this thesis proposes a practice for reading called 'Māori literary nationalism' which is based on a book called, American Indian Literary Nationalism whose proposed literary practice can be suitably adapted for a Maori literary context. One of the most important components of Maori literary nationalism is the idea of keeping Māori as the central focus, analyzing Māori literature with an insider's view. Māori literary nationalism provides a space for Māori readers to discuss literature, exchange ideas and encourage dialogue amongst each other. More importantly Māori literary nationalism offer Māori readers an opportunity to read Alice Tawhai's work in a way that foregrounds the uniqueness of her short stories.</p>


1978 ◽  
Vol 7 (1) ◽  
pp. 3-5
Author(s):  
Sipho Sepamla

One of the most interesting of South African poets, Sipho Sepamla recently published his third collection of verse, The Soweto I Love (Rex Collings, London and David Philip, Cape Town). A teacher by training, he now works for an East Rand company; apart from poetry he also writes short stories and edits two literary magazines. In an interview with the novelist Stephen Gray, broadcast last June by the African Service of the BBC, Sepamla discussed the problems of presentday Black writers in South Africa, showing why poets have now become the chief spokesmen for Black consciousness, represented in earlier years by writers of fiction.


1983 ◽  
Vol 53 (1) ◽  
pp. 147-150
Author(s):  
K. T. Strongman

285 short stories from New Zealand and Australian literary magazines were content analyzed with respect to the main emotion or emotions portrayed. Analysis showed that there was far more concern with negative than with positive emotion, although this differed within the two countries surveyed. Also, certain emotions stand out as being of major concern. Results are discussed in terms of the reflection of emotion in the writers of psychology and of fiction and also with respect to possible differences in national character.


1987 ◽  
Vol 22 (9) ◽  
pp. 869-879 ◽  
Author(s):  
Lewayne D. Gilchrist ◽  
Steven Paul Schinke ◽  
Joseph E. Trimble ◽  
George T. Cvetkovich

2004 ◽  
Vol 130 (2) ◽  
pp. 304-323 ◽  
Author(s):  
Elizabeth H. Hawkins ◽  
Lillian H. Cummins ◽  
G. Alan Marlatt

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