scholarly journals Thinking Otherwise: Speculative Imagining in PfC

2021 ◽  
Author(s):  
◽  
Amalia Louisson

<p>In the face of looming ecological catastrophe, ever-expanding neoliberalism and the ongoing integration of our lives into virtual spaces, there is an urgent need to expand people’s political imagination and responsiveness to these challenges. Engaging with philosophy outside the academic sphere – for example, in school and community contexts – can contribute to addressing this political need. Using the example of Philosophy for Children (PfC), an international educational movement, this thesis explores the potential for cross-paradigmatic approaches to philosophical inquiry. It observes that adherence to particular philosophical paradigms, as has largely been the case in PfC, binds the imagination to particular epistemic and political parameters and precludes ideas that contradict paradigmatic assumptions. Invoking the sensibility of Gillian Rose, I argue that we need a philosophy that permits people to imagine radically different political worlds in a manner that actively resists political ‘bubble-think’. This thesis illustrates how Rose’s cross-paradigmatic approach, speculative negotiation, can help to address some of the limits of paradigm thinking by inspiring a more transformative philosophy in contexts such as PfC. In doing so, this thesis contributes both to an expansion of the PfC programme and to questions surrounding the concrete practise of Rose’s rich theoretical oeuvre.</p>

2021 ◽  
Author(s):  
◽  
Amalia Louisson

<p>In the face of looming ecological catastrophe, ever-expanding neoliberalism and the ongoing integration of our lives into virtual spaces, there is an urgent need to expand people’s political imagination and responsiveness to these challenges. Engaging with philosophy outside the academic sphere – for example, in school and community contexts – can contribute to addressing this political need. Using the example of Philosophy for Children (PfC), an international educational movement, this thesis explores the potential for cross-paradigmatic approaches to philosophical inquiry. It observes that adherence to particular philosophical paradigms, as has largely been the case in PfC, binds the imagination to particular epistemic and political parameters and precludes ideas that contradict paradigmatic assumptions. Invoking the sensibility of Gillian Rose, I argue that we need a philosophy that permits people to imagine radically different political worlds in a manner that actively resists political ‘bubble-think’. This thesis illustrates how Rose’s cross-paradigmatic approach, speculative negotiation, can help to address some of the limits of paradigm thinking by inspiring a more transformative philosophy in contexts such as PfC. In doing so, this thesis contributes both to an expansion of the PfC programme and to questions surrounding the concrete practise of Rose’s rich theoretical oeuvre.</p>


Human Arenas ◽  
2021 ◽  
Author(s):  
Susanne Normann

AbstractHow to re-member a fragmented world while climate change escalates, and green growth models reproduce coloniality, particularly in Indigenous territories? What can be the concrete contributions from different scholarly disciplines to a broader decolonial project? These questions are debated by decolonial scholars who call to re-think our practices within academic institutions and in the fields that we study. This article contributes with a decolonial perspective to sociocultural psychology and studies on Indigenous knowledges about climate change. Through ethnographic methods and individual and group interviews, I engage with indigenous Guarani and Kaiowá participants’ knowledges and practices of resilience opposing green growth models in the Brazilian state Mato Grosso do Sul. Their collective memory of a different past, enacted through narratives, rituals, and social practices, was fundamental to imagine different possible futures, which put in motion transformation processes. Their example opens a reflection about the possibilities in connecting sociocultural psychology’s work on collective memory and political imagination to the broader decolonial project, in supporting people’s processes of re-membering in contexts of adverse conditions caused by coloniality and ecological disaster.


2019 ◽  
Author(s):  
Frances Hsu ◽  

Kant distinguishes two notions of the sublime: the mathematically sublime and the dynamically sublime. In the case of both notions, the experience of the sublime consists in a feeling of the superiority of our own power of reason, as a super sensible faculty, over nature. (Stanford Encyclopedia of Philosophy) The concept of the sublime was associated with nature in late 18th and early 19th century aesthetics. Political philosopher and states-man Edmund Burke evoked human mortality in A Philosophical Inquiry into the Origin of our Ideas of the Sublime and the Beautiful, defining the sublime as experience of the overwhelming magnitude of phenomena in the natural world which causes “a sort of delightful horror, a sort of tranquility tinged with terror; which, as it belongs to self-preservation, is one of the strongest of all the passions.” Kant, in contrast to Burke, defines rationality is an important component of the experience of the sublime: “The sublime is to be found in an object even devoid of form, so far as it immediately involves, or else by its presence provokes a representation of limitlessness, yet with a super-added thought of its totality.” That is, reason--super-added thought--allows us to comprehend and challenge the entirety of that which is beyond comprehension. He writes that “the feeling of the sublime in nature is respect for our own vocation . . . this feeling renders as it were intuitable the supremacy of our cognitive faculties on the rational side over the greatest faculty of sensibility.” For Kant, in other words, the experience of the sublime was the oscillation between sensation and rationality in the face of the overwhelming-ness of phenomena in the world.


2013 ◽  
Vol 16 (3) ◽  
pp. 233-244 ◽  
Author(s):  
Ron Avi Astor ◽  
Kris Tunac De Pedro ◽  
Tamika D. Gilreath ◽  
Monica C. Esqueda ◽  
Rami Benbenishty

2019 ◽  
Vol 15 ◽  
pp. 1-18
Author(s):  
Kei Nishiyama

In Philosophy for Children (P4C), consensus-making is often regarded as something that needs to be avoided. P4C scholars believe that consensus-making would dismiss P4C’s ideals, such as freedom, inclusiveness, and diversity. This paper aims to counteract such assumptions, arguing that P4C scholars tend to focus on a narrow, or universal, concept of “consensus” and dismiss various forms of consensus, especially what Niemeyer and Dryzek (2007) call meta-consensus. Meta-consensus does not search for universal consensus, but focuses on the process by which people achieve various non-universal forms of consensus, such as agreement on the value of opponents’ normative view or agreement on the degree to which they accept opponents’ view. This paper argues that such meta-consensus is a key part of what Clinton Golding (2009) calls “philosophical progress,” which is the essential element that makes inquiry philosophical. In other words, without meta-consensus and philosophical progress, inquiry ends in merely conversation or antagonistic talk. Drawing on the example of P4C conducted with Japanese students, this paper shows how meta-consensus is achieved in the community of philosophical inquiry and how it contributes to make inquiry philosophical.


2019 ◽  
Vol 32 (1) ◽  
pp. 107-126 ◽  
Author(s):  
Bran Nicol

Abstract One of the more interesting science fiction movies of recent years, at least to Humanities academics, is Denis Villeneuve’s 2016 alien-invasion movie, Arrival. It is a film which not only features a Professor of Linguistics as its heroine, but the plot of which is organised around the critical global importance of a multi-million dollar translation project. This essay compares the film with the original novella upon which it was based – Ted Chiang’s “Story of Your Life” (1998) – to examine the role translation plays in both, with the aim of placing this in the context of the crisis in the Humanities which has marked universities over the last few years, and can be linked to a more general crisis in liberal values. While founded upon a time-honoured science fiction scenario the movie also clearly articulates the sense of global peril which is typical of much of the cultural production of our current times, manifested in fears about ecological catastrophe, terrorist attacks, and the anthropocene, etc. Another of its crisis-points is also ‘very 2016’: its ability to use science fiction tropes to express an anxiety about how liberal values are in danger of being overtaken by a self-interested, forceful, intolerant kind of politics. Arrival is as much a work of ‘hu-fi’ as it is ‘sci-fi’, that is, ‘Humanities fiction’, a film which uses Chiang’s original novella to convey a message about the restorative potential of ‘Humanities values’ in the face of a new global threat.


2021 ◽  
Vol 17 (1) ◽  
pp. 37-50
Author(s):  
Prayanto Widyo Harsanto

Abstrak Agenda politik tahun 2020 di Indonesia adalah pesta demokrasi untuk Pemilihan Kepala Daerah (Pilkada) secara serentak yang diikuti 270 wilayah meliputi 9 provinsi, 224 kabupaten, dan 37 kota. Namun, pada saat semua calon (kandidat) mulai mempersiapkan dan memperkenalkan diri kepada masyarakat, pada saat itu pula muncul wabah virus korona (Covid-19) di dunia, termasuk di Indonesia. Kondisi ini mengakibatkan munculnya kampanye terselubung di tengah upaya pemerintah dalam menangani dan mencegah menyebarnya Covid-19. Indikasi munculnya kampanye terselubung telah dilakukan beberapa kepala daerah, salah satunya oleh bupati Klaten di tengah wabah Covid-19 dengan menyertakan foto diri dalam bantuan sosial (bansos), bahkan juga ditandai dengan munculnya foto kepala daerah di baliho-baliho di berbagai tempat strategis, di media massa, dan di media sosial di tengah pandemi virus corona. Wabah virus Covid-19 yang merupakan tragedi sosial kemanusiaan dimanfaatkan untuk kepentingan politik yang sifatnya pragmatis oleh segelintir anak bangsa. Terjadinya fenomena visualitas fotografi yang bersinggungan dengan fenomena politik dalam Pilkada 2020 ini menarik dan penting untuk dikaji. Tujuan kajian ini adalah untuk membaca dan memahami lebih dalam atas intervensi visual secara terus-menerus sebagai bagian esensi komunikasi sosial-politik. Untuk mengkaji fenomena tersebut menggunakan visual metodologis dari Gillian Rose (2001) yang didasarkan pada objek material berupa foto bupati Klaten pada berbagai media yang ditengarai sebagai bentuk kampanye politik Pilkada. Metode ini akan memaparkan deskripsi dan analisis secara komprehensif dengan dibantu berbagai literatur. Visualitas fotografi dalam konteks ini digunakan untuk menggambarkan citra visual yang dapat menarasikan melalui berbagai macam simbol visual. Visualitas fotografi yang dimanfaatkan pejabat publik pada media komunikasi visual dapat dilihat sebagai bentuk politisasi sebagai konsekuensi lahirnya upaya penafsiran terhadap fakta atau realitas sosial. Oleh karena itu, fotografi menjadi salah satu elemen penting sebagai upaya kampanye dalam menghadapi pemilihan kepala daerah, di mana foto dilihat dari fungsinya memiliki daya tarik dan persuasi yang kuat untuk membantu memperjelas dan memperteguh isi pesan terhadap konstituen atau masyarakat sebagai target sasarannya. PHOTOGRAPHIC VISUALITY: Photo of the Klaten Regent in the Regional Election Campaign in the Middle of Covid-19 Abstract The 2020 political agenda in Indonesia is a simultaneous democracy for regional heads (pilkada) followed by 270 stakes covering 9 provinces, 224 districts, and 37 cities. However, at a time when all candidates (candidates) start to prepare and introduce themselves to the public, at that moment a worldwide outbreak of the Corona virus (covid-19), including Indonesia. This resulted in a covert campaign amid government efforts to handle and prevent the spread of covid-19. Indications of the emergence of covert campaigns have been carried out by several regional heads, including the klaten regent in the middle of the covid-19 outbreak by including self-portraits in baliho-baliho in various strategic places, in the media, and at social media amid the corona virus pandemic. The covid-19 virus outbreak that was a social humanitarian tragedy was used for pragmatic political interests by a few national children. The occurrence of visualization of photography in relation to the political phenomenon of this 2020 pillage is of interest and importance. The purpose of the study is to read and understand more deeply about visual interventions constantly as part of the essence of socio-political communication. To review the phenomenon using a visual methodological of gillian rose (2001) based on material Photograph of the regent of klaten on various media that are believed to be a form of the election political campaign. It will outline comprehensive descriptions and analyses with help from different literature. Photographic visuals in this context are used to depict visual images that can apply through various visual symbols. Visualization of photography used by public officials on visual communication media can be viewed as politicisation as a consequence of an interpretation of facts or social reality. In consequence, photography becomes one of the key elements of a campaign effort in the face of the electoral election, where photographs of its function have a strong appeal and persuasion to help clarify and solidify the message's content of the constituency or society as its target.


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