Repair tables, broken vacuum cleaners and posters: Weaving new worlds together in response to breakdowns

When people decide to gather and repair broken devices together, it seems obvious that repairers and visitors gain all kinds of instrumental competences (e.g. repair knowledge, skills, and attitudes) and that they can also experience deeply a transformative learning process about, for example, the need to keep planetary boundaries within the sustainable limits of life. In this article we approach the educational dimension of repair cafés differently and sketch the outlines of a minor public pedagogy. We analyze repair cafés as situated and entangled assemblages of both human and non-human actors; assemblages that are always very local and that need to be analyzed as specific, designated places—and times—where something is at stake. The central focus of this article is on substantiating this notion of a minor public pedagogy by offering a detailed analysis of the particular pedagogic moments that emerge in these encounters between humans and things. The navigational capacity of this public pedagogy is minor in nature as it doesn’t create clear signposts of where to go as humans. Instead, it engenders many moments of and propels humans into a sensory sensitivity for inhabiting the world in the here-and-now.

What About Us?

This article outlines the research being undertaken to develop the Assembling Queer Displacements Archive (AQDA). This open digital archive is the central focus of a research project that will address the lack of understanding of LGBTIQ+[i] experiences of forced displacement. These experiences are unique but have not received adequate attention. The existing body of work on ‘queering archives’ has been focused on challenging the archival approaches and practices in order to either queer these practices and/or make them more inclusive. However, this work has tended to ignore LGBTIQ+ stories of forced displacement. One reason for this lack of engagement is the lack of direct knowledge and experience of such stories by the researchers and archivists themselves. My positionality as an LGBTIQ+ forcibly displaced person has motivated me to embark on the present research project and to demonstrate inclusive practices to address these gaps in archives. In this article I explore the role that positionality plays in creating an LGBTIQ+ forced displacement archive. I offer solutions for creating an inclusive practice to collect stories of LGBTIQ+ forcibly displaced people. These solutions have the potential to support a range of digital archival projects that engage with structurally marginalised and oppressed communities. [i] It is important to acknowledge that LGBTIQ+ acronym is a Western terminology, which has become adopted in non-western countries for a variety of reasons (Anzaldua, 2009). These reasons include this terminology being a legacy of colonisation, a potential lack of respectful terminology in country languages and out of necessity to adopt commonly used language when engaging globally. These reasons are not limited to those above and may vary in different contexts. When using a term ‘LGBTIQ+’ in this article I am referring to the diversity of sex, gender, sexual orientation, bodies and relationships. The ‘plus’ sign in the acronym signals fluidity and further possible identifications.

Integrative Approach Uncovers New Patterns of Ecomorphological Convergence in Slow Arboreal Xenarthrans

Identifying ecomorphological convergence examples is a central focus in evolutionary biology. In xenarthrans, slow arboreality independently arose at least three times, in the two genera of ‘tree sloths’, Bradypus and Choloepus, and the silky anteater, Cyclopes. This specialized locomotor ecology is expectedly reflected by distinctive morpho-functional convergences. Cyclopes, although sharing several ecological features with ‘tree sloths’, do not fully mirror the latter in their outstandingly similar suspensory slow arboreal locomotion. We hypothesized that the morphology of Cyclopes is closer to ‘tree sloths’ than to anteaters, but yet distinct, entailing that slow arboreal xenarthrans evolved through ‘incomplete’ convergence. In a multivariate trait space, slow arboreal xenarthrans are hence expected to depart from their sister taxa evolving toward the same area, but not showing extensive phenotypical overlap, due to the distinct position of Cyclopes. Conversely, a pattern of ‘complete’ convergence (i.e., widely overlapping morphologies) is hypothesized for ‘tree sloths’. Through phylogenetic comparative methods, we quantified humeral and femoral convergence in slow arboreal xenarthrans, including a sample of extant and extinct non-slow arboreal xenarthrans. Through 3D geometric morphometrics, cross-sectional properties (CSP) and trabecular architecture, we integratively quantified external shape, diaphyseal anatomy and internal epiphyseal structure. Several traits converged in slow arboreal xenarthrans, especially those pertaining to CSP. Phylomorphospaces and quantitative convergence analyses substantiated the expected patterns of ‘incomplete’ and ‘complete’ convergence for slow arboreal xenarthrans and ‘tree sloths’, respectively. This work, highlighting previously unidentified convergence patterns, emphasizes the value of an integrative multi-pronged quantitative approach to cope with complex mechanisms underlying ecomorphological convergence.

Voluntary Association Participation and White Ethnic Diversity in Rural Iowa Communities

Membership in voluntary associations is of core importance to civil society. In this study, I build on the large literature that focuses on how community racial/ethnic diversity affects individuals’ joining of—and participation within—voluntary associations. The central focus is on White ethnicity or European ancestry, which I analyze using the 2004 Iowa Community Survey and 2000 U.S. Census data. I find that White ethnic diversity is associated with fewer overall memberships and less frequent participation, with differing effects for various large groupings of voluntary organizations. I close our study by discussing the implications of my findings for organizations and the broader community.

Review – Tom Lodge, Red Road to Freedom, A History of the South African Communist Party 1921–2021, Jacana, Johannesburg 2021.10.26

In the year of the South African Communist Party’s centenary, Tom Lodge’s in-depth, scholarly work is a landmark achievement. The account is particularly strong in tracing the ideological currents that shaped the party and the changing and diverse sociology of its membership. The influential role of the party in helping transform the African National Congress into a mass-based campaigning formation from 1945 is a central focus. Lodge also traces the critical role of the party in the re-building, at first largely in exile, of a weakened ANC following the major strategic setback of the liberation movement in the mid-1960s. There is less focus on the reciprocal impact of the ANC upon the party, especially in the context of the practice of “dual membership” in both formations. This neglect is one factor in weakening the analysis of the post-1994 period in which the ANC has been the ruling party.

Polish Pedagogy in the Early 20th Century: The Emergence of the Concept of Children’s Rights

This article presents an analysis and interpretation of sources and secondary materials collected during research on social pedagogy being a source of ideas for the contemporary concept of children’s rights. Polish social pedagogy in its historic heritage, grounded in the ideas and writings of the first Polish pedagogues, of the 1920s and 1930s as well as in specific theoretical and institutional measures that served the practice of social support, help and care, was guided by the notion of the protection of human rights. This particularly referred to the rights of the child threatened by poverty, exclusion, social inadequacy; the child who was hungry, abandoned, orphaned and in urgent need of support. The article discusses the source of the concept of children’s rights found in the achievements of Polish social pedagogues, and their implications for the evolution of theory and practice in protection of the children’s rights. The central focus of these considerations is the category of law as an important element of the human educational environment during childhood.

Frontiers of Existence

This article introduces a new concept, ‘frontiers of existence’, to highlight and demand more attention be placed on the lives of human and other-than-human beings whose possibilities to exist are extinguished or radically and negatively transformed at resource and commodity frontiers and demand more attention be placed on this. What happens to existences at these places has not been a central focus in prior studies utilizing political economy, political ecology, or other approaches for studying frontiers. This article is makes a theoretical contribution, by arguing that the research on resource frontiers should more fully recognize more fully the redistributions of existences caused by major landscape changes. The analysis is based on field research since 2004 on the expansion of monocultures and deforestation in Brazil and the effect of this on existences. Four key questions for the existential analysis of frontiers are suggested, and their application is briefly demonstrated through ethnographic material collected in November and December 2019, in the Amazon and Cerrado regions of Mato Grosso State in Brazil. Keywords: resource frontiers, ethnocide, deforestation, political ontology, global land grabbing, frontiers of existence, forests

Sisyphus and Entropy; Adaptive Architecture in Flood Prone Nanjing

<p>This thesis attempts to rationalize two diverging practices in Architectural discourse, that of Western pedagogy and that of the ‘Other’. A disparity in approach to understanding architecture as a permanent object, can be noted in the dialogue between resilient architecture and temporary structure, this manifests itself in transient spaces and adaptive urban fabrics. The increased danger of flooding within China; with a particular emphasis on river infrastructure, posits an interesting position for new urban typologies and innovative floating solutions. Positioned on the expansive Yangtze River Delta, Nanjing encompasses a complex narrative of historical reverence and progressive tendencies, that encourage experimental approaches. The process and methodology within, seeks to provide an adaptable and affordable response to the recurring floodings, through in depth concise historical, cultural and philosophical analysis of the social, spiritual and architectural landscape within China as a whole as well as in specificity. These insights, juxtaposed with traditional western technique intends to produce an intricate and considered response to flood situations, with a particular focus on community generation and maintenance. Although Nanjing remains the central focus of the research, the concepts and practical results are intended to be abstracted and drawn into all cultures within Asia, primarily those with Buddhist and Taoist social structures. The proliferation of Feng Shui and the Metaphysical throughout the region provide a framework from which to expand. This network of social and cultural similarity allows for cross disciplinary and pan Asian approaches, noting the Japanese Metabolist Movement as a practical indication of socio-cultural influence on architectural theory.</p>

Sisyphus and Entropy; Adaptive Architecture in Flood Prone Nanjing

<p>This thesis attempts to rationalize two diverging practices in Architectural discourse, that of Western pedagogy and that of the ‘Other’. A disparity in approach to understanding architecture as a permanent object, can be noted in the dialogue between resilient architecture and temporary structure, this manifests itself in transient spaces and adaptive urban fabrics. The increased danger of flooding within China; with a particular emphasis on river infrastructure, posits an interesting position for new urban typologies and innovative floating solutions. Positioned on the expansive Yangtze River Delta, Nanjing encompasses a complex narrative of historical reverence and progressive tendencies, that encourage experimental approaches. The process and methodology within, seeks to provide an adaptable and affordable response to the recurring floodings, through in depth concise historical, cultural and philosophical analysis of the social, spiritual and architectural landscape within China as a whole as well as in specificity. These insights, juxtaposed with traditional western technique intends to produce an intricate and considered response to flood situations, with a particular focus on community generation and maintenance. Although Nanjing remains the central focus of the research, the concepts and practical results are intended to be abstracted and drawn into all cultures within Asia, primarily those with Buddhist and Taoist social structures. The proliferation of Feng Shui and the Metaphysical throughout the region provide a framework from which to expand. This network of social and cultural similarity allows for cross disciplinary and pan Asian approaches, noting the Japanese Metabolist Movement as a practical indication of socio-cultural influence on architectural theory.</p>

Itineraries of Modern Ethiopian Instrumental Music

<p>This dissertation explores the way in which Ethiopian musicians of the 1960s and 70s adapted forms such as jazz, soul and Latin music to create a new hybrid instrumental music style variously referred to as Ethio-Jazz or Ethio-Groove. It will then go on to investigate the impact that this music has had, in turn, on musicians in various locations around the world since its reissuing on CD in the late 1990s. The central focus is to investigate and articulate the role of individuals’ musical agency in this narrative, and to ask how, within the context of Ethiopian instrumental music and its offshoots, individual musicians and composers have engaged with, responded to and integrated music from elsewhere into their own musical languages. In particular, it looks at how musicians and composers have approached their own notion of creative individuality when their musical genealogy can be traced via affinities rather than geographic and ethnic inheritances. In adopting various influences these musicians, from both the original generation of Ethiopian musicians in the 60s and 70s who adapted soul, jazz and other American forms, and those from around the world who have in turn been influenced by this style of hybrid Ethiopian music, have had to unlock various technical musical problems, as well as navigate at times treacherous ethical waters and answer to allegations of cultural betrayal and/or appropriation. This dissertation identifies these problematic musical and ethical areas and, in the context of this criticism, it examines various viewpoints on how cultural interaction and exchange take place. The final chapter of this dissertation contextualizes my own creative portfolio, which accompanies this written work. It offers a personal response to the questions that have arisen from my affinity for Ethiopian music and from choosing an approach to composition closely informed by this affinity.</p>